Manuscript on paper, in a single hand, of copies of 20 letters from Alured Clarke to Charlotte, Lady Sundon, followed by copies of 4 letters to her from Lord John Hervey and one letter from an unsigned hand. Many of the letters from Clarke concern his patronage of the poet Stephen Duck, in which he discusses his anxiety about exposing Duck to the cruelty of Alexander Pope and "the Dunciad Club," his negotiations with various booksellers and publishers on Duck's behalf, and his high hopes for Duck's poetry after the death of Duck's wife. He also describes books on religion, history, and moral philosophy that he has read; witnesses a presentation of "Indians" to the Queen; and imparts various religious and political news, including Quaker activities. The letters from Hervey consist primarily of descriptions of his own routine social activities as well as those of such notables as the King, Queen, and Duke of Grafton, though he also writes with surprise that Stanislaus has been chosen King of Poland and reports that Benjamin Hoadly, Bishop of Salisbury, is on the brink of being promoted to the bishopric of Winchester, despite his disagreements with Sir Robert Walpole. An unsigned letter dated 1734, sent "by a private hand," discusses the controversial nomination of Thomas Rundle to the see of Gloucester
Description:
Charlotte Clayton, Lady Sundon (c.1679-1742), courtier, married William Clayton (baptised. 1671, died 1752) of Sundon Hall in Bedfordshire before 1714. With the help of the Duchess of Marlborough, Charlotte Clayton was appointed a woman of the bedchamber to Caroline, princess of Wales in 1714. Her considerable influence over Caroline was distressing to Robert Walpole, who accused Clayton of procuring various political favors for her friends., Alured Clarke (1696-1742), was a Church of England clergyman. Ordained by his uncle Bishop Trimnell in 1720, in 1723 he became rector of Chilbolton in Hampshire and a prebendary of Winchester. He was a chaplain-in-ordinary to both George I and George II; in 1731, he became a prebendary of Westminster. Later he became deputy clerk of the closet to George II. Clarke was also a patron; he founded a county hospital at Winchester in 1736 and was a champion of the poet Stephen Duck., John Hervey, second Baron Hervey of Ickworth (1696-1743), was a courtier and writer. On 2 April 1725 he was elected MP for Bury St Edmunds, and entered the Commons as a supporter of Sir Robert Walpole. In 1730, he became vice-chamberlain to the king's household and, consequently, a member of the privy council; and, in 1740, lord privy seal. However, in 1742 Walpole resigned, and that same year Hervey also left public office. He wrote numerous tracts, including Ancient and Modern Liberty Stated and Compared (1734); The Conduct of the Opposition and the Tendency of Modern Patriotism (1734); and Miscellaneous Thoughts (1742). Hervey's Memoirs were published, with some material suppressed, in 1848, and a more complete version was published in 1931., In English., Pasted onto back pastedown: dealer's description of manuscript., Phillipps 18548., Binding: full calf. In gilt on spine: Clarke Sundon Letters., and For further information, consult library staff.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Clarke, Alured, 1696-1742., Duck, Stephen, 1705-1756., Bristol, John Hervey, Earl of, 1665-1751., Hervey, John Hervey, Baron, 1696-1743., Hoadly, Benjamin, 1676-1761., Rundle, Thomas, 1688?-1743., Stanisław I Leszczyński, King of Poland, 1677-1766., Sundon, Charlotte Clayton, Baroness, d. 1742, Walpole, Robert, Earl of Orford, 1676-1745., and Church of England
Subject (Topic):
Bishops, Clergy, Appointment, call, and election, Authors and patrons, Nobility, Social life and customs, and Politics and government
Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780
Call Number:
LWL MSS 11
Image Count:
164
Abstract:
Manuscript copies in multiple hands, of 62 letters to or by Madame du Deffand, primarily letters from du Deffand to the duchesse du Choiseul; also two letters to Horace Walpole. The letters primarily concern social subject such as dinners, news of friends, current reading, and routine expressions of friendship. In one letter, she tells Horace Walpole she is reading de Boutigny's Tarsis et Zelie; in another, she mentions that Sedaine read to her his Paris Inedite. She also discusses the American Revolution in a letter dated October 24, 1777, which reports that some say General Burgoyne has been taken, while others say that Philadelphia has fallen
Description:
Marie Anne de Vichy Chamrond, marquise du Deffand (1697-1780), was married at 21 to her kinsman, Jean Baptiste de la Lande, marquis du Deffand. The marriage resulted in a separation as early as 1722. However, her intelligence, cynicism, and wit gained her such friends as Voltaire, Montesquieu, Fontenelle and Madame de Staal-Delaunay, the president Henault, and D'Alembert. The principal friendships of her later years were with the duchesse de Choiseul and with Horace Walpole. She died on September 23, 1780, leaving her papers to Walpole., In English., Formerly classed as: 49 2545 VI., Laid in: several pages of handwritten notes by Ste.-Aulaire., and For further information, consult library staff.
Subject (Geographic):
France and United States
Subject (Name):
Burgoyne, John, 1722-1792., Choiseul Stainville, Louise Honorine Crozat, duchesse de, 1734-1801., Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780., Le Vayer de Boutigny, M. 1627-1685. (Roland),, Sainte-Aulaire, Joseph Louis Camille de Beaupoil, Marquis, 1798-1819., and Walpole, Horace, 1717-1797.
"Half-length, directed towards and looking to the left, right arm resting on a slab to the right, chin leaning on her hand; published state."--British Museum online catalogue
Description:
Title engraved below image. and State from: Smith, J.C. British mezzotinto portraits.
Publisher:
Published May 29th, 1772, & sold by J. Finlayson, Orange Street, Leicester Fields
"'The Marriage Settlement' (after the painting by Hogarth in National Gallery); a grand interior where Earl Squander and a city merchant arrange the marriage of their son and daughter; the extravagantly dressed young man looks at his reflection in a glass while his future bride listens to the lawyer's soft words; through the window is a view of a palatial house under construction."--British Museum online catalogue
Alternative Title:
Marriage settlement
Description:
Title from British Museum online catalogue., Title engraved below image., "Size of picture ft. 3 by 2 ft. in. 4.", Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2692., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 158., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 228.
Publisher:
Pubd. June 4, 1795 by J. & J. Boydell, No. 90, Cheapside, & at the Shakspeare Gallery, Pall-Mall, London
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., and On page 111 in volume 2. Sheet trimmed to: 37.9 x 46.5 cm.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., and After the painting "The Marriage Settlement" in the National Gallery, London.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., and Sheet trimmed within plate mark.
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title and state from Paulson., Sheet trimmed within plate mark., Ms. note in Steevens's hand in pencil on folio page: See Nichols's book, 3d edit, p. 262, &c., Ms. note in Steevens's hand in pencil at bottom of print: Given me by Mr. Henderson [?]., Ms. note in brown ink below image at bottom right: Scotin fe. aqua forti., and Formerly on page 109 in volume 2. Removed from Steevens volume by LWL conservator.
