"A scene in the small courtyard of a London inn, at which a stage-coach has just arrived. A stout lady is getting out of the coach, larger in scale than the other figures; the coachman is taking game, &c, from the box. A short stout 'cit' yawns and stretches. Another man looks sourly at his watch; packages lie on the ground, including a hamper directed to 'Alderman Guttle'. A smiling waiter (right) invites the company to enter the inn. Through the folding gates of the yard is seen a street with a distant church."--British Museum online catalogue
Description:
Title from item., Artist from British Museum catalogue no. 6758., Plate numbered '12' in upper right corner., Date of publication inferred from date of the Bowles & Carver partnership formed after the 1793 death of Carington Bowles. See Plomer's Dictionaries of printers and booksellers, p. 31., and Variant of no. 6758 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Printed for & sold by Bowles & Carver No. 69 in St. Paul's Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Passengers, Carriages & coaches, Coach drivers, and Clothing & dress
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Two coaches conveying respectively Conservatives and Liberals; relative drivers and passengers arguing with the ones belonging to the rival party."--British Museum online catalogue
Alternative Title:
Rival omnibuses
Description:
Title from item., Initials of printmaker Charles Jameson Grant in center left portion design, engraved on the driver's seat of the leftmost coach., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "114" in brown ink in lower left corner of design., and No. 114.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
O'Connell, Daniel, 1775-1847, Wellington, Arthur Wellesley, Duke of, 1769-1852, William IV, King of Great Britain, 1765-1837, and Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849
Subject (Topic):
Politicians, Carriages & coaches, Coach drivers, and Passengers
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[April 1790]
Call Number:
Drawings W87 no. 14 Box D175
Image Count:
1
Resource Type:
still image
Abstract:
A pretty, well-dressed girl steps into a hackney coach from the left while the coachman in blue coat doffs his hat. He stands facing left by the door and on the extreme left stands the girl's mother wearing a huge hat and carrying a muff. Ms. inscription below title: "This is the most fashionable coach on the stand says a pretty young lady stepping into me with all the hilarity of soul that distinguishes the cheerful children of prosperity; after whom followed an elderly lady her mother." (Vid. Adventures of a hackney coach).
Description:
Title inscribed below image in black ink in the artist's hand., Signed and dated by the artist around perimeter of the design., and For further information, consult library staff.
Subject (Topic):
Carriages & coaches, Coach drivers, and Passengers
"A section of the deck of a small sailing vessel, seen from outside; cockneyfied passengers, depicted with a sailor's contempt, hang over the rail in misery or walk on deck. The helmsman (left) stands impassively in profile to the right."--British Museum online catalogue
Description:
Title from text below image., Date of publication supplied by cataloger., Reproduction of an etching by George Cruikshank, after a drawing by Frederick Marryat; Cruikshank's "etched by G.C." signature and Marryat's artist's device (an anchor tilted diagonally) are reproduced and legible beneath the design, as is the original imprint "London, Pubd. June 5th, 1824, by G. Humphrey, 24 St. James's Street.", Orignal etching was presumably an early state of a plate more widely published with the title "To Calais." For the state following the title change, which has the same G. Humphrey imprint and lists the same publication date, see no. 14719 in the Catalogue of prints and drawings in the British Museum, v. 10. The plate retained this latter title when it was reissued in: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., A companion print entitled "From the West Indies" has the same signatures and imprint statement as the original etching; see no. 14718 in the Catalogue of prints and drawings in the British Museum, v. 10., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 2036., and Cf. Reid, G.W. Descriptive catalogue of the works of George Cruikshank, 1249.
Publisher:
publisher not identified
Subject (Topic):
Passengers, Decks (Ships), Motion sickness, Hats, and Smoking
The scene of an accident on a rural road: The passangers are tossed from an overturning carriage onto the road, some already on the ground suffering from the loss of their hats and wigs while others are still somersaulting through the air; one couple are still trapped inside the carriage. The team of horses are running away
Description:
Title from caption below image., In lower right corner of print: P. 132., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Probably an illustration to Sterne's Sentimental Journey. A corpulent gentleman with an equally rotund lady on his arm waits in a line of passengers to board a ship. An invalid is carried up the gangpank in a chair, while a servant carries a side of beef on a platter together with a basket of wine-bottles. Another gentleman descends from a coach. Masts of sailing vessels occupy the background
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Published as the Act directs, by A. Hamilton ...
Subject (Geographic):
Great Britain, Dover (England), England, and Dover
Title devised by cataloger., Date of publication based on dates of the Great Exhibition: 1 May to 15 October, 1851., Five small designs on one plate, all lacking captions., and Sheet trimmed within plate mark.