The fifth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this fifth drawing, Edward sits in a parlor holding the hand of a young lady as she looks down demurely. Behind the couple, an older woman sits on a sofa sewing, her basket at the table before her. In addition to the fashionable sofa and chairs, the room is decorated with an ornate mirror with swags on the wall behind. On the wall to the left is a marble mantel with a Buddha and other decorative china
Description:
Title devised by cataloger., Text in faint pencil below image: Edward [illegible text]., Signed "Dodd" in lower left and numbered '5' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Blacks, Allegorical drawings, Buddhas, Courtship, Mirrors, Parables, Parlors, and Sewing
The third drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this third drawing, Edward is shown at a tea table with another man and woman. The room is more simply decorated than his brother's. On the wall is a single mirror (Baroque style), on either side of which hang a man's hat and a woman's cloak and hat. A little dog stands with its paws on Edward's leg. Through the window on the right is slight view of a tree and field
Description:
Title devised by cataloger., Text in faint pencil below image: Edward [illegible text]., Signed "Dodd" in lower left and numbered '3' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Allegorical drawings, Couples, Dogs, Tea parties, Parables, and Parlors
Mathews (left) gives a selection from his "Entertainments"; he stands behind his accustomed small draped table, which is lit by candles in place of the usual lamps. A pianist sits at the grand piano. The King stands as if making a speech: he is giving an imitation of John Kemble, evoked by Mathews's imitation thought by the King "too boisterous". On his right sits Marchioness of Conyngham, on his left Princess Augusta. Knighton stands behind the former. Five men (portraits) stand behind the royal settee: Liverpool, Wellington, and Hertford are recognizable. The room has an ornate cornice and Ionic pillars. Behind Mathews are two tall Chinese folding screens.-- See British Museum catalogue
Description:
Title and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14940 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Ms. note in pencil on front: Page 337, vol. 1. Watermark 1822., and Watermark: J. Whatman 1822.
Publisher:
Sherwood, Jones, & Co.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Wellington, Arthur Wellesley, Duke of, 1769-1852
