Picart, Charles, approximately 1780-approximately 1837, printmaker
Published / Created:
[27 April 1811]
Call Number:
Portraits P258 no. 1+
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Samuel Parr, half-length, slightly turned to the left, dressed in an academic gown with bands at his neck and with a powdered bob-wig on his head, drapery behind, illustration to 'Contemporary Portraits' (1811)"--British Museum online catalogue
Alternative Title:
Reverend Samuel Parr, L.L.D.
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and Mounted on secondary paper support.
Publisher:
Published April 27, 1811, by T. Cadell & W. Davies, Strand, London
Portrait of Samuel Parr seated, nearly whole length, slightly to the right with his right arm raised across his body and his left hand resting on a table on which sit a pile of letters and quill pen in an ink bottle; wearing a wig, gown, and clerical bands; curtain behind
Alternative Title:
Reverend Samuel Parr L.L.D.
Description:
Title from caption below image. and Paper frame.
Publisher:
Publish'd April 1, 1804 by H. Macklin 39 Fleet Street
Chisholm, Alexander, 1792 or 1793-1847, printmaker
Published / Created:
1826.
Call Number:
Portraits P258 no. 6+
Image Count:
1
Resource Type:
still image
Abstract:
The reverse of British Museum online catalogue, registration no. 1868,0808.1873. Portrait; full-length seated with legs crossed facing front and looking away to right, wearing a soft velvet tasselled cap, right hand tucked into his waist-coat, left holding a pipe with the elbow resting on a table near an open book, two ink-pots on a tray and another pipe, with books propped under the table-cloth to right. Four books propped upright on table and on the floor behind the chair a globe
Chisholm, Alexander, 1792 or 1793-1847, printmaker
Published / Created:
[between 1800 and 1830?]
Call Number:
Portraits P258 no. 5+
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait; full-length seated with legs crossed facing front and looking away to left, wearing a soft velvet tasselled cap, left hand tucked into his waist-coat, right holding a pipe with the elbow resting on a table near an open book, ink-pot and another pipe, with books propped under the table-cloth to left."--British Museum online catalogue
Description:
Title from caption below image., Imprint and date supplied from British Museum online catalogue, registration numbers: 1868,0808.1873., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., and Mounted to sheet 55.4 x 38.1 cm.
Publisher:
Published by E. Chisholme, No. 3, Brook Street, New Road
"A drunken debauch in the new Union Club, see BMSat 9698. A long table, the cloth removed, one end cut off by the left margin, stretches almost across the design, slanting back slightly from the left, where it is in the foreground, and where Fox, grossly corpulent, sits in an armchair asleep, his feet on the table, a pipe in one hand. Nearly opposite his feet is the chair of state, on the table; on the empty seat is the Prince's cocked hat with triple plume, his motto 'Ich Di[en]' within the crown. The chair is backed by an elaborate architectural canopy with ornate pilasters on which swags of fruit and flowers are carved in relief: (left) grapes and lemons (materials for punch), and (right) roses and shamrocks. Above the seat are figures of Britannia and Erin, kissing, standing on a curved base inscribed 'The Union'. On the back of the chair are two clasped hands, elaborately irradiated. The chair is surrounded by broken wine-bottles; its former occupant, the Prince, lies on his back under the table, one arm flung over Lord Stanhope, who lies unconscious, clasping a bottle. On the Prince's stomach rest two feet in shoes with spiked, upcurved toes. In the foreground, opposite the Prince, Norfolk lies with his head against the seat of his overturned chair, looking very ill. All who are not incapacitated or fighting are toasting the Union (except Lansdowne and Parr, see below). On the table sits Moira, dressed as in BMSat 9386, a glass of wine held high above his head, his right leg thrust forward, while he stretches back to take the hand of Lord Clermont, [This is clear from the resemblance to BMSat 9575, and is supported by the shamrock which he and the other Irishmen wear. It is confirmed by 'London und Paris', vii. 80, where it is said that he and Moira were once bitter enemies. He is identified by Grego as General Manners, see BMSat 9288.] seated next Sheridan on the farther side of the table. Facing Clermont and in back view, Camelford sits erect, wearing a Jean de Bry coat (see BMSat 9425) and small round hat, with cropped hair. [The identification (that of Grego) is confirmed by BMSat 9716, Wright and Evans give Burdett, E. Hawkins 'Mr Manners'.] Beside him (right) two waiters bring in a full tub of Whiskey Punch, which they spill; one treads on the face of the prostrate Nicholls. Near the end of the table (right) sits Derby, his large head and crumpled features grotesquely caricatured. In the foreground on the extreme right Montagu Mathew (as in BMSat 9560) and Skeffington (as in BMSat 9557) advance dancing arm-in-arm, with tipsy grace, the former with a bottle in each hand; one reversed, the other, held above his head, splashes its contents over his partner's uplifted glass. (The pair, according to 'London und Paris', vii, 1801, p. 76, were known as inseparables in fashionable London resorts, cf. BMSat 9755.) ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse on either side of title: "We'll join hand in hand, all party shall cease, "and glass after glass, shall our union increase ..., and 1 print : etching with engraving on wove paper, hand-colored ; plate mark 30 x 44.2 cm, on sheet 31.0 x 46.9 cm.
Publisher:
Publish'd Jany. 21st, 1801, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Stanhope, Charles Stanhope, Earl, 1753-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Pitt, Thomas, Baron Camelford, 1775-1804, Nicholls, John, 1745?-1832, Smith-Stanley, Edward, 1752-1834, Skeffington, Lumley St. George, Sir, 1771-1850, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Walpole, George, 1761-1830, Lansdowne, William Petty, Marquis of, 1737-1805, Parr, Samuel, 1747-1825, Queensberry, William Douglas, Duke of, 1725-1810, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Kirkcudbright, John Maclellan, Lord, 1729-1801, Hanger, George, 1751?-1824, Jones, Thomas Tyrwhitt, Sir, 1765-1811, and Sturt, Charles, 1763-1812
Title, printmaker, and publication information from British Museum catalogue., Description based on imperfect impression; sheet trimmed within plate mark with loss of title and imprint line., and Mounted to 32 x 47 cm.
Publisher:
publisher not identified
Subject (Name):
Norfolk, Charles Howard, Duke of, 1746-1815, Fox, Charles James, 1749-1806, Lauderdale, James Maitland, Earl of, 1759-1839, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Landsdowne, William Petty, 1st Marquis of, 1737-1815., Parr, Samuel, 1747-1825, Tierney, George, 1761-1830, and Queensbury, William Douglas, Duke of, 1724-1811
A racist and complex print purports to show a dinner held at the African Institution, becoming increasingly drunken and debauched as the evening progresses. Cruikshank employs many common 19th-century racist stereotypes of black people - drunkenness, aggressiveness, and sexual promiscuity - and lampoons the idea that black people could aspire to behave like white people. In the print, the white abolitionists are portrayed as unsuspecting and bewildered innocents who find themselves entirely out of their depth. Cruikshank seems to suggest that their association with black people has corrupted them - that they are being 'uncivilised' rather than black people becoming 'civilised'. Meanwhile, the idea of relationships between races is ridiculed. Many familiar and important figures are represented. Abolitionists like Wilberforce, Stephen and Macaulay appear next to the street entertainer Billy Waters and the radical Robert Wedderburn ... See a full description at Royal Museums Greenwich online catalogue and A design based on Gillray's 'The Union Club' with the roistering fraternizers being English and negroes, in place of English and Irish. The chairman's raised throne with its canopy is on the extreme left, at the head of the table which extends to the right across the design. The throne is an infant's chair, or commode, supported on a round tray based on two casks, one above the other. Wilberforce has risen from the chair, so far as the front bar will permit, his chairman's hammer held between flexed knees ..."--British Museum online catalogue
Description:
Title etched below image. and Place of publication transposed from end of publisher's statement.
Publisher:
Pud. July 19th 1819 by G. Humphrey, 27 St. James's Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Baartman, Sarah., Henri Christophe, King of Haiti, 1767-1820, Lyon, G. F. 1795-1832. (George Francis),, Macaulay, Zachary, 1768-1838, Marryat, Joseph, 1757-1824., Smith, William, 1756-1835., Stoddart, John, 1773-1856., Stephen, James, 1758-1832., Parr, Samuel, 1747-1825., Wedderburn, R. (Robert), Wilberforce, William, 1759-1833, and Anti-slavery Society (Great Britain)
Subject (Topic):
Antislavery movements, Political satire, English, Politics and government, Caricature, Clubs, Ethnic stereotypes, Intoxication, and Racism
Facius, Georg Sigmund, approximately 1750- printmaker
Published / Created:
[1808]
Call Number:
Portraits P258 no. 9
Image Count:
1
Resource Type:
still image
Description:
Title and publication information from published state., Artist and printmaker from statements of responsibility on published state: Painted by John Opie ; engraved by G.S. & J.G. Facius., and For published state, see: Catalogue of engraved British portraits preserved in the Department of prints and drawings in the British museum, v. 3, page 415.
