Poster shows image of a skeleton wearing a hat with United Farm Workers iconography, a shirt with a large green circle with a smaller red circle inside, and pants. The skeleton appears to be hanging up a poster with information about a parade. The interior poster includes five panels, four with information, and one with images of skulls and bones. Title information is above. Around the information is a border of bones. "RCAF" in lower center of poster
Description:
BEIN WA Prints +168: Variant 1., BEIN WA Prints +439: Variant 2., At least two variants exist. Variant 1 has background of "Dia de los muertos" fully in orange, "Nov. 1, 1975 at 4 p.m." in orange on green, "respeto la raza!" and "¡Boycott Gallo!" in red on green, and background behind skulls and bones in lower right in red. Variant 2 has background of "Dia de los muertos" half in red and half in yellow, "Nov. 1, 1975 at 4 p.m." in red on green, "respeto la raza!" and "¡Boycott Gallo!" in yellow on green, and background behind skulls and bones in lower right in yellow., "Nov. 1, 1975 at 4 p.m.", "From Hiram Johnson to St. Mary Cemetery.", "Respeto a la raza!", "1st annual procession, for more info: 442-7651.", "Boycott CocaCola.", "¡Boycott Gallo!", "¡Para la gloria de mi raza!", "The Royal Chicano Air Force (RCAF) is a Sacramento, California-based art collective, founded in 1970 by José Montoya and Esteban Villa. It was one of the 'most important collective artist groups' in the Chicano art movement in California during the 1970s and the 1980s and continues to be influential into the 21st century.", and Text in English and Spanish.
Publisher:
RCAF
Subject (Geographic):
California, Sacramento, and Sacramento.
Subject (Topic):
All Souls' Day, Mexican Americans, Social life and customs, Politics and government, Parades, All Souls' Day in art, and Serigraphy
Poster shows image of a skeleton wearing a hat with United Farm Workers iconography, a shirt with a large green circle with a smaller red circle inside, and pants. The skeleton appears to be hanging up a poster with information about a parade. The interior poster includes five panels, four with information, and one with images of skulls and bones. Title information is above. Around the information is a border of bones. "RCAF" in lower center of poster
Description:
BEIN WA Prints +168: Variant 1., BEIN WA Prints +439: Variant 2., At least two variants exist. Variant 1 has background of "Dia de los muertos" fully in orange, "Nov. 1, 1975 at 4 p.m." in orange on green, "respeto la raza!" and "¡Boycott Gallo!" in red on green, and background behind skulls and bones in lower right in red. Variant 2 has background of "Dia de los muertos" half in red and half in yellow, "Nov. 1, 1975 at 4 p.m." in red on green, "respeto la raza!" and "¡Boycott Gallo!" in yellow on green, and background behind skulls and bones in lower right in yellow., "Nov. 1, 1975 at 4 p.m.", "From Hiram Johnson to St. Mary Cemetery.", "Respeto a la raza!", "1st annual procession, for more info: 442-7651.", "Boycott CocaCola.", "¡Boycott Gallo!", "¡Para la gloria de mi raza!", "The Royal Chicano Air Force (RCAF) is a Sacramento, California-based art collective, founded in 1970 by José Montoya and Esteban Villa. It was one of the 'most important collective artist groups' in the Chicano art movement in California during the 1970s and the 1980s and continues to be influential into the 21st century.", and Text in English and Spanish.
Publisher:
RCAF
Subject (Geographic):
California, Sacramento, and Sacramento.
Subject (Topic):
All Souls' Day, Mexican Americans, Social life and customs, Politics and government, Parades, All Souls' Day in art, and Serigraphy
Photographs of performers of the 101 Ranch Real West show, rehearsing on the 101 Ranch in Oklahoma, eating lunch under an open tent, and parading in Oklahoma City and other venues. Performers include Native Americans, an African American "jig band," female equestrians, and an elephant train and Several photographs depict the show unloading from a train, and others show the troupe's wagons and their private railroad car
Description:
Individual photographs are 12 x 17 cm. or smaller, and are accompanied by manuscript captions.
Subject (Geographic):
West (U.S.), 101 Ranch Historic District (Okla.), and Oklahoma City (Okla.)
Subject (Name):
Miller Bros. & Arlington 101 Ranch Real Wild West (Show)
Subject (Topic):
Circus performers, Circus, Wild west shows, African American musicians, Indians of North America, Performances & portrayals, and Parades
Card photographs of Colorado, California and Washington. In Colorado, there are views of Manitou, Garden of the Gods, and Pikes Peak. In Yosemite there are views of Yosemite Falls, Bridal Veil Falls, Nevada and Vernal Falls, Glarin Point, Half Dome, Mirror Lake, the Dome and Royal Arches, El Capitan and the Valley from Inspiration Point. Other California views include Telegraph Hill and Alcatraz Island in San Francisco and soldiers on South Wharf at Angel Island and At Fort Vancouver in Washington there are photographs of the reservoir, parade grounds and officer's quarters, and several portraits of men in military uniform. Finally, there are images of a Fourth of July parade featuring bicyclists, clowns and floats, and distant views of circus tents, probably in Washington
Description:
Manuscript captions on verso of mounts. The majority of the photographs are circular Kodak prints on rectangular mounts. and Accompanied by a box list.
Subject (Geographic):
Washington, California, Colorado, Alcatraz Island (Calif.), Angel Island (Calif.), Yosemite National Park (Calif.), Washington (State), Fort Vancouver (Wash.), and Manitou Springs (Colo.)
Subject (Topic):
Circus, Parades, Fourth of July celebrations, and Soldiers
Unidentified snapshot photographs of Plains Indian men, women and children, including views of the erection and interior of a tipi, men on horseback in procession holding American flags, and women and children in clothing decorated with elk teeth, some on horseback with umbrellas, others in front of tipis. Two photographs have captions identifying the subjects as "Mrs. High Medicine Rock of Big Horn" and "Lucy Turns Back's little girl."
Description:
Manuscript captions on verso of two prints. Envelope from the United States Department of the Interior Indian Field Service accompanies the photographs.
Photographs of a rodeo, probably taken around 1900, including a series depicting a cowboy starting off a steer, catching him, roping him, making a tie, and having the tie inspected by the rodeo judges, with spectators in stands in the background. There are also several photographs of cowboys riding in a parade in an unidentified town, possibly Los Angeles, and a single studio portrait of a man in buckskin with a lariat
