"Satire on the dispute between the Fellows and Licentiates of the College of Physicians. A procession of Licentiates, several of whom are particularly small, march into Warwick Lane in the City of London, towards the College, an octagonal building with a spire topped by a pill. Three men carrying pikes, at the head of the procession are seen from the back; then comes a man apparently drilling a drummer and bag-piper; a farrier wearing a baldric lettered, "Dr. to the Horse / MD" leads a pony on which rides a man who appears to be one of the leaders of the group and addresses others who are on foot; two men carry large flags, lettered "Delenda est Oxonia / Delend[a est Cantabrigia" and "Pro Collegiis Scotiae". In the foreground left, a blacksmith kneels (the Licentiates brought a blacksmith with them to break open the gates of the College); a dog barks at him. In the background by the entrance to the college stand two Fellows of the College wearing gowns. Several women are watching from windows in the houses, one of which carries a sign with a man in armour." -- from the British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: College of Physicians -- London: Warwick Lane -- Medical: doctors -- Farriers -- Tooth pullers (blacksmiths).
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, and John Smith, No. 35 Cheapside
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State, publisher, and date from Paulson. British Museum catalogue dates the print 1742., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern Climes, transplanted to our Coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", and Sheet trimmed within plate mark.
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State from Paulson. Paulson and British Museum catalogue date the print as 1742, but Sayer did not move to 53 Fleet Street until 1760. See British Museum online catalogue., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern climes, transplanted to our coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed to plate mark., and Sheet trimmed within plate mark to 246 x 351 mm with loss of imprint signature; mounted onto an engraved map (with color) of Ireland (285 x 395 mm).
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State, publisher, and date from Paulson. British Museum catalogue dates the print 1742., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern Climes, transplanted to our Coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed within plate mark., Ms pencil note in Steevens hand above print: See Nichols's Book, 3d edit, p. 424., and On page 98 in volume 1. Sheet 250 x 354 mm.
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State from Paulson. Paulson and British Museum catalogue date the print as 1742, but Sayer did not move to 53 Fleet Street until 1760. See British Museum online catalogue., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern climes, transplanted to our coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed to plate mark., and On page 98 in volume 1. Plate mark 247 x 350 mm.
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State from Paulson. Paulson and British Museum catalogue date the print as 1742, but Sayer did not move to 53 Fleet Street until 1760. See British Museum online catalogue., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern climes, transplanted to our coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed to plate mark., and On page 98 in volume 1. Plate mark 248 x 353 mm.
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
"Stylised representation of the Lord Mayor's procession, framing a blank space in the centre of the sheet; two rows of figures at the top, 7 groups one above the other to either side, and the City Counsel on foot, the Aldermen and Lord Mayor on horseback forming the bottom of the frame."--British Museum online catalogue
Description:
Title etched above image., "No. 79"--Lower right corner., The 35 numbered sections of the procession zigzag doen the sheet beginning with the 1) Armourers, 2) Leathersellers, 3) Pioneers, 4) Granadiers [sic], [4] Artillery, 5-6) 2d Division, 7-8) 3d Division, 9-10) Salters, 11-12) Salters, 13-14) Slaters, 15-16) Coopers, 17-18) Coopers, 19-20) Band of Petitionsers, 21-22) Kings Trumpets &c., 23-24) Coopers, 25-26) Coopers, 27-28) City Musick, 29-30) Officers, 31-32) Officers, 33-34) City Counsel, Aldermen, Lord Mayor., and Blank space at center of print has been filled in with manuscript poetry given the heading 'Christmas' at top and signed and dated by "John Lewis, 1742" at bottom. The first of the three sections of verse is taken from the second and third cantos of Waller's Of divine love; the other quotations are from the Fourth Eclogue of John Ogilby's seventeenth-century translation of Virgil.
Publisher:
Published according to act of Parliament Novemr. the 4th, 1742, and sold by James Cole engraver in Great Kirby Street, Hatton Garden
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Willimott, Robert, Sir.
Subject (Topic):
Officials and employees, City council members, Coopers, Mayors, Municipal officials, Musicians, Occupations, Parades & processions, Soldiers, and British
A satirical representation of a procession to St. Paul's for the national thanksgiving for the naval victories. Lord Hawkesbury, Duke of Richmond, Loughborough, Wilberforce, George Rose, Horsely, Bishop of Rochester, John Bull, Pitt, Windham and Dundas (with two companions in traditional Scottish dress) are all recognizable carrying objects that suggest their role in the government policy which led to the tripling of the assessed taxes and the burden of taxation in general
Description:
Title etched below image., Printseller's statement following the imprint: Folios of caricatures lent., "A prelude" has been burnished from plate and etched in again further to the right, leaving a gap at the end of the first part of the title., and For further information consult library staff.
Publisher:
Pub. Decr. 11, 1797 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Horsley, Samuel, 1733-1806, Jenkinson, Charles, 1727-1808, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Rose, George, 1744-1818, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Wilberforce, William, 1759-1833, and Windham, William, 1750-1810
Subject (Topic):
John Bull (Symbolic character), Taxation, History, Parades & processions, and Taxes
"View of the Nave of St. Paul's, with the royal procession flanked by three lines of guards on either side, in front of the congregation on tiered stands."--British Museum online catalogue
Alternative Title:
Royal procession in St. Paul's on St. George's Day 1789
Description:
Title from item., Temporary local subject terms: Processions: thanksgiving procession, St. George's Day 1789 -- Beefeaters., and Watermark.
Publisher:
Publish'd May 1, 1793, by B.B. Evans, Poultry, London
Subject (Geographic):
England and London.
Subject (Name):
St. Paul's Cathedral (London, England),
Subject (Topic):
Parades & processions, Interiors, Naves, Honor guards, and Spectators
"A procession of the rich; a horse-drawn open-top golden carriage travels to the left, surrounded by figures personifying traits of the rich, many with bloated bellies; Fortune sits on top of carriage, slinging gold coins around her, into the held up garments of the memebers of the procession, Pluto sit behind on carriage; diseased figures crawl by side of carriage; Nemesis watches from cloud at top right."--British Museum online catalogue
Alternative Title:
Triumphus divitiarum
Description:
Title etched below image., Date of publication from British Museum online catalogue, registration no.: G,10.104., Sheet trimmed within plate mark on two sides., Mounted on page 130 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching on laid paper ; sheet 21.3 x 31.3 cm., Sheet trimmed within plate mark., and For further information, consult library staff.
