"A stage scene showing part of an empty stage box on the extreme right. A burlesque of F. Reynolds's 'Werter', adapted from Goethe's romance. The persons and objects on the stage have letters referring to an 'Explanation' below the design. Werter ('A') kneels before Charlotte ('B'), who is seated on a settee on the extreme left; he raises her petticoat with a passionate gesture. At Werter's feet is an open book, 'Ossian' (which he has been reading to Charlotte); she protests with raised hands (pp. 35-6 of the 1802 edition). Behind (right), Albert ('C'), in regimentals, stands with his face to the wall, his hands clasped behind his back. Two pictures ('E E') hang on the wall representing scenes from the play. In one (left) Albert lies prone; Charlotte, seated beside him, raises her arms in despair; the other is suspended from one corner, hanging crookedly; it represents Charlotte and Albert embracing. In the front of the stage (right), her back to the actors, a nude woman ('F') is seated on a low step holding a pistol to each ear. She wears a hat tied under her chin and is weeping. Above her head is an urn inscribed 'Sacred to Suicide' and a weeping willow. Across the top of the design is a scroll 'H': "To raise the Genius and to mend the Heart"."--British Museum online catalogue and "'Werter', Reynolds's first play, was acted on 14 March 1786 at Covent Garden for Miss Brunton's benefit, having been already played at Bath; Holman played Werter, Farren played Albert. According to Baker, 'Biog. Dram.', it had little success in London. According to Reynolds, 'Werter's metropolitan, was equal, if not superior, to his rural success'. He describes the tears and fainting-fits of the first night at Covent Garden (perhaps responsible for the empty stage box). 'Life and Times of Frederick Reynolds by himself', i. 304 ff.'"--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Five lines of text below title: Explanation, A. Werter making a very improper request to Charlotte -- B. Charlotte resenting it very properly -- C. Albert her husband very civilly taking himself off ..., 1 print : etching with aquatint and drypoint wove paper ; plate mark 20.2 x 23.8 cm, on sheet 22 x 25 cm., and Mounted on verso of leaf 33 of James Sayers's Folio album of 144 caricatures.
"A stage scene showing part of an empty stage box on the extreme right. A burlesque of F. Reynolds's 'Werter', adapted from Goethe's romance. The persons and objects on the stage have letters referring to an 'Explanation' below the design. Werter ('A') kneels before Charlotte ('B'), who is seated on a settee on the extreme left; he raises her petticoat with a passionate gesture. At Werter's feet is an open book, 'Ossian' (which he has been reading to Charlotte); she protests with raised hands (pp. 35-6 of the 1802 edition). Behind (right), Albert ('C'), in regimentals, stands with his face to the wall, his hands clasped behind his back. Two pictures ('E E') hang on the wall representing scenes from the play. In one (left) Albert lies prone; Charlotte, seated beside him, raises her arms in despair; the other is suspended from one corner, hanging crookedly; it represents Charlotte and Albert embracing. In the front of the stage (right), her back to the actors, a nude woman ('F') is seated on a low step holding a pistol to each ear. She wears a hat tied under her chin and is weeping. Above her head is an urn inscribed 'Sacred to Suicide' and a weeping willow. Across the top of the design is a scroll 'H': "To raise the Genius and to mend the Heart"."--British Museum online catalogue and "'Werter', Reynolds's first play, was acted on 14 March 1786 at Covent Garden for Miss Brunton's benefit, having been already played at Bath; Holman played Werter, Farren played Albert. According to Baker, 'Biog. Dram.', it had little success in London. According to Reynolds, 'Werter's metropolitan, was equal, if not superior, to his rural success'. He describes the tears and fainting-fits of the first night at Covent Garden (perhaps responsible for the empty stage box). 'Life and Times of Frederick Reynolds by himself', i. 304 ff.'"--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Five lines of text below title: Explanation, A. Werter making a very improper request to Charlotte -- B. Charlotte resenting it very properly -- C. Albert her husband very civilly taking himself off ..., Watermark., and Mounted to 26.5 x 35 cm.
Page 121.16. Description of the villa of Horace Walpole ...
Image Count:
1
Resource Type:
still image
Alternative Title:
Door side
Description:
Beginning of title from first drawing in the series, found on page 121.7 in the same volume; remainder of title written at top of image., Unsigned; artist unidentified., Date based on death date of Horace Walpole, who assembled the extra-illustrated volume in which this drawing is mounted., With a numbered key at bottom of image that identifies the pictures that hung on the depicted wall., Fourth in a series of four drawings showing the layout of the walls of the Tribune at Strawberry Hill, with the number "4" written in upper right corner of sheet. On verso is the third drawing in the series: [Catalogue of pictures in the Cabinet] : side fronting the cabinet of ivories., and Mounted on page 121.16 in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Page 121.17. Description of the villa of Horace Walpole ...
Image Count:
1
Resource Type:
still image
Alternative Title:
Side fronting the cabinet of ivories
Description:
Beginning of title from first drawing in the series, found on page 121.7 in the same volume; remainder of title written at top of image., Unsigned; artist unidentified., Date based on death date of Horace Walpole, who assembled the extra-illustrated volume in which this drawing is mounted., With a numbered key at bottom of image that identifies the pictures that hung on the depicted wall., Third in a series of four drawings showing the layout of the walls of the Tribune at Strawberry Hill, with the number "3" likely trimmed away from corner of sheet. On verso is the fourth drawing in the series: [Catalogue of pictures in the Cabinet] : door side., and Mounted on page 121.17 in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Page 121.6. Description of the villa of Horace Walpole ...
Image Count:
1
Resource Type:
still image
Alternative Title:
Side where the cabinet of ivories is
Description:
Beginning of title from first drawing in the series, found on verso of sheet; remainder of title written at top of image., Unsigned; artist unidentified., Date based on death date of Horace Walpole, who assembled the extra-illustrated volume in which this drawing is mounted., With a numbered key at bottom of image that identifies the pictures that hung on the depicted wall., Second in a series of four drawings showing the layout of the walls of the Tribune at Strawberry Hill, with the number "2" written in upper right corner of sheet. On verso is the first drawing in the series: Catalogue of pictures in the Cabinet : side fronting the door., and Mounted on page 121.6 in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Pictures, and Cabinets (Case furniture)
Page 121.19. Description of the villa of Horace Walpole ...
Image Count:
1
Resource Type:
still image
Alternative Title:
Chimney side
Description:
Beginning of title from first drawing in the series, found on page 121.18 in the same volume; remainder of title written at top of image., Unsigned; artist unidentified., Date based on death date of Horace Walpole, who assembled the extra-illustrated volume in which this drawing is mounted., With a numbered key at bottom of image that identifies the pictures that hung on the depicted wall., Third in a series of four drawings showing the layout of the walls of the Gallery at Strawberry Hill, with the number "2" written in upper right corner of sheet. On verso are the first and second drawings in the series: Catalogue of pictures in the Gallery : the end. And where the great door is., and Tipped in as page 121.19 in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Pictures, Doors & doorways, and Chimneypieces
Page 121.20. Description of the villa of Horace Walpole ...
Image Count:
1
Resource Type:
still image
Alternative Title:
Window side
Description:
Beginning of title from first drawing in the series, found on page 121.18 in the same volume; remainder of title written at top of image., Unsigned; artist unidentified., Date based on death date of Horace Walpole, who assembled the extra-illustrated volume in which this drawing is mounted., With a numbered key at bottom of image that identifies the pictures that hung on the depicted wall. Below key is written: The windows were painted by Peckitt of York., Fourth in a series of four drawings showing the layout of the walls of the Gallery at Strawberry Hill, with the number "3" written in upper right corner of sheet., and Tipped in as page 121.20 in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
"A game of billiards is being played on a table, one corner of which only is visible, so curiously elongated that it gives the impression of a triangular table. The two players stand by the corner of the table, the one who is about to make a stroke appears from his leanness, frogged coat, and long pigtail queue to be a Frenchman; he leans over the table in profile to the left, wearing pince-nez. His opponent watches him, standing on top-toe, his cue held over his left shoulder, his face screwed up in anxiety; he wears a bag-wig. A number of spectators look on with expressions of amusement or concern: on the right two men stand together grinning; on the left a man watches open-mouthed; behind the table a man watches with an expression of alarm, another takes cover behind him with a grin; a small boy stands beside them. In the foreground are two dogs, one, a greyhound, stands between the player's legs. On the wall behind the table is a rack of cues and two clock-faced scoring boards both pointing to the figure X. On the right is a door, on the left a small casement window. Pictures and prints decorate the wall (left to right): a print of Wilkes (bust) with two caps of liberty; a print of a nymph and satyr; a print of a man seated, three quarter length; a print of a man and woman whole-length; two framed landscapes."--British Museum online catalogue
Description:
Title from later state., Printmaker from unverified data in local card catalog record., State before title added. See Caricatures. [London] : [Publisher not identified], [1836?], p. 82., Date of publication based on that of the volume in which the later state was published., Sheet trimmed within plate mark., A reduced copy of no. 5913 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Shading added in pencil to lower part of design, mostly obscuring artist's signature in lower left corner., and Titled in pencil below image: Billiards.
Drawings B87 no. 30 Framed, shelved in Object Room Bin 5
Image Count:
1
Abstract:
A game of billiards is being played on a table, one corner of which only is visible, so curiously elongated that it gives the impression of a triangular table. The two players stand by the corner of the table, the one who is about to make a stroke appears from his leanness, frogged coat, and long pigtail queue to be a Frenchman; he leans over the table in profile to the left, wearing pince-nez. His opponent watches him, standing on top-toe, his cue held over his left shoulder, his face screwed up in anxiety; he wears a bag-wig. A number of spectators look on with expressions of amusement or concern: on the right two men stand together grinning; on the left a man watches open-mouthed; behind the table a man watches with an expression of alarm, another takes cover behind him with a grin; a small boy stands beside them. In the foreground are two dogs, one, a greyhound, stands between the player's legs. On the wall behind the table is a rack of cues and two clock-faced scoring boards both pointing to the figure X. On the right is a door, on the left a small casement window. Pictures and prints decorate the wall (left to right): a print of Wilkes (bust) with two caps of liberty; a print of a nymph and satyr; a print of a man seated, three quarter length; a print of a man and woman whole-length; two framed landscapes
Description:
Title from local card catalogue. and Published stipple engraving: no. 5803 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
