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1. News from Calabria! Capture of Buenos Aryes! i.e. the comforts of an imperial déjeuné at St. Cloud's / [graphic]
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [13 September 1806]
- Call Number:
- Auchincloss Gillray v. 6
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Napoleon, in frenzied passion (cf. BMSat 9998), has risen from his chair at a round breakfast table, overturning it. He has seized the massive urn and is about to bang it on the head of Talleyrand whom he holds by the ear, while kicking him behind. Talleyrand, terrified, drops two papers: 'Defaite de I'Armée Francois en Calabria' and 'la Prise de Buenos-Ayres'. His bag-wig flies off. He wears gown, bands, and rosary over his suit, and has the usual heightened shoe, which indicates his lameness. Napoleon says with savage ferocity: ""Out on ye Owl! - noting but song of Death?" ['Richard III', IV. iv]. The breakfast combines informality with pomp. Napoleon wears a cap and a dressing-gown over his military tunic with slippers and ungartered stockings. His upright chair is close to Josephine's armchair. The small table was covered with (gold) tea and coffee things, a dish of fruit, a dish of boiled eggs, a bottle of wine and one glass, bread and a bread knife; all these slide to the ground, with a newspaper, 'The Moniteur', on which headings are legible: 'Projet pour Subjuger le Monde [cf. BMSats 10558, 10762,10997] - Great Britain - Russia Swed[en] - Turkey - Persia - Chim . . - Cariby [sic] . . .' Boiling water from the urn cascades into Josephine's lap; its lid is an imperial crown which flies off, its body a terrestrial globe. Josephine, much bejewelled, and wearing a crown which falls off, is in déshabillé; she throws up her arms in terror; her tea-cup falls. On the r. are ranks of diplomats or messengers, proffering papers: Holland, a clumsy Dutch burgher, kneeling, holds out 'Holland Starving! - & ripe for a Revolt'. An Austrian officer, also kneeling, holds out 'All Germany Rising, & Arming en Masse'. An erect Swedish officer holds out 'Swedish Defiance - Charles ye XII Redivivus'. An abjectly kneeling Spaniard holds 'Spain in Despair for the loss of her Colonies'. Those behind the first rank stand, holding up their papers: Russia, an oafish fellow in fur-trimmed uniform, holds out: 'St Petersburg - Refusal to Ratify the French Treaty'. A Prussian holds up the cap of a Death's Head Hussar and a paper: 'Prussia rousing from her Trance of Death'. Behind him is a Turk, his paper: 'Turkey Invoking Mahomet'. A plainly dressed Swiss holds up: 'Switzerland cursing the French Yoke'. The other envoys, hidden behind their companions, are represented only by outstretched arms; these hold out: 'Suspicions of the new Confederated States of ye Rhine'; 'Italy shaking off her Chains'; 'La Vendee again in Motion'; 'Portugal True, to the last Gasp'; 'Sicily Firing like Ætna'; 'Denmark waiting for an Opportunity'. In the foreground, on the floor, are papers on which Napoleon had been engaged when interrupted by bad news: an open coffer is inscribed 'Cabinet de Lor Loderdale'; bundles of papers are: 'Preliminairs ... Paix'; 'Negotiation pour la Paix'; 'Termes de Paix Inadmissible [signed] C. J. Fox'; 'Projet pour . . . Pa[? ix . . .] Bel [? gique]'. ..."--British Museum online catalogue
- Description:
- Title etched below image. and Mounted on leaf 32 of volume 6 of 12.
- Publisher:
- Pubd. Septr. 13th, 1806, by H. Humphrey, 27 St. Jamess [sic] Street, London
- Subject (Name):
- Napoleon I, Emperor of the French, 1769-1821, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814, Piombino, Elisa Bonaparte Baciocchi, principessa di, 1777-1820, Bonaparte, Paolina, 1780-1825, and Caroline Bonaparte, consort of Joachim Murat, King of Naples, 1782-1839
- Found in:
- Beinecke Rare Book and Manuscript Library > News from Calabria! Capture of Buenos Aryes! i.e. the comforts of an imperial déjeuné at St. Cloud's / [graphic]
2. The hand-writing upon the wall [graphic]
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [24 August 1803]
- Call Number:
- Auchincloss Gillray v. 5
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Napoleon presides at a feast with Josephine seated on his left. A sumptuous dessert is on the table, with dishes moulded to represent English buildings, &c. Napoleon has begun to devour 'St James's', but has dropped his fork, and looks round in horror at the words 'Mene Mene, Tekel, Upharsin' (l.) at which the arm of Jehovah points. This emerges from clouds, the other arm holds over the head of Napoleon a pair of scales; one, inscribed 'Vive le Roi', contains a crown and outweighs the other, 'Despotism', which flies in the air, spilling the contents, shackles and a bonnet rouge. The room is lined with grenadiers at attention, with drawn sabres and pistols in their belts; they are partly obscured by clouds, but their eyes are turned to the writing on the wall. This is also seen by three grenadiers who stand rigidly behind Napoleon's chair, their sabres dripping blood, their eyes turned to the left. Of those at the feast only Napoleon has seen the message, but the general on his right. looks with alarm at his master who has overturned three bottles of wine. The others are absorbed in food or women. Josephine, grossly fat, drinks avidly, spilling her wine. Behind her chair stand three slim and meretricious young women, looking down at her: they are scantily clad, with hair arranged in the French manner in snaky ringlets. They are Napoleon's three sisters, Elisa, Pauline, and Caroline. The upper end of the table stretches across the foreground. On the extreme left. Arthur O'Connor, the only civilian, ogles a lady, holding her chin and offering her a dish of 'Pommes d'Am[our]', while she holds up a tumbler of wine. In front of him is a decanter labelled 'Maidstone'. Between this lady and the general on Napoleon's r. is a grotesque officer greedily devouring a large fragment of the 'Tower de Londres'. An officer (r.) ogles a woman with whom he drinks wine. All the women have the patched faces that in these prints indicate dissoluteness. Two of the officers have the plucked scalp of the Frenchman in BMSat 9960. Before Napoleon is a dish containing the 'Bank of England', flying a tricolour flag. The back of his chair is decorated with a carved eagle or vulture whose eyes are turned to the fatal message. Before Josephine is a dish inscribed 'Prune Monsieur' containing two plums; beside it are two bottles of 'Maraschino', one overturned. The decollated head of a bishop fills a dish inscribed 'Oh de Roast Beef of Old England'. Wine, fruit, and jelly-glasses fill the spaces on the table."--British Museum online catalogue
- Alternative Title:
- Handwriting upon the wall
- Description:
- Title etched below image., Watermark: 1801., and Mounted on leaf 63 of volume 5 of 12.
- Publisher:
- Pubd. Augt. 24th, 1803, by Js. Gillray, 27 St. James's Street, London
- Subject (Name):
- Napoleon I, Emperor of the French, 1769-1821, Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814, Piombino, Elisa Bonaparte Baciocchi, principessa di, 1777-1820, Bonaparte, Paolina, 1780-1825, Caroline Bonaparte, consort of Joachim Murat, King of Naples, 1782-1839, and O'Connor, Arthur, 1763-1852
- Found in:
- Beinecke Rare Book and Manuscript Library > The hand-writing upon the wall [graphic]
3. The hero's return [graphic]
- Creator:
- Cruikshank, George, 1792-1878, printmaker
- Published / Created:
- Feby. 22d, 1813.
- Call Number:
- 813.02.22.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A scene in the Empress's dressing-room. Marie Louise is horror-struck at the appearance of Napoleon who advances towards her in profile astride the back of a crawling Mameluke; he is held up by two other Mamelukes who support his arms and shoulders. He is terribly emaciated and appears moribund. He wears uniform; his legs, feet, and hands are swathed in bandages, his (former) ear and nose covered with black patches. The crawling Mameluke, presumably Roustan, holds out a bottle containing a pointed nose, and labelled 'Le Nez de l'Empereur'. Immediately behind Napoleon and his three supporters are two kneeling Mamelukes, each reverently holding a tasselled cushion supporting a bottle; one being labelled 'Les Doights [sic] de l'Empereur Napole . . .', the other, 'Les Oreilles de l'Empereur Napoleon'. Behind them (left) another Mameluke advances with a bottle labelled 'Les Doights du pied de l Empereur Bon . . .' The Mamelukes wear Turkish dress with turbans. Napoleon looks in tragic silence at his wife, who is seated in regal state but turns aside weeping with violent gestures of despair. A small terrestrial globe decorates her chair; her foot rests on a stool in the form of a flattened polar hemisphere on which the word 'Brit[ain]' is visible. Over her low-cut dress is an ermine-bordered robe clasped with a fleur-de-lis. She is supported by an emaciated court-lady, with a patched face, proffering a smelling-bottle, whose profile and a small crown show that she is one of Napoleon's sisters; two other ladies, wearing crowns, stand behind the Empress, registering consternation. A less conspicuous lady weeps. On the Empress's right kneels the Governess of the King of Rome, Mme de Montesquiou, holding the screaming child, and weeping noisily. He registers angry terror at the sight of his father; his little crown has fallen off. His features, though fore-shortened and distorted, resemble those of his father, cf. British Museum satires no. 11719. He wears an ermine-trimmed robe over his childish tunic and breeches. Behind the Governess is a draped dressing-table, the drapery decorated by a large fleur-de-lis, and the toilet boxes ornamented with crowns. A terrified monkey climbs up the mirror, clutching at the crown which surmounts it, and looking over its shoulder at the shocking spectacle presented by the Emperor. On the extreme right a lap-dog stands on a cushion barking furiously at Napoleon. On the ground on the extreme left are two large round coffers, one inscribed 'Coffre Pour la Bijoutère [sic] Russe', the other expectantly open. Voluminous draperies on the left and right, supported on the right by a pillar add to the regal character of the room."--British Museum online catalogue
- Description:
- Title etched below image. and Four lines of verse below title: Dishonest with lopp'd arms the man appears, spoil'd of his nose, and shorten'd of his ears. She scarcely knew him, striving to disown, his blotted form, and blushing to be known. Dryden's Virgil, Book Six.
- Publisher:
- Pubd. by H. Humphrey, St. James's St.
- Subject (Geographic):
- Russia. and France.
- Subject (Name):
- Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Piombino, Elisa Bonaparte Baciocchi, principessa di, 1777-1820, Bonaparte, Paolina, 1780-1825, Caroline Bonaparte, consort of Joachim Murat, King of Naples, 1782-1839, and Roustam, 1782?-1845
- Subject (Topic):
- Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Campaigns, Crowns, Dogs, Dismemberment, Dressing tables, Empresses, Ethnic stereotypes, Loss of consciousness, and Monkeys
- Found in:
- Lewis Walpole Library > The hero's return [graphic]
