An etching that appeared at the head of a broadside with the title 'Rhe Scotch yoke, or, English resentment' and nine verses in letterpress below; a satire on Lord Bute, his Excise scheme and the Treaty of Paris (1762). The image shows Lord Bute, dressed in tartan, seated on top of a pole on a pyre, holding two documents one labeled "Peace" and the other "Excise upon Cyder"; surrounded by a group a cheering people; with engraved speech bubbles
Alternative Title:
English resentment
Description:
Title from British Museum catalogue. and On page 292 in volume 3. Sheet trimmed to: 14.9 x 19.2 cm.
"Satire on the financial scandal of the South Sea Bubble; a composite scene in the City of London identified by the Guildhall, St Paul's Cathedral and the Monument (its inscription changed to record the destruction of the city by the South Sea); a crowd is gathered around a merry-go-round (on which ride a prostitute, a clergyman, a shoe-black, an old crone and a Scottish nobleman); to left, the Devil hacks the limbs of Fortune, while religious leaders (both Anglican and Jewish) play at pitch and hustle; to right, emblematic figures of Honour and Honesty are beaten by Self-Interest and Villainy, and Trade sleeps."--British Museum online catalogue
Description:
Title and state from Paulson., Date range for publication based on publisher's street address. John Bowles gave his address as 13 Cornhill between 1768 and 1779; see British Museum online catalogue., Verses below image: See here [the] causes why in London, so many men are made, & undone .... Guess at the rest you find out more., Price erased in state 5 and new publication line added in state 7., Sheet trimmed within plate mark., and On page 8 in volume 1.
Publisher:
Printed for John Bowles at No. 13 in Cornhill
Subject (Geographic):
Financial crises and Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, History, Allegories, Clergy, Crowds, Devil, Ethnic stereotypes, Merry-go-rounds, Occupations, and Prostitutes
"Satire on the financial scandal of the South Sea Bubble; a composite scene in the City of London identified by the Guildhall, St Paul's Cathedral and the Monument (its inscription changed to record the destruction of the city by the South Sea); a crowd is gathered around a merry-go-round (on which ride a prostitute, a clergyman, a shoe-black, an old crone and a Scottish nobleman); to left, the Devil hacks the limbs of Fortune, while religious leaders (both Anglican and Jewish) play at pitch and hustle; to right, emblematic figures of Honour and Honesty are beaten by Self-Interest and Villainy, and Trade sleeps."--British Museum online catalogue
Description:
Title and state from Paulson., Publication information inferred from 3rd state., Verses below image: See here [the] causes why in London, so many men are made, & undone .... Guess at the rest you find out more., "Price 1 shilling."--Lower right., Sheet trimmed within plate mark with some loss to text at bottom margin., Ms. note in Steevens's hand above: South-Sea. In pencil below: See Nichol's book, 3d edit. p. 122., and On page 8 in volume 1.
Publisher:
Mrs. Chilcot and R. Caldwell?
Subject (Geographic):
Financial crises and Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, History, Allegories, Clergy, Crowds, Devil, Ethnic stereotypes, Merry-go-rounds, Occupations, and Prostitutes
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges. A sign to the left of the musician's window advertises The Beggar's Opera. A sign on the building to the right reads "John Long Pewterer." In this state the horse on the extreme right is black (white in the earlier state), the boy's slate trailing on the ground was only half shaded in the earlier state, but is now darkened
Description:
Title from published state of the print., Ink trasing of the trial proof of: The enraged musician., Inscribed in pencil by the artist above drawing: A sketch from Mr. Crickett's Impression (formerly Mr. Ingham Foster's.) See John Ireland's Hogarth Illustrated, p. 342. & Mr. Nichols's Book, 3d edit, page 257., Tracing of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 152., and On page 101 in volume 2.
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges
Description:
Title based on published original., Date based on Dent's years of activity., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 152, Ms. note in pencil in Steevens's hand above print: Specimen of Trusler's book., and On page 103 in volume 2.
Publisher:
publisher not identified
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination
Title devised by cataloger., Plate from: The Freeholder's magazine, or, Monthly chronicle of liberty, v. 2? (1770)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Trades: farriers -- Crimes: horse-stealing -- Orders: Star of the Garter.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820. and Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790
The wide street, lit by a full moon, is filled by a wild fight between undergraduates and their supporters (for whom gowns had been obtained by looting a tailor's shop) and 'bargees, and the butchers, and labourers'. A stage-coach, Old Fly, crowded inside and out, is wedged in the crowd, the outside passengers are assailed by a man in a gown. A woman empties a pot from an upper window; a lantern, hats, &c., fly through the air."--British Museum catalogue
Alternative Title:
Battle of the togati & the town raff in the High Street Oxford, Battle of the togati and the town raff in the High Street Oxford, and Town and gown
Description:
Title and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14936 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 280, vol. 1.
Publisher:
Sherwood, Jones, & Co.
Subject (Name):
University of Oxford
Subject (Topic):
Students, Butchers, Crowds, Fights, Occupations, Stagecoaches, and Tailors
