"An opera-dancer, Mme Rose Didelot, is poised on her right toe, her head turned in (sharp-featured) profile to the left, holding up a long garland of roses. She wears a pseudo-classical costume, defining her person, the edge of the skirt bordered with roses, a wreath of roses in her hair which is almost short. The scenery is of trees with a landscape background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. April 12th, 1796, by H. Humphrey, New Bond Street
"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
"Didelot dances on the stage between two women, both very lightly clad in quasi-classical costume, and wearing 'cothurnes'. He wears a feathered hat, tunic, and cloak, and looks towards Mme Parisot (right); she strikes an attitude with right leg raised and arms extended, and looks alluringly towards him, her right breast bare. Mme Rose (left), his wife, dances with more restraint, her sharp-featured profile turned austerely towards her husband. All wave their arms above their heads, and their attitudes are in fact graceful (though caricatured). Two plump 'danseuses' (left and right) whirl on one toe in the background. Behind Didelot is an irradiated sun, with features looking down disapprovingly at the dancer."--British Museum online catalogue
Alternative Title:
Operatical finale to the ballet of Alonzo e Caro
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pubd. May 5th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Didelot, Charles Louis, 1767-1837 and Didelot, Marie Rose Paul, -1803
"Braham, in fantastically elaborate dress as an Italian prince, steps to the left, his head in profile, singing, right hand on breast. He wears a high-feathered hat of hussar type, with tasselled bags, broad sword-belt studded with gold, sword, wrinkled boots. He has a broad whisker and small moustache."--British Museum online catalogue
Description:
Title etched below image., Dedication etched below title: To Mr. Thos. Dibdin (the author of The cabinet &c) this print is inscrib'd by his friend, Robt. Dighton., and Leaf 24 in an album with the spine title: Characatures by Dighton.
"Braham, in fantastically elaborate dress as an Italian prince, steps to the left, his head in profile, singing, right hand on breast. He wears a high-feathered hat of hussar type, with tasselled bags, broad sword-belt studded with gold, sword, wrinkled boots. He has a broad whisker and small moustache."--British Museum online catalogue
Description:
Title etched below image., Dedication etched below title: To Mr. Thos. Dibdin (the author of The cabinet &c) this print is inscrib'd by his friend, Robt. Dighton., 1 print : etching ; plate mark 27.3 x 19.7 cm, on sheet 32.1 x 23.3 cm., and Printed on wove paper; hand-colored.
"The actor George Frederick Cooke as Richard III, standing and turning with his right leg forward, arms to left, holding a scroll in his right hand, head turned and looking three-quarters to right, wearing regal red and gold costume with fur-trimmed robe, red hat with crown and feathers, purple breeches and spurred boots, sword at left hip."--British Museum online catalogue
Alternative Title:
Ha! Am I King? 'Tis so - but - Edward lives
Description:
Title etched within banners below image; the banner containing the actor's name is etched upon a vignette of theatrical attributes, while the banner containing lines from the play is etched beneath the vignette., "From a drawing in the possession of Thos. Harris Esq."--Etched at bottom of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 25 in an album with the spine title: Characatures by Dighton.
Publisher:
Pubd. Decr. 1st, 1800, by Dighton, Charg. Cross, No. 12
Subject (Name):
Cooke, George Frederick, 1756-1812, Cooke, George Frederick, 1756-1812,, Shakespeare, William, 1564-1616, Cooke, George Frederick, 1756-1812., Richard III, King of England, 1452-1485., and Shakespeare, William, 1564-1616.
Subject (Topic):
Performances, Characters, King Richard III, Actors, Literature, British, and Theatrical productions
"The actor George Frederick Cooke as Richard III, standing and turning with his right leg forward, arms to left, holding a scroll in his right hand, head turned and looking three-quarters to right, wearing regal red and gold costume with fur-trimmed robe, red hat with crown and feathers, purple breeches and spurred boots, sword at left hip."--British Museum online catalogue
Alternative Title:
Ha! Am I King? 'Tis so - but - Edward lives
Description:
Title etched within banners below image; the banner containing the actor's name is etched upon a vignette of theatrical attributes, while the banner containing lines from the play is etched beneath the vignette., "From a drawing in the possession of Thos. Harris Esq."--Etched at bottom of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 27.5 x 21.2 cm, on sheet 35.5 x 22 cm., and Printed on wove paper; hand-colored.
Publisher:
Pubd. Decr. 1st, 1800, by Dighton, Charg. Cross, No. 12
Subject (Name):
Cooke, George Frederick, 1756-1812, Cooke, George Frederick, 1756-1812,, Shakespeare, William, 1564-1616, Cooke, George Frederick, 1756-1812., Richard III, King of England, 1452-1485., and Shakespeare, William, 1564-1616.
Subject (Topic):
Performances, Characters, King Richard III, Actors, Literature, British, and Theatrical productions
Title engraved below image., Sheet trimmed to plate mark at top edge., Plate from: The town and country magazine. London : Printed for A. Hamilton, Junr., v. 1 (1769), page 473., Numbered 'No. XXVII' in upper left corner., See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 431., and Temporary local subject terms: Theatres: Stratford upon Avon -- Female dress, 1769 -- Male dress, 1769 -- William Shakespeare's statue, 1769.
Publisher:
publisher not identified
Subject (Name):
Garrick, David, 1717-1779, and Shakespeare, William, 1564-1616.
Subject (Topic):
Monuments & memorials, Music, Musical instruments, Musicians, Performances, and Theaters
Portrait of the actor William Farren, in character as Sir Peter Teazle in Sheridan's 'School for Scandal'; whole length, standing facing right, his right hand tucked inside his waistcoat
Description:
Title etched below image; the letter "z" in "Teazle" is etched backwards., Reissue of a print likely published by Richard Dighton himself; a blank space in the statement of responsibility, between "etchd." and "by Richd. Dighton", probably contained the words "& pubd." in the original issue of the print., Date of publication from the British Museum online catalogue entry for publisher Thomas McLean, which notes that "all prints dated before 1824 are reissues of 1824 or later"., Imperfect; sheet trimmed within plate mark with partial loss of statement of responsibility and imprint statement., Window mounted to 51 x 36 cm., and Mounted opposite page 166 (leaf numbered '207' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. by T. McLean, Haymarket
Subject (Name):
Farren, William, 1786-1861, Farren, William, 1786-1861,, Sheridan, Richard Brinsley, 1751-1816., and Farren, William, 1786-1861.
Subject (Topic):
Performances, Teazle, Peter, Sir (Fictitious character), Actors, and British
Title from item., Date derived from first vignette caption: Vue d'une boutique de pharmacien in janvier 1848., Nine vignettes signed either Cham, G.C., or C.G., Published in Le Charivari., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Influenza, Sick persons, Medications, Performances, Dinner parties, Soldiers, and Drugstores
