Folding plate (also issued separately) to 'Anti-Jacobin Review', i. 285, illustrating extracts from a pamphlet published by Wright: Considerable allowance to those who purchase Thousands and Tens of Thousands for distribution. A burlesque of the trial of O'Connor at Maidstone (22 May), parts of the court being hidden by the large labels which issue from the mouths of prisoner and witnesses. The presiding judge (Buller) looks down with horror at the witnesses, the other judges are hidden. O'Connor (not caricatured), wearing leg-irons, stands at the bar; his hands are clasped, and he bends forward in profile to the left, making a confession which, though condensed, does not differ substantially from that made by him, McNevin, and Emmet, and published in the Report of the Secret Committee made to the Irish House of Commons on 21 Aug. ('Lond. Chron.', 27 Aug.), ... 'I confess, that I became an United Irishman in 1796 & a Member of the National Executive, from 1796, to 1798. I knew the offer of French assistance was accepted at a meeting of the Executive in Summer 1796: I accompanied the Agent of the Executive (the late Lord Edward Fitzgerald) ...had an interview with General Hoche (who afterwards had the command of the expedition against Ireland) on which occasion every thing was settled between the parties with a view to the descent. ... "--British Museum online catalogue
Description:
Title etched below image., Plate from: Caricatures of Gillray, London, John Miller, [ca. 1824-1827], opposite page 17., and Mounted to 30 x 37 cm.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Geographic):
Ireland
Subject (Name):
O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Emblems, Judges, Justice, Nooses, Scales, Traitors, Trials, litigation, etc, Witnesses, History, and Politics and government
Leaf 47. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Samuel Drybutter, a well-known homosexual, standing in fetters whole length in profile to left, conversing with Jack Catch (or Ketch, the public hangman) who holds a halter in his right hand and says, "Dammee Sammy your a sweet pretty creature & I long to have you at the end of my String", to which Drybutter replies, "You don't love me Jacky"."--British Museum online catalogue
Alternative Title:
Ganymede and Jack-Catch
Description:
Title etched below image., Date of publication from the Catalogue of engraved British portraits., Initial letters of publisher's name in imprint form a monogram., Imperfect; first word "Dammee" in Jack Catch's speech bubble has been erased from sheet. Missing text supplied from impression in the British Museum., Plate numbered "V. 3" in upper left corner and "9" in upper right corner., Temporary local subject terms: John Ketch -- Capital punishment: Manacles., and First of two plates on leaf 47.
Charles Fox, with a fox's body, sits on the ground facing a building inscribed, "The Treasury," with the entrance signed, "Back door." He laments the loss of power and his inability to "get oer this mighty Pit [i.e., William Pitt]" shown as a large oval hole in the ground in front of him. Six geese stand on the other side of the 'pit' ridiculing him. A reference to the struggle between Pitt and Fox in Parliament prior to its dissolution
Alternative Title:
Fox in the dumps
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Publish'd Feb. 26th, 1784 as the act directs by S. Neele, 352 near Exeter Change Strand
"A colossal but life-like bust of Napoleon is placed on a mound of decollated human heads. He gazes fixedly upwards in profile to the left; round his neck and bare breast is twisted a noose of rope. Round this idol dance demons with human heads, holding hands. They are naked except for head-coverings, and have horns, hairy legs, tail, with one leg terminating in a cloven hoof, the other in the claw of a bird of prey. These 'Hell Hounds' have labels hanging from a collar of rope, showing that they are 'Caulincourt', 'Fouché', 'Savory', with a pen in his hat (he succeeded Fouché as Minister of Police in 1810), 'Vandamme', 'Davoust', 'Ney', 'Lefebre'. Two demons fly towards the emperor, holding a large wreath which is on fire, with the inscription 'He Deserves A Crown of Pitch.' This they are about to place on the idol's head, towards which gallops through the air a small demon (right) on a goat, blowing a horn. In the foreground lie dead and dying soldiers, one is decapitated, another (right) is naked and has lost an arm which he holds out with an agonized expression towards the idol. In the background (left) soldiers are feeding a bonfire with 'English Goods'. On the right is a blazing town."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Unidentified collector's stamp on verso.
Publisher:
Pubd. April 8, 1815, by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Idols, Nooses, Demons, Heads (Anatomy), Decapitations, War casualties, Soldiers, and Dismemberment
Leaf 32. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull stands on a stone on tiptoe under a tree, a rope round his neck attached to a branch of the tree. He holds the rope with both hands, to prevent strangulation. On the right stands a Frenchman (France) holding out a leek to John Bull, between them is a stream or river. John Bull is a moderately stout man with a thick neck, wearing an ill-made bob-wig, not the characteristic John Bull of later satires, who had already appeared, see British Museum Satires Nos. 5611, 5612. The Frenchman is very thin, wearing a night-cap, a long pigtail queue, a ruffled shirt, and sabots stuffed with grass."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from the British Museum catalogue., Temporary local subject terms: France as a French peasant -- Emblems: Leek for France -- ?Reference to defeat at Yorktown., and Second of two plates on leaf 32.
Publisher:
M. Darly
Subject (Geographic):
France.
Subject (Topic):
John Bull (Symbolic character), Hangings (Executions), Nooses, Peasants, Onions, Streams, and Wigs
"The left and wider portion of the design represents 'England', the right portion 'France'; two posts and the corners of two buildings meet along the dividing line. From each post a horizontal beam projects to support a signboard, in each case that of a crown. In England this is in place, and has the inscription 'Good Entertainment for Man & Horse'; two Frenchmen standing on the opposite side are pulling at the English sign with ropes. They stand on the sign of the (French) crown which has already been cut down. They are assisted by Tom Paine who sits astride the horizontal bar to saw it through, but leaves his saw in the wood to stare in terror at a large bill, posted on the house from which the sign projects, and inscribed: 'Association for preserving Liberty & Property against Republicans and Levellers Resolved. . . '. He exclaims, "Here's a Stop to my Levelling." He is dressed in a slovenly manner and from his pocket protrude 'D Priestley Sermon' (see British Museum Satires No. 7887, &c.) and 'Rights of Man' (see British Museum Satires Nos. 7867, 8137, &c). On the ground, and opposite the door of the Crown Inn, stand a sailor (left) and a soldier (right) who clasp hands; the sailor waves his hat, crying, "for our King and"; the soldier, who holds a musket, the butt end resting on the ground, adds "Country". Against the door is pasted a bill headed 'Proclamation' (see British Museum Satires No. 8095), and ending 'God save the King'. The rays of the sun dispel some dark clouds which surround Paine. In the background is a castle, flying a British flag, and the masts of ships. In front of them is a wall on which stands a small defiant British Lion. In France the sky is covered with heavy clouds. On the building are three large placards: [1] 'Liberté & Egalité Ca ira', [2] 'Mr Fox's Speech to the Vig Club Anglois', [3] 'Memorial of Cit Thos Paine to the Nation[al] Conven[tion]'. Beside the two men who pull at the English crown is a third Frenchman, a ragged sansculotte, who holds a pike on which is a head; he stands astride a recently decapitated body, shouting, "Vive la Nation." Behind him are the branches of a bare tree, inscribed 'L'arbre de la Liberte', from which hangs the body of a monk."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Sheet trimmed to plate mark on bottom edge and within plate mark in lower left corner., Two lines of quoted text below title: "Nought can make us rue, if England to itself do rest but true.", Temporary local subject terms: Associations: Association for preserving Liberty & Property against Republicans and Levellers -- Male costume: French sans culottes -- Signboard "Crown Inn" -- Tools: Aaws -- Chains -- Proclamations -- Soldiers: British soldier -- Soldiers' uniforms -- Weapons: Muskets -- British Lion -- Executions: Decapitated body -- Executions: Hanged monk -- Travesties: Dead tree of liberty -- St. James's Palace., and Mounted on page 76.
Publisher:
Publd. 15 Decr. 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Paine, Thomas, 1737-1809 and Fox, Charles James, 1749-1806.
Subject (Topic):
Signs (Notices), Taverns (Inns), Ropes, Saws, Sailors, British, Soldiers, Military uniforms, Rifles, Lions, Crowns, Spears, Decapitations, Nooses, and Monks
"The left and wider portion of the design represents 'England', the right portion 'France'; two posts and the corners of two buildings meet along the dividing line. From each post a horizontal beam projects to support a signboard, in each case that of a crown. In England this is in place, and has the inscription 'Good Entertainment for Man & Horse'; two Frenchmen standing on the opposite side are pulling at the English sign with ropes. They stand on the sign of the (French) crown which has already been cut down. They are assisted by Tom Paine who sits astride the horizontal bar to saw it through, but leaves his saw in the wood to stare in terror at a large bill, posted on the house from which the sign projects, and inscribed: 'Association for preserving Liberty & Property against Republicans and Levellers Resolved. . . '. He exclaims, "Here's a Stop to my Levelling." He is dressed in a slovenly manner and from his pocket protrude 'D Priestley Sermon' (see British Museum Satires No. 7887, &c.) and 'Rights of Man' (see British Museum Satires Nos. 7867, 8137, &c). On the ground, and opposite the door of the Crown Inn, stand a sailor (left) and a soldier (right) who clasp hands; the sailor waves his hat, crying, "for our King and"; the soldier, who holds a musket, the butt end resting on the ground, adds "Country". Against the door is pasted a bill headed 'Proclamation' (see British Museum Satires No. 8095), and ending 'God save the King'. The rays of the sun dispel some dark clouds which surround Paine. In the background is a castle, flying a British flag, and the masts of ships. In front of them is a wall on which stands a small defiant British Lion. In France the sky is covered with heavy clouds. On the building are three large placards: [1] 'Liberté & Egalité Ca ira', [2] 'Mr Fox's Speech to the Vig Club Anglois', [3] 'Memorial of Cit Thos Paine to the Nation[al] Conven[tion]'. Beside the two men who pull at the English crown is a third Frenchman, a ragged sansculotte, who holds a pike on which is a head; he stands astride a recently decapitated body, shouting, "Vive la Nation." Behind him are the branches of a bare tree, inscribed 'L'arbre de la Liberte', from which hangs the body of a monk."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Sheet trimmed to plate mark on bottom edge and within plate mark in lower left corner., Two lines of quoted text below title: "Nought can make us rue, if England to itself do rest but true.", Temporary local subject terms: Associations: Association for preserving Liberty & Property against Republicans and Levellers -- Male costume: French sans culottes -- Signboard "Crown Inn" -- Tools: Aaws -- Chains -- Proclamations -- Soldiers: British soldier -- Soldiers' uniforms -- Weapons: Muskets -- British Lion -- Executions: Decapitated body -- Executions: Hanged monk -- Travesties: Dead tree of liberty -- St. James's Palace., and Mounted to 37 x 31 cm.
Publisher:
Publd. 15 Decr. 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Paine, Thomas, 1737-1809 and Fox, Charles James, 1749-1806.
Subject (Topic):
Signs (Notices), Taverns (Inns), Ropes, Saws, Sailors, British, Soldiers, Military uniforms, Rifles, Lions, Crowns, Spears, Decapitations, Nooses, and Monks
"The left and wider portion of the design represents 'England', the right portion 'France'; two posts and the corners of two buildings meet along the dividing line. From each post a horizontal beam projects to support a signboard, in each case that of a crown. In England this is in place, and has the inscription 'Good Entertainment for Man & Horse'; two Frenchmen standing on the opposite side are pulling at the English sign with ropes. They stand on the sign of the (French) crown which has already been cut down. They are assisted by Tom Paine who sits astride the horizontal bar to saw it through, but leaves his saw in the wood to stare in terror at a large bill, posted on the house from which the sign projects, and inscribed: 'Association for preserving Liberty & Property against Republicans and Levellers Resolved. . . '. He exclaims, "Here's a Stop to my Levelling." He is dressed in a slovenly manner and from his pocket protrude 'D Priestley Sermon' (see British Museum Satires No. 7887, &c.) and 'Rights of Man' (see British Museum Satires Nos. 7867, 8137, &c). On the ground, and opposite the door of the Crown Inn, stand a sailor (left) and a soldier (right) who clasp hands; the sailor waves his hat, crying, "for our King and"; the soldier, who holds a musket, the butt end resting on the ground, adds "Country". Against the door is pasted a bill headed 'Proclamation' (see British Museum Satires No. 8095), and ending 'God save the King'. The rays of the sun dispel some dark clouds which surround Paine. In the background is a castle, flying a British flag, and the masts of ships. In front of them is a wall on which stands a small defiant British Lion. In France the sky is covered with heavy clouds. On the building are three large placards: [1] 'Liberté & Egalité Ca ira', [2] 'Mr Fox's Speech to the Vig Club Anglois', [3] 'Memorial of Cit Thos Paine to the Nation[al] Conven[tion]'. Beside the two men who pull at the English crown is a third Frenchman, a ragged sansculotte, who holds a pike on which is a head; he stands astride a recently decapitated body, shouting, "Vive la Nation." Behind him are the branches of a bare tree, inscribed 'L'arbre de la Liberte', from which hangs the body of a monk."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Sheet trimmed to plate mark on bottom edge and within plate mark in lower left corner., Two lines of quoted text below title: "Nought can make us rue, if England to itself do rest but true.", Temporary local subject terms: Associations: Association for preserving Liberty & Property against Republicans and Levellers -- Male costume: French sans culottes -- Signboard "Crown Inn" -- Tools: Aaws -- Chains -- Proclamations -- Soldiers: British soldier -- Soldiers' uniforms -- Weapons: Muskets -- British Lion -- Executions: Decapitated body -- Executions: Hanged monk -- Travesties: Dead tree of liberty -- St. James's Palace., 1 print : etching on wove paper ; plate mark 25.3 x 20.2 cm, on sheet 27.2 x 21.9 cm., and Mounted on verso of leaf 57 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 15 Decr. 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Paine, Thomas, 1737-1809 and Fox, Charles James, 1749-1806.
Subject (Topic):
Signs (Notices), Taverns (Inns), Ropes, Saws, Sailors, British, Soldiers, Military uniforms, Rifles, Lions, Crowns, Spears, Decapitations, Nooses, and Monks
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
"Five Tories with a rope around their necks, about to hang themselves."--British Museum online catalogue
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint statement. Missing text supplied from impression in the British Museum., and No. 71.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
"A melancholy man wearing night-cap and slippers sits facing an empty grate (right), his feet on the fender, supporting his head on his hand. He is beset by demons, figments of the mind, who are mostly miniature human beings. One stands on the back of his neck holding up a noose which is attached to a projection from the solitary candle on the chimneypiece, which is burnt to the socket. Another, swinging himself from the chimneypiece, offers an open razor. One standing beside the grate commits suicide, a pistol to each ear, glaring at his victim. A little gnome crouches behind the bars of the grate, to which is attached a begging-box with the notice Pray Remember the Poor Debtors [cf. British Museums Satires No. 13287]. In the fireplace is a placard: Mr--Dr to T Coke Coal Mert To 5 Chalds Wallsend . . To Do Chalds Wallsend To 3 Ch . . . £73. On the arm of the chair stands a top-booted bailiff tapping his victim's shoulder and proffering a writ. On the floor a procession walks (left to right) towards the victim, headed by a fat and pompous parish beadle with a tall staff. He is followed by three pregnant women, cloaked and bonneted (cf. British Museums Satires No. 14613, 15495). A lean old-fashioned doctor with a skull-like face hurries up behind them. Last runs a ghoulish creature with a coffin strapped to his back, holding a hammer. A monster with fanged mouth (gout) extends claws towards the victim's feet. On the floor at his side is an open book: Ennui. On a table (left) a mannikin sits on the foot of a reversed wine-glass, gleefully holding up an empty bottle and his hat. Beside him are papers: Bill for Payment Lies due at no . . . Two books on a wall-bracket form a platform for a similar creature who is gleefully painting at one of two pictures on the wall. His brush is a firebrand, a conflagration is depicted. The other picture is of a shipwreck. The books are: Miseries of Human Life [cf. British Museums Satires No. 10815, &c] (Folio) Vol. 2222 and Bucanns [Buchan's] Domestic Medicine. A third picture above the victim's head is of himself assaulted by a screaming virago with a pair of bellows."--British Museum online catalogue
Description:
Title etched below image., Reissue, with new imprint statement. For an earlier state published 10 January 1823 by G. Humphrey, see no. 14598 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., Temporary local subject terms: Miseries of human life -- Artists -- Pictures amplify subject -- Misery -- Hanging rope., Temporary local Medical Library subject terms: Depression -- Devils & Demons., 1 print : etching, hand-colored ; sheet 22.0 x 26.5 cm., and Sheet trimmed within plate mark.
