Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., and Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., 1 print : etching ; 246 (pa) x 179 (pl) mm., and Imperfect; sheet trimmed within plate mark with loss of title from top edge.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Copy of a theatre ticket: a stage scene with six performers, a dog and a cat, and in the background two tightrope walkers accompanied by an ape; within a frame, a satyr on either side; a copy of a forgery purporting to be an admission ticket for a performance of Fielding's Pasquin at the Haymarket Theatre in April 1736
Description:
Title from caption at top of image., State with printmaker's name initials only., Copy of no. 2271 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Plate from: Ireland, S. Graphic illustrations of Hogarth, v. 1, page 130.
Publisher:
publisher not identified
Subject (Topic):
Actors, Actresses, Aerialists, Cats, Dogs, Satyrs (Greek mythology) in art, and Theatrical productions
Copy of a theatre ticket: a stage scene with six performers, a dog and a cat, and in the background two tightrope walkers accompanied by an ape; within a frame, a satyr on either side; a copy of a forgery purporting to be an admission ticket for a performance of Fielding's Pasquin at the Haymarket Theatre in April 1736
Description:
Title from caption at top of image., State with printmaker's name initials only., Copy of no. 2271 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Ireland, S. Graphic illustrations of Hogarth, v. 1, page 130., Ms. note in pencil in Steevens's hand above print: £5-5-0; on top of print: 3., and On page 233 in volume 3. Sheet trimmed to: 13 x 14 cm.
Publisher:
publisher not identified
Subject (Topic):
Actors, Actresses, Aerialists, Cats, Dogs, Satyrs (Greek mythology) in art, and Theatrical productions
Satire on Hogarth's plate of 'The Times', attacking him as an apologist for Lord Bute, showing the gatehouse of St. James's Palace
Alternative Title:
Butifyer
Description:
Title etched above image., Attributed to Paul Sandby. See British Museum catalogue., "With what judgement ye judge, ye shall be judged. Matt. Chap. 7.2"--Centered immediately below image., "Mr. Hogarth, In justice to [blank space] the engraver of this plate: declares to the publick, he took the hint of the B**utifyer, from a print of Mr. Pope White washing Lord Burlingtons Gate, at the same time bespatring the rest of the nobility.", "Price 1s"--Lower right edge., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Hogarth, William, 1697-1764, Murphy, Arthur, 1727-1805, Newcastle, Henry Fiennes Pelham-Clinton, Duke of, 1720-1794., Pitt, William, 1759-1806, Temple, Richard Grenville-Temple, Earl, 1711-1779, and Smollett, T. 1721-1771 (Tobias),
Satire on Hogarth's plate of 'The Times', attacking him as an apologist for Lord Bute, showing the gatehouse of St. James's Palace
Alternative Title:
Butifyer
Description:
Title etched above image., Attributed to Paul Sandby. See British Museum catalogue., "With what judgement ye judge, ye shall be judged. Matt. Chap. 7.2"--Centered immediately below image., "Mr. Hogarth, In justice to [blank space] the engraver of this plate: declares to the publick, he took the hint of the B**utifyer, from a print of Mr. Pope White washing Lord Burlingtons Gate, at the same time bespatring the rest of the nobility.", "Price 1s"--Lower right edge., Sheet trimmed within plate mark., and On page 288 in volume 3. Sheet trimmed to: 25.3 x 19.5 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Hogarth, William, 1697-1764, Murphy, Arthur, 1727-1805, Newcastle, Henry Fiennes Pelham-Clinton, Duke of, 1720-1794., Pitt, William, 1759-1806, Temple, Richard Grenville-Temple, Earl, 1711-1779, and Smollett, T. 1721-1771 (Tobias),
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Harlot's Progress, a procession of Bacchus encounters Midnight Modern Conversation, and so on."--British Museum online catalogue
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
Description:
Title from text in image., State and publisher from Paulson., Title from caption above image: The bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ..., Ms. note in pencil in Steevens's hand above print: ibidem., and On page 122 in volume 2. Sheet trimmed to: .
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Harlot's Progress, a procession of Bacchus encounters Midnight Modern Conversation, and so on."--British Museum online catalogue
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
Description:
Title from text in image., State and publisher from Paulson., Title from caption above image: The bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ..., and Sheet trimmed to plate mark: sheet 197 x 210 mm.
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Harlot's Progress, a procession of Bacchus encounters Midnight Modern Conversation, and so on."--British Museum online catalogue
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
Description:
Title from text in image., State and publisher from Paulson., and Title from caption above image: The bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
