Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Politicians introducing themselves and asking for Christmas boxes to John Bull."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "121" in brown ink in lower left corner of design., and No. 121.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Peel, Robert, 1788-1850, Russell, John Russell, Earl, 1792-1878, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Burdett, Francis, 1770-1844
Subject (Topic):
John Bull (Symbolic character), Politicians, Brooms & brushes, Lanterns, Staffs (Sticks), Bells, and Rats
Wellington and Peel, portrayed as the notorious murderers Burke and Hare, pin down an old woman (Mrs. Docherty of the trial) who struggles as they suffocate her. A Jesuit priest enters the room on the right holding a crucifix
Description:
Title from item., Caption at top: Hark! the Doctor Knoxcks [sic], she is almost done and ready for you. Vide Old Play., A figure of 'Paul Pry' is an artist's device used by Wiliam Heath., and In lower border: Sole publisher of P. Prys caricatures.
Publisher:
Pub. March 1829, by S. Gans, 15 Southampton Street, Strand, London
Subject (Name):
Burke, William, 1792-1829., Hare, William, 1792?-1870?, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Great Britain, Homicides, and Clergy
20 ALS and 2 autograph manuscripts by Chandos Leigh, first Baron Leigh of Stoneleigh. Almost all of the letters were written during his travels on the Continent. Ten were written to his parents and sister in 1818-19 while he was on the grand tour. Letters from Switzerland and the Alps describe the scenery, particularly near Vevey and Lake Como, and refer to the writings of Rousseau, Byron, and Thomas Moore. Letters from Florence and Rome detail his responses to art and architecture, particularly the Venus de Medici, the sculpture of Canova and Thorvaldsen, and "the pride, pomp and circumstance" of Roman Catholic churches and ceremonies, which "must disgust the severe taste of the English traveller." Leigh also mentions Lord Byron, Lady Drury and Lord Beauchamp, the "set of regular English Dandies" and English ladies in Rome, the unattractiveness of Roman women, and his own purchase of a Salvator Rosa painting and Three letters to Sir Egerton Brydges, written during the Leigh family's stay in Switzerland in 1837, concern Leigh's poetry, his health, and a possible visit. His letters to his nephew Frederick Colvile contain news of his health and family; travel descriptions; and advice on Colvile's education. A March 1836 letter announces that the trustees of Rugby School have "unanimously decided in favour of Dr. Arnold;" a December 1837 letter comments that "Dr. Newman's book" (Lectures on Justification?) "contains much that is...to an ordinary man unintelligible." Other topics include the 1850 death of Sir Robert Peel and Leigh's own Liberal Party politics. The collection also contains autograph manuscripts of two poems by Leigh: "The First Days of Spring" and "Hymn for the Consecration of the Church on Westwood Heath."
Description:
Chandos Leigh (1791-1850) was educated at Harrow School, where he met Lord Byron, and Christ Church, Oxford, following which he made the grand tour with Philip Shuttleworth. A distant cousin of Jane Austen's, and a generous literary patron to Leigh Hunt and others, Leigh privately published over two dozen collections of his own poems and essays. He was created Baron Leigh of Stoneleigh in May, 1839. Leigh traveled several times to the Continent for his heath, but died of apoplexy in Bonn in September of 1850; he was succeeded by his eldest son, William Henry Leigh. and Accompanied by a container list.
Subject (Geographic):
Europe., Alps, Florence (Italy), Italy, Rome (Italy), and Switzerland
Subject (Name):
Byron, George Gordon Byron, Baron, 1788-1824., Brydges, Egerton, Sir, 1762-1837., Canova, Antonio, 1757-1822., Colvile, Frederick Leigh, 1819-1886., Leigh, Chandos, 1791-1850., Leigh, Chandos, 1791-1850, Leigh, James Henry, 1765-1823., Leigh, Julia, d. 1871., Leigh, Julia Twisleton, d. 1843., Newman, John Henry, Saint, 1801-1890., Peel, Robert, 1788-1850, Rousseau, Jean-Jacques, 1712-1778, Thorvaldsen, Bertel, 1770-1844., Catholic Church, and Rugby School.
Subject (Topic):
Books and reading, Death and burial, Influence, Customs and practices, Authors, English, Dandies, English literature, Grand tours (Education), Tourism, Travelers' writings, English, Description and travel, Social life and customs, and Religious life and customs
"After the title: "--Thus they, in lowliest plight, repentant bow--Mil[ton]. The Pope sits in a Gothic chair whose back is at an angle with the picture plane: Wellington, in profile to the right, kneels at his feet, supporting the Pope's right foot, and fervently kisses his toe (as in BM Satires No. 15665). He wears civilian dress, but a plumed cocked hat lies beside him. Peel (left) stands behind, eagerly waiting his turn, his hands together as if in prayer. Each holds a rosary. The Pope, who has a red and vulturine nose, wears a tall tiara."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily pub., Approximate date of publication from British Museum catalogue., Text following title: "Thus they, in lowliest plight, repentant bow-Mil[t]on., Sheet trimmed to plate mark leaving thread margins., Watermark: J. Whatman 1829., and Numbered in ms. at top of sheet: 192.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Peel, Robert, 1788-1850
Authors of the Catholic Reform Bill, Wellington and Peel are dressed in tall conical caps and tied to the back of chair carried by Eldon. A fat bishop, probably Howley, walks behind, carrying the legs of the chair, as the head of Cumberland with gapping mouth appears behind him. A fat John Bull character looks on the scene from the left foreground. The group is met on the right by an angry Irish ragamuffin wearing a barrister's wig and waving his fist and a shillelagh, suggesting that he is O'Connell
Alternative Title:
Don't you remember the fifth of November
Description:
Title etched below image., Lower right corner, device of Paul Pry, pseudonym of William Heath : a figure with hat and cane., Publication date from British Museum catalogue., and Publisher's advertisement following imprint: Political & other caricatuers [sic] daily pub.
Publisher:
Pub by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Howley, William, 1766-1848, O'Connell, Daniel, 1775-1847, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Politics and government, and John Bull (Symbolic character)
"Peel, as a dustman, stands with legs apart, smoking a pipe and looking to the left. In his right hand is his hand-bell, marked with the Royal Arms, in the left broom and shovel. He is handsome and stalwart, the dress is becoming. Above: 'I dont, vunder I looks black I has all the dirty work in the Parish to do.'"--British Museum online catalogeue
Description:
Title etched below image., Series title etched above image., and Paul Pry is the pseudonym of William Heath.
Publisher:
Pub. June 12 1829 by T. McLean 26 Haymarket sole publisher of P. Prys caricatures - none are original without T. McLeans name
Subject (Name):
Peel, Robert, 1788-1850
Subject (Topic):
Garbage collecting and People associated with manual labor
Title from item., Sheet trimmed within plate mark., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., and Temporary local subject terms: Catholic emancipation bill, 1829 -- Food: pudding -- Clergy: pope.
Publisher:
Pub. by Richardson & Co., 1, Birchin Lane, Cornhill
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, O'Connell, Daniel, 1775-1847, and Pius VIII, Pope, 1761-1830
"In the foreground are Wellington and Peel as grave-diggers; Eldon, a stout elderly Hamlet wearing a cloak, stands (left) holding a skull, and saying: "Here's fine revolution and [sic] we had the trick to see it." Wellington stands in a grave, in profile to the left, wielding a pickaxe. His shirt-sleeves are rolled up, he wears a small cap; his military coat, cocked hat, and sword lie beside him. He says to Peel: 'Come take off the Orange Peel [see British Museum Satires No. 15683] quickly, I can't get on without you.' Peel, wearing garments of green slashed with orange, is about to take off an orange waistcoat (cf. British Museum Satires No. 15701). He answers 'I'll change my self before you can say Jack Robinson.' On the extreme right are the posterior and left leg of George IV (as in British Museum Satires No. 12803) who is scurrying off to the right, beside a tombstone which serves as sign-post and is inscribed 'To Hanover' [see British Museum Satires No. 15704]. In the middle distance (right) is the funeral procession, the coffin carried by four bearers with a pall inscribed 'Constitution 1829'. On it stand a large crown and mitre with papers: 'Magna Charta' and 'Bill of Rights'. It is followed by one mourner in cloak and scarf (J. B.), who covers his face with a despairing gesture, exclaiming 'Oh! dear! Oh! dear, what will become of Mrs Bull, & all my little Bulls?-- We shall have nothing but the Popes Bulls. Oh my--' Behind are (left) St. Paul's and (right) York Minster. The pediment of the former is inscribed 'St Pauls now St Patricks' [cf. British Museum Satires No. 11898]. On the steps, about to enter, is the Pope, rollicking indecently between a monk (left) and O'Connell (right) in wig and gown. The Pope: 'Och! my darling you have done the job. fal lal la!!' O'Connell: 'Huzza! Huzza! Ould Ireland for ever! Huzza!!!' Behind them (left) capers a ragged Irishman, playing bagpipes and shouting 'St Patrick day in the morning!! Och! my Darlings!' An Irish crowd is indicated in the background. Farther from the spectator is York Minster, blazing furiously, flames and smoke covering the sky; an incendiary with a firebrand (Martin, see British Museum Satires No. 15658) rushes from the building, striding across a paper inscribed 'Blanco [scored through] Black is White'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Text beneath lower right corner of image: Hamlet, Act Vth, Scene a church-yard. Enter two clowns with spades., and Laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. March 1829 by T. McLean, Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, York Minster,, Shakespeare, William, 1564-1616., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, George IV, King of Great Britain, 1762-1830, Leo XII, Pope, 1760-1829, and O'Connell, Daniel, 1775-1847
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull pushing old politicians into a machine which grind them and turn them into young and honest people."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in bottom center portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "123" in brown ink in top center portion of design., and No. 123.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
Peel, Robert, 1788-1850 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Politicians, Grinding machines, Older people, Young adults, Scepters, Telescopes, Pitchforks, and Ladders
"John Bull as a Chinese, in Chinese costume, hugely corpulent sits full-face in an arm-chair, legs extended, hands resting on the sides of his paunch. He looks to three doctors on the left, the foremost being Grey, who leans towards him, pointing to his colleagues (left), and saying suavely, 'This deformity is quite inconsistent, believe me, with the Nature of your Constitution & therefore must be got rid of, I will undertake with your approbation, to remove it & my assistant Doctor Russell here will prepare you for the Operation'. Lord John Russell, on the extreme left, speaks confidentially to Althorp who is in back view: 'I once thought that a case of this description ought to be treated with great caution and even wrote as well as talked a great deal about it, but now I am quite of a different opinion I think there is nothing like cutting away thro' thick & thin!' J. B.: 'I ca'nt say that my bodily health was ever better, or that I ever felt stronger tho' to be sure I am not growing younger; but then every one is telling me how deformed I am grown of late & this tumour which I have had from my infancy is all a Mass of Corruption'. On the right and slightly farther from the picture-plane, the rival doctors, Peel and Wellington, are in consultation. The Duke: 'I say the Man has no defect in his Constitution & that what they call corruption is necessary to his existance--but now because he would not believe me, but choses rather to submit to the experiments of these rash operators --Wharnecliffe who is a sensible Man lays all the blame on me'. Peel: 'Yet I begin to think we could have done better, when we found him determined to think that his Constitution was impaired, to have tried--just in the way of soothing, a gentle alterative Course'."--British Museum online catalogue, description of a variant state
Alternative Title:
John Bull and the doctors
Description:
Title from text below image., Print signed with the monogram "HB," which was used by John Doyle., Variant state lacking C. Motte's printer statement in lower right. Cf. No. 16666 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11., and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Geographic):
Great Britain and England.
Subject (Name):
Hoo Loo, 1799-1831., Grey, Charles, 2nd Earl, 1764-1845, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Russell, John Russell, Earl, 1792-1878, Spencer, John Charles Spencer, Earl, 1782-1845, and Wharncliffe, James Archibald Stuart-Wortley, Baron, 1776-1845.
Subject (Topic):
Politics and government, John Bull (Symbolic character), Tumors, Surgery, Politicians, and Obesity
