"A room crowded with cooks and scullions : a tall cook addresses the others with clenched fist, holding the queue of his hair. The others make similar gestures of indignation ; one negligently holds a spit transfixing a bird which a dog is eating. Against the wall hang birds, &c., and a poster: Royal Bill of Fare ... second course."--British Museum catalogue, description of a variant state with different title
Alternative Title:
Cooks, scullions, hear me every mother's son and Fierce as staring Ajax from his seat
Description:
Title etched below image., Printmaker and date of publication from Grego., Variant state, with different title, of a plate issued with the title: Fierce as staring Ajax from his seat, uprose with visage stern the king of meat. Cf. No. 7187 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Literary quotation -- Peter Pindar's The Lousiad.
Hodges, C. H. (Charles Howard), 1764-1837, printmaker
Published / Created:
[13 April 1787]
Call Number:
Portraits P648 no. 1
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait, almost half-length in a rectangular frame, seated with head on right hand, the elbow on the arm of his chair, looking up to right thoughtfully, wearing a plain coat, with powdered wig; after Opie. "-- British Museum online catalogue
Description:
Title from caption below image., Imprint from scratched open-letter state print from the British Museum online catalogue, registration no.: 1943,1113.172, Sheet trimmed within plate mark with loss of text., and In paper frame: 392 x 312 mm.
Publisher:
Publish'd April 13th, 1787 by J. Smith No 35, New Bond Street
"Lord Lonsdale as Satan is seated in triumph, his right foot resting on a sack of 'Coals from the Infernal Pitt.' (Pitt gave Lowther his peerage, see BMSat 6579.) Peter Pindar (Wolcot) (left) kneels on one knee at his feet, with clasped hands, beseeching mercy. A lawyer (right) whose legs are twisted serpents crouches at his left hand writing 'Peter Pindar' in a book inscribed 'Black List'; he is the coachman of BMSat 8155. Lonsdale is a magnificently arrogant figure with horns, wings, and muscular legs which are bare from the knee, his toes being talons; he resembles the Satan of BMSat 6027. He wears an earl's coronet inscribed 'Evil be thou my Good', and a military coat with epaulettes. From his mouth issues two streams of flame ... In his left hand, which rests on his knee, is a flaming torch inscribed 'Epistle to Lord Lonsd[ale] by Peter Pindar'. Behind his head is a large halo from which radiate tongues of flame that reach to the margins of the design, each with an inscription. ... The last inscription points at the lawyer as the first does at Pindar. Pindar's clothes are ragged, toes protrude through a tattered shoe. ... From his pocket project two books: 'Odes upon Cowardice' and 'Odes of Importance alias Conciliatory Odes'. The latter, published in 1792, contained an 'Ode to Lord Lonsdale', in which Lonsdale is urged to imitate the King's forbearance towards 'the poet's harmless wit'; it is by no means abject, and threatens him with an independent jury and Erskine's irony. ... Lonsdale's attorney holds 'Briefs' and 'Writs' under his left arm, on which a brief-bag is hung. The coals issuing from Lonsdale's sack are inscribed: 'Covetousness', 'Dissimulation', 'Rapine', 'Treachery', 'Malice', 'Cruelty', 'Envy', 'Pride', 'Ingratitude', 'Deceit', 'Swindling', 'Rapine', 'Meanness'. ..."--British Museum online catalogue
Alternative Title:
Peter Pindar crouching to the devil
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: Sketch'd from the peep-hole at Scalegill., Dedication etched below title: To the worthy inhabitants of Cumberland, this impartial representation of the virtues of his Infernal Majesty, is respectfully dedicated., Sheet trimmed within plate mark., Temporary local subject terms: Bag of coals -- Allusion to William Pitt, 1759-1806 -- Lawyers' brief bags -- Black lists -- Quills -- Emblems: earl's coronet -- Uniforms: military officer's uniform -- Torches -- Prayers -- Crimes: libel -- Haloes -- Literature: Pindar's Ode to Lord Lonsdale in Odes of importance, alias conciliatory odes -- Literature: Pindar's Commiserating epistle., and Mounted to 47 x 36 cm.
Publisher:
Pubd. May 8th, 1792 (for the proprietor) by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Lonsdale, James Lowther, Earl of, 1736-1802 and Pindar, Peter, 1738-1819
Title from item., Sheet trimmed within plate mark., Eight lines of verse below title: Nymphs! who beneath old Lansdown's blood-stain'd Hill ..., Temporary local subject terms: Lilliputians -- Dutton, Honor (Gubbins) -- Panton, Mary (Gubbins) -- Parasols., and Watermark: I Veiledar (?).
Publisher:
Pub. June 22d 1797 by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
"George III rides Pegasus, and is about to be thrown; both arms are raised in consternation. Another man (? Wolcot) falls head downwards from the horse; his wig has fallen off and he has dropped a roll of MS. Behind the plunging heels of the animal Harlequin (right) flourishes his club."--British Museum online catalogue, description of an earlier proof state
Description:
Title, printmaker, and date from description of proof state in the British Museum catalogue., For a proof state before "Ode for new year" lettering added to the roll of paper within image, see no. 7188 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Frontispiece to: Pindar, P. Ode upon ode, or, Peep at St. James's ... London : Printed by G. Kearsley ..., [1787], Sheet trimmed within plate mark on top and bottom edges., and Temporary local subject terms: Literary quotation -- Personification -- Mythology -- Pindar's Ode for a new year.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pindar, Peter, 1738-1819
Subject (Topic):
Harlequin (Fictitious character), Pegasus (Greek mythology), Falling, and Wigs
"Frontispiece from Wolcot's 'Benevolent Epistle to Sylvanus Urban alias Master John Nichols, Printer, . . . 1790'. Nichols (left) has just risen in anger from his chair and looks to the left, resting his clenched fists on two large volumes placed on a small roughly made table, on which is also an ink-pot with pens. These are 'Q. Eliz: Prog:' and 'Anecdotes of Mr B.' [Bowyer]. In the background is Parnassus, with the Temple of Fame, on which is poised a figure of Fame blowing a trumpet. Against the mountain rests a tall ladder up which a dog has scrambled, but is still far from the summit. A man on stilts advances towards the mountain, an 'Essay on Old Maids' projects from his pocket, showing that he is William Hayley; a paper inscribed 'Eudora' falls from him. On the ground are: a letter 'ToMr.N--c--ll'; a book: 'Gentlemans Magazine', and papers; 'Charade', 'Conundrum Riddle', 'Rebus', 'Mr Badcocks Letters'. Beneath the design is engraved:'With anger foaming and of vengeance full, Why belloweth John Nichols like a bull?'"--British museum online catalogue
Description:
Title from British Museum catalogue., Sheet trimmed within plate mark., Frontispiece from: A benevolent epistle to Sylvanus Urban, alias Master John Nichols ... / by Peter Pindar. London : Printed for G. Kearsley, 1790., Temporary local subject terms: Allusion to The Gentleman's magazine -- Mythology: Parnassus -- Figure of Fame -- Temple of Fame., and Mounted to 33 x 21 cm.
Publisher:
G. Kearsley
Subject (Name):
Pindar, Peter, 1738-1819., Hayley, William, 1745-1820, and Nichols, John, 1745-1826
