publishd. according to act of Parliament the 30 Octobr. 1777.
Call Number:
777.10.30.02+
Image Count:
1
Resource Type:
still image
Abstract:
A print showing the front elevation of a brothel, with a sign over the door "Young Ladies Educated & Board." At the threshold of the establishment, the brothel keeper (possibly Charlotte Hayes) stands at the front door talking with a young man who holds a riding crop (possibly her common-law husband, Dennis O’Kelly.) The two windows on the ground floor show, on the left, a woman entertaining a portly gentleman, and, on the right, two pretty, young woman, one leaning out the window to view the scene at the door. In the two windows on the upper, left and center, two other women are already entertaining men (one of whom is a clergyman) while on the right, two pretty women look down at the scene on the brothel threshold. On the left, a man reads handbills in a covered alley identified as "Kings Place." On the sidewalk (left) a pedestrian holds a monocle to his eye to better see the women; in his pocket is a paper with a title "Economical Lowe[r?]. On the sidewalk to the right, a flower girl in ragged clothes holds out a bunch of flowers to the young man addressing the madam. A woman (dwarf) crier holds a sheet titled "The Harlot's Progress."
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
publisher not identified
Subject (Geographic):
England and England.
Subject (Name):
Hayes, Charlotte, 1725-1813, and O’Kelly, Dennis, 1725-1787,
Volume 2, page 101. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man dancing in the centre of a crowd of villagers, waving ribbons in the air and with a tray of his goods around his neck, including toys and ballad sheets, a cottage behind at right; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 101 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published June 1st, 1790, by W. Dickinson, engraver, Bond Street
Subject (Name):
Shakespeare, William, 1564-1616.
Subject (Topic):
Peddlers, Toys, Dance, Ribbons, Crowds, and Dwellings
Benjamin Holbrook, shown full-length in profile, walking to the left, holding with a long white staff in his right hand, clutching two memorandum books in his left hand, heading towards Fleet Market, with the west front of St. Paul’s Cathedral visible in the background. His eyes being closed and the presence of the staff indicate his blindness, and the patched elbow of his three-quarter-length coat his poverty
Description:
Title from ink inscription in lower left portion of image., Signed with the artist's initials and dated in lower right corner., Numbered "25" in top center., For the related print, entitled "Ben Holbrook, the walking stationer" and published 16 July 1783 by William Wells, see Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 542, no. 1., and Mounted with narrow paper mount.
Subject (Name):
Holbrook, Benjamin, active 1783, and St. Paul's Cathedral (London, England),
Subject (Topic):
Peddlers, Blind persons, Staffs (Sticks), and Stationery
Title above each image., Titles: Bombario Actionist en de Geest van Esopus; Actieuse Nacht-Wind-Zanger met zyn Tover Slons; Natuur Actie-Doctor of klap-achtig Bobbel Meester; Directrice der Vervalle Actie-Regimenten en bezonderlyk van Natuurlyke Lawe Actien., Date supplied by curator., Four plates on one uncut page, numbered 1 thru 4., From an edition of "Het Groote Tafereel der Dwaasheid" or "The Great Mirror of Folly"., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, Politics and government, Physicians, Peddlers, Coats of arms, Parrots, and Cauldrons
"One of a set of eight plates, No. 7 (not mentioned by Grego) being missing, all having the same signatures. They may have been intended to burlesque Wheatley's 'Cries' (1793-7), from which they appear to derive. [The subjects are different from those of Wheatley, and there is no element of copying, but the group, with sentimental or humorous incident and architectural background, was Wheatley's innovation on the traditional single figure representing the 'Cries of London'. Cf. W. Roberts, 'The Cries of London', 1934, p. 12.] A ragged man, with traps of various patterns slung round him, and a trap in each hand, offers his wares to an old man (left) who looks from his bulk or stall, on which are a bird in a wicker cage and a rabbit in a hutch. A little boy and girl, hand in hand, stare intently at the rabbit. A dog snarls at two rats in one of the traps. A woman looks down from a casement window over the pent-house roof of the stall. In the background are a church spire and the old gabled houses characteristic of the slums of St. Giles and Westminster."--British Museum online catalogue
Description:
Title etched below series title and number., 1 print : etching with aquatint border on wove paper, hand-colored ; sheet 31 x 22 cm., Sheet trimmed within plate mark with loss of imprint., State with border removed., and Double window-mounted to 34 x 26 cm.
Publisher:
Pub. Jan. 1t., 1799, at R. Ackermann's, 101 Strand
Subject (Topic):
Birdcages, Children, Dogs, Houses, Men, Mousetraps, Peddlers, Prostitutes, Rabbits, Rats, and Street vendors
"One of a set of eight plates, No. 7 (not mentioned by Grego) being missing, all having the same signatures. They may have been intended to burlesque Wheatley's 'Cries' (1793-7), from which they appear to derive. [The subjects are different from those of Wheatley, and there is no element of copying, but the group, with sentimental or humorous incident and architectural background, was Wheatley's innovation on the traditional single figure representing the 'Cries of London'. Cf. W. Roberts, 'The Cries of London', 1934, p. 12.] A ragged man, with traps of various patterns slung round him, and a trap in each hand, offers his wares to an old man (left) who looks from his bulk or stall, on which are a bird in a wicker cage and a rabbit in a hutch. A little boy and girl, hand in hand, stare intently at the rabbit. A dog snarls at two rats in one of the traps. A woman looks down from a casement window over the pent-house roof of the stall. In the background are a church spire and the old gabled houses characteristic of the slums of St. Giles and Westminster."--British Museum online catalogue
Description:
Title etched below series title and number. and Mounted on leaf 1 of volume 6 of 14 volumes.
Publisher:
Pub. Jan. 1t., 1799, at R. Ackermann's, 101 Strand
Subject (Topic):
Birdcages, Children, Dogs, Houses, Men, Mousetraps, Peddlers, Prostitutes, Rabbits, Rats, and Street vendors
A peddler with a pole over his right shoulder from which hang two cages with birds inside, walks left away from the viewer. He carries a third cage in his left hand. His left sleeve is patched at the elbow
Description:
Title engraved below image., Printmaker and imprint from title page of work in which this print was published., Plate from: Costume of the lower orders of the metropolis / T.L.B. London : Printed for Samuel Leigh, by W. Clowes, 1820., Sheet trimmed within plate mark., and Reduced copy in reverse of no. 29 in M. Laroon's Cries of London.
"A young woman shown half-length to right with her back to the viewer, wearing a spotted neckerchief and a straw hat over her cap, looking over her shoulder towards the viewer, holding a basket over her arm and holding up three fruits; in an oval."--British Museum online catalogue, description of a later state
Description:
Title from text below image., For a later state bearing the imprint of Bowles & Carver, see British Museum online catalogue, registration no.: 2010,7081.1688., and Plate numbered "372" in lower left corner.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Pauls Church Yard, London
Subject (Topic):
Young adults, Women, Baskets, Fruit, Peddlers, and Food vendors
A cross-eyed woman, her hat purched high on top of her cap, carries a basket full of wooden spoons suspended from a ribbon round her neck. Wrapped in a ragged shawl and hunched toward her left, she offers a fist full of spoons to a farmer carrying a rake who smiles at her as he reaches into his pocket. The woman clutches a hammer in her right hand
Description:
Title from item., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., Plate numbered '3' published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
