McArdell, James, approximately 1729-1765, printmaker
Published / Created:
[approximately 1755?]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of John Pine (engraved and herald) seen half-length to left in rectangular frame, eyes to front, wearing cap, earring and fur-trimmed coat, hands folded on the knob of his cane, to left
Description:
Title etched beneath image., Printmaker from Catalogue of engraved British portraits., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d. edit. p. 434., and On page 126 in volume 2.
Publisher:
Printed for Geo. Pulley at Rembrandt's Head, the corner of Bride Court, Fleet Street
"An etching comprising several allegorical and grotesque figures assembled on clouds or on smoke, before the gaping jaws of a monster, which, in the manner of medieval representations of the Mouth of Hell, emits flames. In front of this is a wolf in sheep's clothing, i.e., a fleece shaped like a clergyman's canonicals, and bearing on its head a church. The next figure is that of horned owl with spectacles, a satyr's leg and hoof, and a wooden leg; in one hand, or harpy's claw, this creature holds a balance, in which "honesty", inscribed on a deed(?) is outweighed by a bag of money, on which is marked '£100800'; in the other claw is a scroll, inscribed, "Mongri(or "a") Farca." A fox follows, offering a bag marked, "10,000". The head of a bishop in a mitre appears behind. In the middle of the design the Princess of Wales, as a sphinx-like she-goat, looks at the above-named figures, and is ridden by the Earl of Bute, as a he-goat, with a jack-boat, alluding to John Stuart, Earl of Bute, on one of his legs. A cerberus-like monster, or three centaurs, with zanies' trappings, and holding marrow-bones and cleavers which are beaten together, is followed by an old man who sounds a drum. Another old man advances eagerly from our right; his profile resembles that of the Duke of Newcastle, but probably was not intended to do so; he wears armour, and an enormous wig; he has a flame-like sword in one hand, and extends the other hand, which is like a claw; he has likewise a satyr's leg."--British Museum catalogue
Description:
Title etched above image., A copy of print no. 169 of the illustrations to: Political and satirical history., Later used as an illustration to: The British antidote to Caledonian poison., Sheet trimmed within plate mark with loss of text?, Copy of no. 4078 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and On page 264 in volume 3. Sheet trimmed to:
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Corruption, Dogs, Caricatures, Clergy, Hell, Monsters, and Supernatural beings
"Minerva and Apollo seated on a bank of clouds, Minerva reaching down to guide by the wrist a female personification of Music, who approaches at left, holding an open book of sheet music, towards Apollo, who holds out his hand; in foreground right, a shield with trophies, including a drum, axe, turban and helmet."--British Museum online catalogue
Alternative Title:
Musick introduced to Apollo by Minerva and Music introduced to Apollo by Minerva
Description:
Title etched within image., Title from Paulson: Music introduced to Apollo by Minerva., Artist signature moved to above the line, lower right., Sheet trimmed to plate mark., and On page 48 in volume 1.
Publisher:
Sold by J. Clark engraver & printseller in Greys Inn
"Scene near Charing Cross with le Sueur's equestrian statue of Charles I in the background and celebrations of the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"); in the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man; to left a barber is seen at work through a window, a chamber pot is being emptied from a window above and below a man and woman sleep beneath a wooden shelter and a link boy crouches beside them; to right the Salisbury Flying Coach has crashed while trying to avoid a bonfire in the middle of the street; shop and tavern signs include the barber's (advertising "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"), the Rummer Tavern, the Earl of Cardigan, the Bagnio and the New Bagnio."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Sheet trimmed to plate mark.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
"Scene near Charing Cross with le Sueur's equestrian statue of Charles I in the background and celebrations of the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"); in the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man; to left a barber is seen at work through a window, a chamber pot is being emptied from a window above and below a man and woman sleep beneath a wooden shelter and a link boy crouches beside them; to right the Salisbury Flying Coach has crashed while trying to avoid a bonfire in the middle of the street; shop and tavern signs include the barber's (advertising "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"), the Rummer Tavern, the Earl of Cardigan, the Bagnio and the New Bagnio."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., Sheet trimmed to plate mark., and On page 94 in volume 1. Sheet 480 x 385 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and On page 91 in volume 1. Sheet 485 x 396 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and The face of the parson in the doorway has been touched in ink by Hogarth(?); the left side of his nose and eye, eyebrow and part of his forehead have been scratched out and replaced in ink, to suggest a wall-eyed face -- a portrait of George Whitefield. See Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
On the left, a meagre Scotchman shown full-length in rags, scratching between his fingers and scratching himself against a sign-post. In the distance is on a hill is Edinburgh Castle. To the right, under a tavern sign with a picture of an ox and the words "Roast & Boil'd" stands a well-dressed, well-fed Englishman holding a large pot of "London Porter". He leans against a post; behind him is St. Paul's in the distance
Alternative Title:
North and South of Great Britain
Description:
Title etched below image., Printmaker identified as Francesco Bartolozzi, after a painting by Paul Sandby. See British Museum catalogue., Formerly attributed to William Hogarth., Sheet trimmed to plate mark., Not in R. Paulson's Hogarth's graphic works., and On page 207 in volume 3.
Publisher:
Published June the 11th 1781 at the Ancient & Modern Print Warehouse, No. 28 in the Hay Market by A. Torre and I. Thane
Subject (Geographic):
Scotland, England., England, and Scotland.
Subject (Topic):
Relations, Ethnic stereotypes, and Signs (Notices)
On the left, a meagre Scotchman shown full-length in rags, scratching between his fingers and scratching himself against a sign-post. In the distance is on a hill is Edinburgh Castle. To the right, under a tavern sign with a picture of an ox and the words "Roast & Boil'd" stands a well-dressed, well-fed Englishman holding a large pot of "London Porter". He leans against a post; behind him is St. Paul's in the distance
Alternative Title:
North and South of Great Britain
Description:
Title etched below image., Printmaker identified as Francesco Bartolozzi, after a painting by Paul Sandby. See British Museum catalogue and later state., Formerly attributed to William Hogarth., Sheet trimmed to plate mark., Not in R. Paulson's Hogarth's graphic works., On page 207 in volume 3., and Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Book, 3d, edit., p. 407.
Publisher:
Published June the 11th 1781 at the Ancient & Modern Print Warehouse, No. 28 in the Hay Market by A. Torre and I. Thane
Subject (Geographic):
Scotland, England., England, and Scotland.
Subject (Topic):
Relations, Ethnic stereotypes, and Signs (Notices)
