Manuscript on paper (watermarks in gutter) of 1) Petrarch, Boccacii Griseldis historia. 2) Pope Pius II, Epistola. 3) Petrarch, Famil. rerum., 12, 2. 4) Pope Pius II, Bulla retractationum. 5) Pope Pius II, Epistola de fortuna
Description:
In Latin., Script: Written by three scribes in similar styles of informal gothic scripts (batarde influence). Scribe 1) ff. 1r-7r; 2) ff. 7v-14v; 3) ff. 15r-26v., One calligraphic initial, f. 1r, 4-line, blue with white floral motifs; infilled with red penwork floral designs tinted with green; penwork trails into inner margin, with plain green dots. Four initials, ff. 1v, 7v, 10v, 21v, red ink, 6- to 2-line. Paragraph marks in red. Numerous capitals stroked in red; rubrics throughout; explicits underlined in red., and Binding: Twentieth century. Vellum spine (verso of an unidentified manuscript) with "Petrarcae et Aeneae Silvii Epistoles" inscribed; grey-blue paper sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and Papal documents
Manuscript on parchment of Ambrose, Expositio Evangelii secundum Lucam. With Acts of the synod of Piacenza, March 1095 (Urban II), chs. 1-14.
Description:
In Latin., Numerous pen and ink initials of good quality, 8- to 3-line, drawn in red. The initials are constructed of thick vine stems, divided in half and swelling at the ends, issuing sprouts of intertwining stylized foliage. On f. 10v the letter E is formed from a bird and its extended wing; on ff. 75r and 103r the initials terminate in animal heads. The most important initials, ff. 1v, 13r, 36v, 62r, 75r, 114r, 115v and 119v, are touched with patches of ochre and summary modelling in the same color. On f. 1v the continuation capitals are filled in with red and ochre. Plain initials and headings in red. Remains of instructions to the rubricator along outer edge perpendicular to text (e.g., ff. 119v, 120v)., and Binding: 1800-1810, Italy. Half bound in brown calf with bright pink paper sides that have been covered with tan paper; edges spattered blue-green. Two gold-tooled labels on spine, the first left blank and the lower one reading "Saecul XII". Bound in the same distinctive style as Marston MSS 50, 125, 128, 135, 151, 153, 159, and 197, also from the Cisterican abbey of Hautecombe.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ambrose, Saint, Bishop of Milan, -397. and Urban II, Pope, ca. 1042-1099.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Papal documents
Manuscript on paper and parchment, composed in seven parts, of a collection of papal documents relating to the Franciscan Order, the Poor Clares, and the Tertiaries of St. Francis. With Rule for Poor Clares; and Rule of the Tertiaries of St. Francis. Includes texts by Popes Urban IV and John XXII; incunabulum; and additional texts
Description:
In Latin., Script: Part I (ff. 2-104): Written by several scribes in small gothic text hands. Part II (ff. 105-132): Written in small upright gothic script; words being defined written in larger more formal style of script. Part III (ff. 133-175): Written in a style of script similar to that in Part II. Part IV (ff. 176-211: Incunabulum. Part V (ff. 212-247): Written in a small round gothic text hand with humanistic features. Part VI (ff. 248-253): Written in cramped and hastily written gothic script. Part VII (ff. 254-265): Written in small gothic text hand., Part I: Two illuminated initials, 9- to 5-line, formed of stylized foliage, pink and green with white highlights on gold gound, filled with blue ground with white filigree. Terminals extending into the margins to form partial floral borders, stylized foliage, blue, green and pink, with gold balls with hair-line extensions. Pen-and-ink initials, alternating in blue and red with red and light green penwork. Plain initials in red or blue. Part II: Red and blue divided initial, 4-line, f. 105r, smaller initials in red or blue. Underlining and paragraph marks in red. Letters and words stroked with yellow. Part III: Crude red initial with simple penwork designs, 8- to 2-line. Paragraph marks and underlining in red. Part V: Red initial, 11-line, with simple designs, f. 212r; 2-line initials, headings, underlining, marginal notes, paragraph marks in red. Majuscules touched with yellow and stroked with red. Part VII: Paragraph marks and underlining in red., and Binding: Sixteenth century, Netherlands. Bound in tan goatskin over paste boards. Very faint blind tooling and four fastenings, two of them ribbon. Catches on the lower board. Front pastedown (and possibly back pastedown?): portion of a document dated 1491. Spine: tying up marks are head, tail, and around the supports.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John XXII, Pope, -1334., Urban IV, Pope, ca. 1200-1264., Franciscans., and Poor Clares.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Papal documents, and Third orders
Manuscript on parchment of 1) Boniface VIII, Sextus liber decretalium. 2) Commentary of Joannes Andreae on art. 1. 3) Clemens V, Constitutiones, with preface of John XXII. 4) John XXII, "Quia nonnunquam".
Description:
In Latin., Script: Folios 1-96 written in littera bononiensis; ff. 1-22 written in a less formal Gothic bookhand. Numerous annotations in the margins by contemporary and later hands., Two miniatures, f. 1r, an enthroned pope holding an open book and symmetrically flanked by ecclesiastical and secular parties, and f. 96r, a Franciscan monk presenting a book to an enthroned pope with clerical and lay attendants. Full border for text on f. 1r, constructed of solid panels, gold and red with white filigree, filled with two karyatid figures, a cleric, and a man in a blue robe. Partial border in lower margin, 3 medallions in blue, pink and red, with a papal portrait in half length, an angel, and a third subject now effaced. The medallions are connected by lozenges, green, blue and red with scrolling vines in blue, red, and green with white filigree and gold dots. 32 marginal figures in various costumes, among them several clerics, knights and an angel, often in animated poses. Numerous illuminated initials, 6- to 3-line in pink, blue or grey on blue, red, pink and gold grounds with white filigree. Foliage serifs in pink, red, grey and blue with white highlights. 39 initials with bust-length figures. Remaining initials in pink and red with white filigree. Calligraphic initials, alternating in red and blue with blue and red penwork scrolls. Plain initials and paragraph marks alternate in red and blue., and Binding: Fifteenth century (?), Italy. Limp vellum case, restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boniface VIII, Pope, -1303.
Subject (Topic):
Canon law, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Papal documents, and Scholia
Manuscript on paper (with various watermarks), composed of five separate manuscripts bound together. Parts I and II were written in the 15th century and III-V in the 17th century. Part I: Vita di San Petronio. Part II: Tommaso Nacci Caffarini, Tractatus de stigmatibus extractus, the second part of the book De supplemento legende beate Katerine de senis. Part III: Federico Borromeo, Vita S. Caroli Borromei. Part IV: Pope Pius II, De morte eugenij Quarti creationeque et coronatione Niccolai V oratio. Part V: Thomas Obicinus, Motiuo Celeste diretto in questo segnato tempo
Description:
In Latin and Italian., Script: Part I: Round humanistic by a single scribe. Part II: Small neat round textura in a single hand. Part III: Written by one scribe in a calligraphic italic hand. Part IV: Written in italic hand by a single scribe. Part V: Written in a small italic hand by one scribe., Part I: Simple penwork initials in red or blue, some with penwork designs of the other color. Part II: Uninspired and badly rubbed historiated initial (Christ [?] displaying stigmata) on gold background with three gold dots, f. 19r; small decorative initials in red with black penwork designs, or blue with red. Paragraph marks in red or blue., The manuscript has been damaged and repaired extensively. Parts I and III: Waterstained and mended throughout. Part II: Folios have been trimmed with some loss of marginalia., and Binding: 18th-19th centuries. Vellum and paste paper case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petronius, Saint, Bishop of Bologna, d. ca. 445.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Papal documents, and Stigmatization
