Copy of a print by J. Sympson, Junr., after W. Hogarth's design. A benefit ticket illustrated with a stage scene from John Gay's 'The Beggar's Opera': a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Ireland's 'Graphic Illustrations of Hogarth'. and "Benefit ticket: a stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Samuel Ireland's 'Graphic Illustrations of Hogarth' (1794-1799)"--British Museum online catalogue
Description:
Title from ribbon at top of image; below "Theatre Royal Covent Garden / Pitt"., Signed within image: W. Hogarth invt. / J. Sympson Junr. sculp., After one of the suppositious 'Sympson' prints; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, page 58., Polly portrayed by Lavinia Fenton., Ms. note in pencil Steevens's hand above print: £5.5.0; at top of print: 5., Ms. note beneath print in another hand in pencil: For Graphic illustrations of Hogarth ... its possession of Samuel Ireland, 1794, p. 58., and On page 233 in volume 3. Sheet trimmed to: 11 x 12.7 cm.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Copy of a print by J. Sympson, Junr., after W. Hogarth's design. A benefit ticket illustrated with a stage scene from John Gay's 'The Beggar's Opera': a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Ireland's 'Graphic Illustrations of Hogarth'. and "Benefit ticket: a stage scene with five performers in Gay's 'The Beggar's Opera'; a prison scene with three men standing and two women on their knees; print after a forgery purporting to be a benefit ticket for Thomas Walker for his performance as Macheath; illustration to Samuel Ireland's 'Graphic Illustrations of Hogarth' (1794-1799)"--British Museum online catalogue
Description:
Title from ribbon at top of image; below "Theatre Royal Covent Garden / Pitt"., Signed within image: W. Hogarth invt. / J. Sympson Junr. sculp., After one of the suppositious 'Sympson' prints; see Paulson 1965/60 Appendix I, pages 313-4 for more information., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, v. 1, page 58., and Polly portrayed by Lavinia Fenton.
Publisher:
R. Faulder and J. Egerton
Subject (Name):
Gay, John, 1685-1732., Walker, Thomas, 1698-1744,, and Fenton, Lavinia, 1708-1760,
Benefit Ticket for Spiller: the comedian stands in the center under a set of scales; he supports a burning taper; at his feet is a pile of tickets for his benefit performance labelled 'Pit', 'Gallery', and 'Box'. He offers the tickets to people on the left who put their payment on that side of the balance, while a bailiff on the right taps him on the shoulder, holding out a 'Writ' and creditors add their bills for 'Tripe', 'Gin', Tobacco', 'Snuff', 'Ale', 'Beer' and "The Taylor's bill" to the other side of the balance. A scroll looped over the top of the scales is a banner labelled 'For the Benefit of Spiller', its ends reaching a window of a tavern on the left and the window of a debtor's prison on the right--See description in the British Museum online catalogue
Description:
Title etched within image., Sheet trimmed within plate mark., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no 1815., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 2., Title and date supplied by curator., Ms. note above in Steevens's hand: Spiller's Ticket. His ms. note in pencil above: See Nichol's Book, 3d edit. p.44 p. 444. His ms. note in pencil below: Sold for £5.5.0., and On page 86 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Spiller, James, 1692-1729.
Subject (Topic):
Actors, Bailiffs, Jails, City & town life, and Scales
publish'd according to act of Parliament, March 8th, 1756.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
On the coast of France outside a tavern on the coast of France a group of emaciated soldiers are preparing to sail for England. On the right a soldier roasts frogs over a fire on the blade of his sword; above a flag with the words "Vengence et le Bon Bier et Bon Beuf de Angletére." In the center of the design, a monk tests the edge of an axe as he bends to over a horse-drawn sledge laden with instruments of torture, a statue of St. Antony, and a plan for a monastery at Blackfriars. In the distance on the left a line of soldiers are being forced on board a ship. Above them on the cliffs, women are seen ploughing a field. The sign above the tavern advertises Soup meagre and identifies itself as "La Sabot Royal."
Alternative Title:
Invasion. Pl. I. France
Description:
Title engraved above image. The 'N' in France has been engraved backwards., Four columns of verse below image: With lanthern jaws, and croaking gut, See how the half-starv'd Frenchmen strut, and call us English dogs! ... But should they sink in coming over Old Nick may fish 'twixt France & Dover And catch a glorious dinner., Title from Paulson: The invasion. Pl. I. France., Companion print: England. Plate 2d., Ms. note in pencil in Steevens's hand above print: A reverse., and On page 179 in volume 2.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Topic):
Seven Years' War, 1756-1763, Public opinion, Eating & drinking, Clergy, Soldiers, Punishment & torture, Taverns (Inns), and War
publish'd according to act of Parliament, March 8th, 1756.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 80. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
On the coast of France outside a tavern on the coast of France a group of emaciated soldiers are preparing to sail for England. On the right a soldier roasts frogs over a fire on the blade of his sword; above a flag with the words "Vengence et le Bon Bier et Bon Beuf de Angletére." In the center of the design, a monk tests the edge of an axe as he bends to over a horse-drawn sledge laden with instruments of torture, a statue of St. Antony, and a plan for a monastery at Blackfriars. In the distance on the left a line of soldiers are being forced on board a ship. Above them on the cliffs, women are seen ploughing a field. The sign above the tavern advertises Soup meagre and identifies itself as "La Sabot Royal."
Alternative Title:
Invasion. Pl. I. France
Description:
Title engraved above image. The 'N' in France has been engraved backwards., Four columns of verse below image: With lanthern jaws, and croaking gut, See how the half-starv'd Frenchmen strut, and call us English dogs! ... But should they sink in coming over Old Nick may fish 'twixt France & Dover And catch a glorious dinner., Title from Paulson: The invasion. Pl. I. France., Companion print: England. Plate 2d., 1 print : etching on laid paper ; plate mark 31.7 x 38.9 cm, on sheet 46 x 59 cm., and Plate 80 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Topic):
Seven Years' War, 1756-1763, Public opinion, Eating & drinking, Clergy, Soldiers, Punishment & torture, Taverns (Inns), and War
publish'd according to act of Parliament, March 8th, 1756.
Call Number:
Sotheby 73++ Box 315
Collection Title:
Plate 80. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
On the coast of France outside a tavern on the coast of France a group of emaciated soldiers are preparing to sail for England. On the right a soldier roasts frogs over a fire on the blade of his sword; above a flag with the words "Vengence et le Bon Bier et Bon Beuf de Angletére." In the center of the design, a monk tests the edge of an axe as he bends to over a horse-drawn sledge laden with instruments of torture, a statue of St. Antony, and a plan for a monastery at Blackfriars. In the distance on the left a line of soldiers are being forced on board a ship. Above them on the cliffs, women are seen ploughing a field. The sign above the tavern advertises Soup meagre and identifies itself as "La Sabot Royal."
Alternative Title:
Invasion. Pl. I. France
Description:
Title engraved above image. The 'N' in France has been engraved backwards., Four columns of verse below image: With lanthern jaws, and croaking gut, See how the half-starv'd Frenchmen strut, and call us English dogs! ... But should they sink in coming over Old Nick may fish 'twixt France & Dover And catch a glorious dinner., Title from Paulson: The invasion. Pl. I. France., and Companion print: England. Plate 2d.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Topic):
Seven Years' War, 1756-1763, Public opinion, Eating & drinking, Clergy, Soldiers, Punishment & torture, Taverns (Inns), and War
publish'd according to act of Parliament, March 8th, 1756.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 2
Collection Title:
Plate 80. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
On the coast of France outside a tavern on the coast of France a group of emaciated soldiers are preparing to sail for England. On the right a soldier roasts frogs over a fire on the blade of his sword; above a flag with the words "Vengence et le Bon Bier et Bon Beuf de Angletére." In the center of the design, a monk tests the edge of an axe as he bends to over a horse-drawn sledge laden with instruments of torture, a statue of St. Antony, and a plan for a monastery at Blackfriars. In the distance on the left a line of soldiers are being forced on board a ship. Above them on the cliffs, women are seen ploughing a field. The sign above the tavern advertises Soup meagre and identifies itself as "La Sabot Royal."
Alternative Title:
Invasion. Pl. I. France
Description:
Title engraved above image. The 'N' in France has been engraved backwards., Four columns of verse below image: With lanthern jaws, and croaking gut, See how the half-starv'd Frenchmen strut, and call us English dogs! ... But should they sink in coming over Old Nick may fish 'twixt France & Dover And catch a glorious dinner., Title from Paulson: The invasion. Pl. I. France., Companion print: England. Plate 2d., Sheet trimmed to: 31.6 x 38.6 cm., and Formerly on page 178 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Topic):
Seven Years' War, 1756-1763, Public opinion, Eating & drinking, Clergy, Soldiers, Punishment & torture, Taverns (Inns), and War
Cave, François Morellon La, active approximately 1700-1766, printmaker
Published / Created:
[1763]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Description:
Hogarth's design for a frontispiece to a pamphlet against the Hutchinsonians; a witch sitting on top of a crescent moon, pissing a cascade onto the rocks far below, on which lies a bound copy of 'Hutchin', and drowning a group of rats, some of which are gnawing at a bound copy of 'Newton' and a telescope, Title etched below image., Date from Paulson., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand above print: Original., Ms. note in pencil in Steevens's hand below print: Given me by the Revd Dr. Gregory Sharpe, Master of the Temple., Ms. note in pencil in Steevens's hand to the right: See ibid, p. 402., and On page 199 in volume 2.
Copy after a Hogarth's design for a frontispiece to a pamphlet against the Hutchinsonians; a witch sitting on top of a crescent moon, pissing a cascade onto the rocks far below, on which lies a bound copy of 'Hutchin', and drowning a group of rats, some of which are gnawing at a bound copy of 'Newton' and a telescope, Title etched below image., Date from Paulson., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 4089., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 243., Ms. note in pencil in Steevens's hand above print: Copy., and On page 199 in volume 2.
