"A fat vicar with pipe and glass standing in a doorway, regarding a nervous thin clerk, who holds another glass and a lantern; scene illustrating the tale of 'the vicar and Moses', in which the clerk came to fetch the vicar to bury an infant but stayed to drink with him till past midnight, when both staggered out to go to the church; verses to the song below."--British Museum online catalogue
Description:
Title etched below image., Numbered '(Plate I)' in lower right below image., First of two plates illustrating a popular song under the same title., Thirty-two lines of verse (first half of the song) printed in two columns below title: At the sign of the horse, old Spintext of course, ..., Sheet trimmed mostly within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published July 17th, 1795, by I. Coard, No. 11 Lisson Street, Edgware Road
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker, artist
Published / Created:
April 26th, 1834.
Call Number:
Print01027
Image Count:
1
Resource Type:
still image
Abstract:
"Two battered Greenwich Pensioners, one missing all four limbs, the other an arm and a leg, in conversation outside a building marked 'The Helpless Ward' of the Hospital Infirmary, with three other severely incapacitated veterans beside it. The inscription below the title reports the conversation: ' Ah! Messmate, you are a happy Fish to what I am. you have only got an Arm and a Leg lopp'd off. Whilst I hav'n't a Limb left about me but what's of Timber, with one Eye out and my Nose damaged.'- 'Go it Joe, grumble, grumble. You are like the rest of th' World. Never contented.'."--Royal Museums Greenwich online catalogue
Description:
Title from text below image.
Publisher:
Pubd. by J. Kendrick, 54 Leicester Squr and Printed by S. Lingham, Bazzar, Grays Inn
A group of clergymen sit around a table in a tavern drinking and smoking and conversing with a Quaker. Some of their hats are hanging on pegs along the wall on either side of a framed picture of a man on a race horse. A fire is blazing in the fireplace to the left
Description:
Title from item., Plate numbered '383' in the lower left corner., From the Laurie & Whittle series of Drolls., Four lines of descriptive text below title: Toasts and sentiments were going regularly round from the gentlemen of the cloth, but when it came to Broad-brim's turn he refused! Saying that it was not customary with his profession, to give either toasts or sentiments ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Jany. 12, 1803 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Clergy, Great Britain, Eating & drinking, and Pipes (Smoking)
"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., 1 print : etching on wove paper ; plate mark 37.7 x 26.1 cm, on sheet 39.9 x 28.2 cm., and Mounted on leaf 78 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., and Mounted to 49 x 34 cm.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
"Burke lies back asleep, but scowling, in profile to the left, his arms folded in an arm-chair whose seat is inscribed 'Otium cum Dignit[ate]'. The top of his head is on fire, and the smoke rising from it forms the base of the upper and larger part of the design. Immediately above his head: 'This royal Throne of Kings, this sceptred Isle This Earth of Majesty, this seat of Mars This fortress built by Nature for herself Against Infection and the hand of War This Nurse, this teeming Womb of royal Kings This England that was wont to conquer others Will make a shameful Conquest of itself Shakespeare'. The British lion stands as if supported on these lines; from his angry mouth issue the words: "I protest against Peace with a Regicide Directory Went: Fitzw." Their background is a rectangular altar, wreathed with oak leaves which forms a centre to the upper part of the design. It supports a scroll: 'Naval \ Victories \ East India \ Conquests \ &ca &ca.' Against its base is a scroll headed 'Basle' and signed 'Wyckham', the intermediate (illegible) text being scored through. Above the altar flies a dove, an olive-branch in its mouth, clutching a sealed 'Passport'. Behind and above the lion Britannia stands in back view, her discarded spear and shield beside her; she plays a fiddle, intent on a large music score: 'A new Opera \ Il Trattato \ di Pace \ Overture \ Rule Britan[nia scored through and replaced by] \ Ca Ira \ God save ye King [scored through and replaced by] The Marsellois Hymn.' The apex of the design is an Austrian grenadier, his cap decorated with the Habsburg eagle, playing a flute with melancholy fervour: 'To Arms to Arms my valiant Grenadiers.' On the left of the altar and facing Britannia and the lion stands a sansculotte, standing on a large map, one foot planted on 'Britain', the other on '[I]reland'. In his right hand is a pike bearing the head of Louis XVI (see British Museum Satires No. 8297, &c), in his left a large key labelled 'Belgium' and attached by a chain to his belt, in which is a dagger; his coat-pocket is inscribed 'Forced Loan'. He says: "I will retain what I have got and treat with you on fair Terms for what you have got". Behind him and on the extreme left stands a creature symbolizing the Dutch Republic, linked to the sansculotte by a chain round its spinal cord. It has the head of a frog wearing a bonnet-rouge, thin, spidery arms akimbo, the ribs, &c. of a skeleton (cf. British Museum Satires No. 8848), baggy breeches, and shrunken legs. It smokes a pipe with an expression of resigned despair."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Two lines of text following title: Frontispiece to a pamphlet which will never be [four words scored through but conspicuously legible] published. "He shall never accuse me of being the author of a peace with regicide." Vide Mr. Burke's letter to a noble lord., Temporary local subject terms: Regicide peace -- Reference to Malmesbury's peace mission, 1796 -- Military: Austrian grenadier -- Dutchmen -- Reference to the French occupation of the Dutch Republic -- British Lion -- Furniture: Armchairs -- Dreams -- Music: c̦a ira -- La marseillaise -- Literature: Quote from W. Shakespeare's King Richard II, ii.1., and Mounted on page 97.
Publisher:
Publd. by H. Humphrey, New Bond Street
Subject (Name):
Louis XVI, King of France, 1754-1793, Burke, Edmund, 1729-1797, and Burke, Edmund, 1729-1797.
Subject (Topic):
Britannia (Symbolic character), Sansculottes, Dreaming, Musical instruments, Lions, Doves, Altars, and Pipes (Smoking)
"George IV sits in a four-wheeled light cart, inscribed Goods, drawn by loyal Hanoverians; it is covered by a canopy supported on poles. He sits on a high seat with his back to the shafts, scattering gold coins, which Londonderry (Castlereagh), who faces him on a lower seat, ladles into his lap. In the cart, besides a pile of coins, are packages and a basket of bottles of Brandy. The King: We have got the Means of Replenishing behind, throw away--Hurrah my Lads, we'll make Soldiers of you & take a few thousands in to our pay. The 'means' are the heavy burdens on the back of John Bull, an emaciated bull, marked I.B, tied to the cart, and weighed down with enormous bundles of taxes inscribed: Leather Tax Soap, Salt Tax; Candles Tax Beer Malt Light; Ale &c &c &c &c &c; Taxes Taxes Taxes. The bull plods along, with broken knees, shedding tears. The cheering Hanoverians catch the golden shower in their hats; the most prominent wears smart but mended German uniform of hussar type. One says: He is indeed a Hanoverian at Heart; another answers: No, He is an Irish Man he says [cf. British Museum Satires No. 14246, &c]. A third: Why some Years ago he said he & his Brother William were the only ones in the Family who were not Germans. The King wears a coat of foreign cut, with a round (Teutonic) cap, and smokes a long German pipe with covered bowl. A little ragged boy collects coins in an apron. A peasant woman (right) with an apronful of coins, holds one up, shouting Aye this is a proof of the excessive Riches of England."--British Museum online catalogue
Description:
Title etched below image., Tentative attribution to William Heath from the British Museum catalogue., Sheet trimmed within plate mark., Window mounted to 21.9 x 37.9 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 106 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Londondery [sic]" identified in ink below image; date "15 Nov. 1821" written in lower right corner. Typed extract of seventeen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pub. Nov. 15th, 1821, by S.W. Fores, 50 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and William IV, King of Great Britain, 1765-1837.
Subject (Topic):
John Bull (Symbolic character), Ethnic stereotypes, Carts & wagons, Coins, Alcoholic beverages, Bulls, Taxes, Hats, Military uniforms, German, Pipes (Smoking), Crowds, and Cheering