"An Irishman riding (left to right) on a horse. He is dressed as a military officer, with epaulettes. In his hat is a cross in a medallion. In his right hand, and resting on his shoulder, is a sword on which potatoes are spitted. In his left hand he holds out a wineglass. Two fish are slung on his right arm, under it is a sickle. Various objects are attached to his saddle or his person including a tankard, a small set of bagpipes, a candle-stick, a large fish; a small Irish harp decorates the hindquarters of his horse. The background, seen between the horse's feet, is the sea-shore with ships. A border decorates the two sides of the print, surmounted (left) by a frowning mask, with a dagger through one eye, and (right) by a smiling mask. To a vertical line of conventional fruit and foliage are attached a number of objects, including a horn and goblet, a flute, a flail and rake, a wine-bottle and glass, a sheaf of corn and a sickle. Beneath the design is engraved: "So sweet St Patrick comes, Dear Joy to Day, Smiles on his face with Merriment & Play. With good store of Tattoes, Sweet Buttermilk, & Whisky, Small Pipes, & Usquebaugh to make us Dance Frisky. Then banish all care, and meagre sorrow, We'll Celebrate this Day not trust to morrow. Let's Rant & Roar & make the House Ring, Drink to St Patrick's Day in the Morning.""--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., Earlier state, without Carington Bowles imprint, of no. 5945 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Number 4 in series Seven prints of the Tutelar Saints., and Dated in pencil, 1768.
"Pitt (left) and St. Patrick (right) bestride bulls whose horns are locked in combat, their noses pressed together; the bulls are similar, but the Irish animal is sturdier, its head heavier, its tail erect. Pitt wears armour with a plumed helmet and a cloak. He holds a baton and says: "Never fear St Patrick all will be yet very well they are a little restive at first but they will take to it, kindly enough bye and bye - I'll warrant you." St. Patrick, wearing a tiara and holding a crozier, says: "Pon my Conscience I don't know what you call it but the duece of any thing like an Union do I see except their horns being fastened together". Pitt's cloak and St. Patrick's robe fly out, as if the two had been riding rapidly towards their impact."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Library ink stamp in inscription area: Philosophical Institution, Beaumont Square M.E. [i.e. Mile End].
Publisher:
Publish'd Janry. 1801 by R. Ackermann, N. 101 Strand
Subject (Name):
Pitt, William, 1759-1806 and Patrick, Saint, 373?-463?
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., and Watermark.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Irish politician as Saint Patrick driving out monsters representing Irish society's evils."--British Museum online catalogue
Alternative Title:
Irish tutelar saint driving the vermin out of Ireland
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left corner of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "118" in brown ink in top center portion of design., Mounted on yellow paper backing., and No. 118.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
Patrick, Saint, 373?-463? and O'Connell, Daniel, 1775-1847
Subject (Topic):
Politicians, Miters, Demons, Monsters, Snakes, Bats, Crocodiles, and Foxes
