Sarah Malcolm, three-quarter length, turned to right but looking to left, her hands resting on a simple wooden table
Description:
Title etched below image., Date from Paulson., Sheet trimmed within plate mark., Etched above image: Price 6d., and On page 53 in volume 1. A pencilled note in Steeven's hand below print: In 1799, this print was sold by auction for seven guineas.
A reversed copy of a Hogarth print. Portrait of Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head. A bloody knife has been added, on the table
Description:
Title etched below image., Date based on publication of Hogarth's version., Lower right corner, following title: Price 6d., Sheet trimmed within plate mark., See note in: Paulson, R. Hogarth's graphic works (3rd ed.), no. 129., and On page 53 in volume 1. With a note in Steevens hand below: Of this Plate (which belonged to Mr. Richardson) only 25 impressions were taken off, the Plate itself being destroyed by an accidental fire.
A reversed copy of a Hogarth print. Portrait of Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head. A bloody knife has been added, on the table
Description:
Title etched below image., Date based on publication of Hogarth's version., Lower right corner, following title: Price 6d., Sheet trimmed within plate mark., See note in: Paulson, R. Hogarth's graphic works (3rd ed.), no. 129., Mounted on page 56 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : mezzotint with line engraving on laid paper ; sheet 19.6 x 15.3 mm, and Sheet trimmed to plate mark.
Copy in reverse after Hogarth's portrait, with the addition of a clergyman behind Malcolm holding up a wedding ring, and, to left, a view of her execution in Fleet Street. Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head. The unidentified printmaker has added a piece of paper and pen and ink stand on the table
Alternative Title:
Sarah Malcom and Sarah Malcolm
Description:
Title from caption below image., Date from British Museum online catalogue: March 1732/3., On page 53 in volume 1. Plate mark 170 x 121 mm., and Above image: a note in Steevens's hand: See Mr. Nichols Biographical anecdotes &c., edit. 3d, p. 172.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Malcolm, Sarah, approximately 1710-1733,
Subject (Topic):
Murderers, Clergy, Criminals, and Hangings (Executions)
Copy in reverse after Hogarth's portrait, with the addition of a clergyman behind Malcolm holding up a wedding ring, and, to left, a view of her execution in Fleet Street. Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head. The unidentified printmaker has added a piece of paper and pen and ink stand on the table
Alternative Title:
Sarah Malcom and Sarah Malcolm
Description:
Title from caption below image., Date from British Museum online catalogue: March 1732/3., and Mounted to sheet 226 x 236 mm; with leaf from the Newgate calendar (p. 255-6) about her crime.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Malcolm, Sarah, approximately 1710-1733,
Subject (Topic):
Murderers, Clergy, Criminals, and Hangings (Executions)
published according to act of Parliament April 15th, 1767.
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Abstract:
"Sin interposes herself between Satan on the left and his son Death on the right to stop them attacking each other, revealing their relation to each other, with a portcullis gate in upper right, attached by a chain in the foreground; copy of a print by Charles Townley after a design by Hogarth."--British Museum online catalogue
Description:
Title engraved below image., "Price five shillings."--Following imprint., Sheet trimmed within plate mark., On page 1 of volume 3., and With ms. note in pencil in Steevens's hand below print lower right: See Mr. Nichols's Book, 3d Edit. p. 404. This identical print was sold for twenty pounds. In pencil to left of engraved text on print: No more than five impressions were taken from this plate.
"Sin interposes herself between Satan on the left and his son Death on the right to stop them attacking each other, revealing their relation to each other, with a portcullis gate in upper right, attached by a chain in the foreground; copy of a print by Charles Townley after a design by Hogarth."--British Museum online catalogue
Description:
Title etched below image., Text following title: From Milton's Paradise lost, Book the 2d. The original picture by Hogarth is in the possession of Mrs. Garrick. This from a painting in Chiaro-Scuro by R. Livesay., Sheet trimmed to plate mark., On page 203 in volume 3., and Inscribed in plate under title: From Milton's Paradise Lost, Bok the 2d. The original picture by Hogarth is in the possession of Mrs. Garrick. This from a painting in chiaro scuro by R. Livesay. Note: plate mark visible at bottom.
A satire on a Highland soldier's attempts to use a lavatory in London. A Scot in Highland dress and wearing a feathered cap is seated in a latrine, his legs thrust down two holes in the board as he urinates onto the floor. Behind and to the right on the stone wall are posted various drawings and broadsides. His sword is to his right
Description:
Title etched below image., Spurious attribution?, Sheet trimmed to plate mark on all sides but top., Ms. note in pencil in Steevens's hand above print: Spurious., Ms. note in pencil below print: A forgery by Darley., and On page 231 in volume 3.
Publisher:
publisher not identified
Subject (Topic):
Ethnic stereotypes, Caricatures, Privies, and Urination
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 77. Queen Charlotte's collection of Hogarth works. Leaf 53. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the street outside the Thavies Inn, Holborn, the coach driver Tom Nero beats the horse that has collapsed under the weight of the overturned coach, having been overloaded with four lawyers who try to scramble out the door. To the right in the foreground, another man beats to death a sheep. Behind him in the mid-distance a sleeping drayman runs over a small boy with his cart loaded with barrels. To the left a driver uses a pitchfork to prod a donkey burdened with two men, a barrel, and a large trunk on its back. In the distance, a crowd of men follow a bull being baited by a dog. On the side of the building on the left, broadsides advertise a cock-fight and a boxing bout between James Field and George Taylor at Broughton's Amphitheatre
Description:
Title engraved above image., State from Paulson., Second plate in a series of four: The four stages of cruelty., "Price 1d"--Below design, lower right edge., 1 print : etching and engraving on laid paper ; plate mark 38.6 x 31.9 cm, on sheet 59 x 46 cm., and Plate 77 in the album: Queen Charlotte's collection of Hogarth works.
