Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., and Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., 1 print : etching ; 246 (pa) x 179 (pl) mm., and Imperfect; sheet trimmed within plate mark with loss of title from top edge.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
published as the act directs [...] [not before 9 November 1782]
Call Number:
782.11.09.02+
Image Count:
1
Resource Type:
still image
Abstract:
A generous physician refusing money for services rendered from a poor family and "The interior of a room showing no trace of actual poverty. The invalid, a man, fully dressed but wearing a nightcap, sits in an upholstered arm-chair by the fire. A little girl stands at his knee; at his side on a tray or table are two bowls and a medicine bottle labelled 'as before'. The physician, a well-dressed man wearing a bag-wig, is about to leave the room (right); he puts coins into the hand of a young woman holding an infant. The room is papered, a half-tester bed with curtains stands against the wall. Tea-things are ranged along the chimney-piece, over which is a framed picture of a Christ healing the blind man."--British Museum online catalogue
Description:
Title engraved below image., A publication date of 1783 was originally suggested in the British Museum catalogue; however, the British Museum has since acquired an impression with an intact publication date of "9 Novr. 1782." See British Museum online catalogue, registration no.: 2010,7081.837., Description based on an imperfect impression; publication date erased from sheet., Four lines of verse in two columns beneath title: The benevolent physician takes no fee, of those that need him much in poverty. To poor distress'd, and those of small estate, he money gives, takes only of the great., Companion print to: The rapacious quack., and Plate numbered "486" in lower left.
Publisher:
Printed for & sold by Carington Bowles, at No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
Great Britain.
Subject (Topic):
Physicians, British, Families, Sick children, Interior decoration, Fireplaces, Biblical events, Canopy beds, Painting, Poverty, Beneficence, Patients, fireplaces, medicine bottles, beds (furniture), poverty, patients, Clothing, Money, Medicine bottles, House furnishings, Benevolence, and Beds
Charles Fox, dressed as Cromwell, paints the execution of Charles I, using royal crown and sceptre as artist's tools. Above the canvas hangs a painting showing a fox, with the Liberty cap on a stick, presenting a male figure of America with a sheet of paper inscribed, "Independence." Behind Fox stands the angry female figure of Justice, her blindfold removed, a sword inscribed, "justice," in her right hand. In the left hand she holds a pair of scales of which the one filled with "loyalty" outweighs the one holding a fox. On the floor lies an open volume entitled, "Patriotism by C. Cromwell," propped on the hilt of a sword labeled, "Commonwealth."
Description:
Title from item.
Publisher:
Pubd. as the act directs, by J. Cattermoul, No. 376 Oxford Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806. and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Politics and government, Painting, Scales, Daggers & swords, Foxes, and Clothing & dress
Copy of Hogarth's self-portrait; he is painting Thalia, the Comic Muse who holds a satyr's mask in her left hand and a book in her right hand. After the state without "Comedy 1764" on the pillar. Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife; the pot of oil on the floor in front of the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a volume with a print protruding from its pages and no title (in the original it is identified as "Analysis of Beauty").
Description:
Title engraved below image. and Date from other prints by Dent in the British Museum online catalogue.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and the other resting an outline portrait against a sculpture of many-breasted Diana of Ephesus
Description:
Title, printmaker, state, and date from Paulson., Verse in Latin from Horace's Ars poetica below image: " ... necesse est. Indiciis monstrare recentibus abdita rerum, dabiturque Licentia sumpta pudenter. Hor.", Lettered below the verse with subscription receipt: "Rec'd [blank] of [blank] a half a guinea being [the] first payment for two six prints of a Harlot's progress which I promise to deliver when finish'd, on one half guinea more.", Pencilled notes in Steevens' hand. Above a group of three: Boys Peeping at Nature, a Receipt for the Harlot's Progress. See Mr. Nichols's Book, 3d Edit. p. 188. 319. On mount sheet, below print: Very scarce,, and On page 57 in volume 1. Plate cropped below design to: 103 x 125 mm, mounted to 139 x 140 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
Subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and the other resting an outline portrait against a sculpture of many-breasted Diana of Ephesus
Description:
Title, printmaker, state, and date from Paulson., Verse in Latin from Horace's Ars poetica below image: " ... necesse est. Indiciis monstrare recentibus abdita rerum, dabiturque Licentia sumpta pudenter. Hor.", Lettered below the verse with subscription receipt: "Rec'd [blank] of [blank] a half a guinea being [the] first payment for two six prints of a Harlot's progress which I promise to deliver when finish'd, on one half guinea more.", and With ms. annotations in William Hogarth's hand indicating the receipt of a half guinea from Ebenezer Forrest, with Hogarth's signature and seal. Mounted on a sheet with a fragment of a letter from Giles Hussey addressed to "Frs. [Francis] Webb Esqr. at Sir Isaac Heard's, College of Arms, London" and stamped with a redirect to Shaftsbury. The letter can be dated to the period 1786-1788, after Isaac Heard was knighted (in 1786) and before Hussey died (in 1788).
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
"Subscription ticket for "Moses brought to Pharaoh's Daughter"and "St Paul before Felix" with three naked boys, one painting, one engraving and the other resting an outline portrait against a sculpture of many-breasted Diana of Ephesus."--British Museum online catalogue
Description:
Title, printmaker, state, and date from Paulson., Lettered below the image with subscription receipt: Receiv'd [blank] of [blank] 5 Shillings being the first Payment for two large Prints one representing Moses brought to Pharoah's Daughter, The other St. Paul before Felix. wch. I Promise to Deliver when finish'd, on Receiving 5 Shillings more./N.B. They will be Seven and Six Pence each Print, after the time of subscribing., Originally etched 1731, reworked 1751., Sheet trimmed within plate mark., and On page 57 in volume 1. With a pencilled note in Steeven's hand above print: Very scarce. Plate trimmed to: plate mark 151 x 125 mm, sheet 16.5 x 14 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
