Werter clutches his head in anguish as he stands before Charlotte on a sofa supporting her head on one hand as she reaches out imploringly towards Werter. The pictures on the wall amplify the subject
Alternative Title:
Last interview
Description:
Title etched below image., Text below publisher's line: At length with the firm determined voice of Virtue she cried Werter, and he was awed by it, tearing himself from her arms., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark in center of sheet.
Publisher:
Pubd. March 29 1786 by E. Jackson No. 14 Marylebone Street Golden Square
A group of ladies sit in highback chairs around a circular table, drinking tea and gossiping. On the table in front of the lady on the right, lays a book open to pages which read "Chit-Chat"; her lap dog sits looking up at her eagerly while a demon hides under the table at her feet. The ladies sit in a well-appointed parlor decorated with a rug, an elaborate mirror, and curtains. Above the fireplace hangs a picture of a clergyman carrying a woman on his back to church. To the left Envy chases Truth and Justice out the open door. On the right two gentlemen peer into the room through an open window and listen to the ladies' conversation. The engraved lines below in verse berates women for their love of gossip and inability to follow the dictates of the ninth commandment, forbidding one to bear false witness against one's neighbor. To the left of the fireplace is a niche filled with cups, plates, and other tableware
Description:
Title from item., Sheet trimmed within plate mark., Publication date in British Museum catalogue: 1710?., Later state, published no earlier than 1740, i.e., the beginning date of John Bowles's business location at Cornhill. See London book trades, 1775-1800 / Ian Maxted, p. 26, Sixty-nine lines of verse engraved in three columns below image: How see we scandal (for our sex too base), seat its dread empire in the female race ..., Dated from the Westminster Paving Act of 1766., and Mounted to 33 x 24 cm.
Publisher:
Sold by Jno. Bowles, Print and Map Seller, at No. 13 in Cornhill, London
Subject (Name):
Woodward, John, 1665-1728.
Subject (Topic):
Devil, Eavesdropping, Envy, Ethics, Furnishings, Gossiping, Justice, Niches, Parlors, Pets, Tea parties, and Truth
Two fashionably dressed young women looking over a letter together sit at a table beside a window in a well-appointed room with an ornate rug on the floor and draperies hanging before the windows. The letter begins: "Dear Sir, When last I had the honor of ..." On the table are a pen, ink set, and several books
Description:
Title etched below image.
Publisher:
Printed for Robert Sayer and J. Bennett, Map and Printseller, No. 53, Fleet Street, as the act directs
Three good-looking young women sit before a large fire, pulling up their petticoats to warm their legs. The woman on the left has an open book inscribed 'Matrimony - To have and to hold' and appears to be reading to the others. A cat plays with a mouse (right). The wall-paper and carpet and the striped backs of the three chairs complete the design
Description:
Title engraved below image. and Watermark (partial): Strasburg bend and lily, upper left corner.
Publisher:
Publish'd 2d July 1792 by Robt. Sayer & Co., Fleet Street, London
Subject (Topic):
Marriage, Cats, Fireplaces, Floor coverings, Friendship, Interiors, Mice, Parlors, Reading, Wallpapers, and Women
"A 'cit', ugly and elderly, sits full face at right angles to the fire (right). He has been suddenly awakened by two squalling cats behind him (left) and registers surprise and terror, with staring eyes and gaping, distorted mouth. Both hands are raised, and he has flung back the bandanna which covered his face. The room suggests prosperity: carved marble chimney-piece surmounted by mirror or picture, carpet, hearth-rug, low-backed arm-chair of modern shape."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Companion print to: "Fast-asleep.", Sheet trimmed within plate mark., and Mounted to 28 x 23 cm.
Publisher:
Publish'd November 1st, 1806, by H. Humphrey, 27 St. James's Street
"A 'cit', ugly and elderly, sits full face at right angles to the fire (right). He has been suddenly awakened by two squalling cats behind him (left) and registers surprise and terror, with staring eyes and gaping, distorted mouth. Both hands are raised, and he has flung back the bandanna which covered his face. The room suggests prosperity: carved marble chimney-piece surmounted by mirror or picture, carpet, hearth-rug, low-backed arm-chair of modern shape."--British Museum online catalogue description of Gillray print of 1806 after which this is a copy
Description:
Title etched below image., From: The Caricatures of Gillray, With Historical & Political Anecdotes. London: John Miller, 1818., and Original work created 1806.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Geographic):
England
Subject (Topic):
Waking, Cats, Parlors, Fireplaces, and Clothing & dress
Three figures yawning, woman on the right and two men, sit in chairs around a table with casters, on which sit a book and paper lettered: "W. Davison chymist". On the wall are two landscape paintings
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark on top edge, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
The twelfth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this twelfth drawing, Charles is in a coffin in his parlor. His wife cries into her handkerchief as two men with looks of pity point to the long sheet of paper with his list of debts. Her two children cling to her with fear and sadness. Two other men go about the room putting tags on the urns and other furnishings in preparation for their sale. The pistol on the sofa suggests Charles's suicide
Description:
Title from pencil notation below title., Signed "Dodd" in lower left and numbered '12' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
The third drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this fourth drawing, Charles is partying with friends. Seated at a table with a tray of wine glasses and a platter of fruit, Charles holds a woman on his lap as two other women sit at the table with wine in hand. Another gentleman stands beside the lady in the back looking down at her with affection. A black servant stands with hat in hand and his other hand in his waistcoat. Two paintings on the wall amplify the subject, one of which shows Cupid with a bare breasted woman and the other, Leda and the swan. On the left wall is an ornate mirror
Description:
Title devised by cataloger., Signed "Dodd" in lower left and numbered '4' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
The second drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this second drawing, Charles stands in an elegant room as he is measured for new cloths by a tailor who kneels to his right with a tape measure raised to Charles's leg; on the floor at his feet is a bolt of fabric and a scissors. Behind them on the right, a servant holds up a large silver urn for Charles's approval; it is reflected in one of two large Venetian mirrors on the wall behind, the second being hung by two servants. On the left, a woman in a large hat sits in an chair beside a round tea table holding another bolt of fabric; she sits in front of a large window through which is seen a elegant square with an equestrian statue. A little dog jumps toward Charles
Description:
Title devised by cataloger., Text in faint pencil below image: Charles [illegible text]., Signed "Dodd" in lower left and numbered '2' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
