Manuscript on parchment (hairside yellow and speckled) of Cicero, Epistolae ad familiares. With Extract from Aulus Gellius, Noctes Atticae III.8.8: Epistula Fabricii et Aemilii consulum ad Pyrrhum regem. The text was copied ca. 1400 and the border decoration added between ca. 1415 and 1431
Description:
In Latin., Script: Written in a neat fere-humanistic hand by a single scribe, below top line., 14 elegant illuminated initials and partial borders at the beginning of each of the 16 books (the opening pages of Books XII and XV have been excised). Initials, 5- to 3-line, blue with white filigree or red with gold filigree on cusped grounds of gold. Most of the illuminated initials filled with bust-length portraits, presumably of Cicero's correspondents, on red, blue or diapered ground. Some initials filled with vine scrolls with trilobe leaves in red with white highlights against gold ground. Partial borders, scrolling vine with trilobe leaves or acanthus in blue, pink, red and gold with white highlights and green, red and blue with gold highlights. Small figures of angels, dressed in green with gold wings in borders or margins, some playing musical instruments, one holding an open book, one holding the cloth of Veronica. Other marginal figures include the "Agnus Dei" and a pelican piercing its breast. The figures are all characterized by white faces, small angled black eyes, and a preference for green and gold, the green with contour lines in gold. Plain initials alternate red and blue. Rubrics throughout., and Binding: Nineteenth century, France (?). Red velvet case with a dark green gold-tooled label: "M. T. Ciceronis Epistolae Ad Familiares MS. in Membranis". Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin letters, and Manuscripts, Medieval
Title engraved at top of image., Earlier state (1640?): H. Focken excu., Eight columns of text in Dutch below image: Aenden nieus-gierigen leser. Onlangs met sekeren vrint tot Haerlem zynde ..., Plate 76 from: Het groote tafereel der dwaasheid ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Jesters: jester's cap.
Depiction of the marble statue of the Farnese Flora at the Palace of Versailles. The female figure looks to the right and is draped in a gown which falls away from her right shoulder; she holds up a garland in her left hand and grasps the hem of her garment in her right hand
Description:
Title etched at bottom of image., Publication information from that of the volume in which the plate appeared., Plate from: Thomassin, S. Recueil des figures, groupes, thermes, fontaines, vases, statues, et autres ornemens de Versailles. Amsterdam : P. Mortier, 1695., Sheet trimmed within plate mark., Plate numbered "31" in upper right corner., Mounted on page 159 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Arc memorial dressé au lieu de l'enterrement des actionistes consumés
Description:
Title engraved below image., Four columns of verse in Dutch on the left below image: De narrekap, die god merkuur door wind-negotie heeft gedrágen ..., Four columns of text in French on the right below image: Après que la tempête des actions est passée, Pallas ôte de bonne heure ..., Plate 59 from: Het groote tafereel der dwaasheid ... , v. 1., and Watermark in the right part of sheet.
Manuscript fragment on parchment of a gradual in Latin with rubrics partially in Dutch containing the Vigil of St. Andrew (29 November) and St. Andrew (30 November).
Description:
In Latin and Dutch., Script: written in gothic script (littera textualis formata)., and Decoration: 4-line historiated initial "D" in blue on a dark red ground bordered with gold; the initial, of workshop quality and badly rubbed and damaged by water, shows Christ standing on the shore with Andrew and Peter in a boat; the extant margins on the recto are decorated with blue and gold vines from which come pink, green, and gold flowers; rubrics written in red in a less formal script than the text; punctuated with the punctus; words and syllables are separated by horizontal strokes in red; the foliation is written in red in the center of the upper margin of the recto.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Graduals (Chants).
"Dutch broadside on the South Sea Bubble and other investment schemes of 1720; with an engraving and an etching, in the centre an engraving showing an old winged man, holding a mirror in front of a young man who points at a globe representing the international speculation schemes; this image framed with an etching with a decorative border with Callot figures, strap-work and various objects, including two bird cages; with engraved title and inscriptions, and with letterpress title, verses and a list of the schemes in five columns."--British Museum online catalogue
Description:
Title engraved within image., Title translation in British Museum catalogue: Tomb of the ruined stockholders., Publication date from book in which this print was published., Four columns of letterpress verse in Dutch below plate, titled "Eere-titel, of Gordyn voor het Schouburg der Actie-Tafereelen ...", Plate 1 from: Het groote tafereel der dwaasheid ... , v. 2., Mounted to 49 x 34 cm., and Watermark.
