Title from item., Sheet trimmed to plate mark at bottom., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Loans -- Reference to the Opposition -- Coins: guineas -- Flies -- Roosters., and Mounted to 31 x 26 cm.
Publisher:
Pubd by Dighton, Charg. Cross
Subject (Name):
Pitt, William, 1759-1806 and Fox, Charles James, 1749-1806
"Pitt (left), as a toreador, rides a rearing white horse (of Hanover) with a spear directed horizontally against a buil (John Bull) snorting fire and bleeding from many wounds. He wears a short tunic and sash; his saddle-cloth is a leopard-skin on which is a crest: the white horse of Hanover enclosed in a Garter ribbon inscribed 'Honi soit qui mal y pense', and surmounted by a crown. He looks alarmed and spurs his horse viciously. Two tiers of spectators in an arc of the arena are freely sketched. In the upper row George III looking through a glass is in the centre, on his left is the Queen, on his right Loughborough. The man next the Queen is (?) Grenville. In the lower tier Fox is conspicuous with (?) the Prince of Wales on his left; Sheridan stands behind them. The other spectators are members of the Opposition or ragamuffins. Those who can be identified are (right to left): Stanhope, Derby, Grafton, Lansdowne. A chimney-sweep applauds with brush and shovel. ..."--British Museum online catalogue
Description:
Title etched below image., Three lines of text beginning to the left of title and continuing below it: Description from the royal bull fight of 1795. Then entered a bull of the true British breed ..., Sheet trimmed within plate mark., and Temporary local subject terms: Opposition -- Treason -- Emblems : the White Horse of Hanover -- Male costume: toreador.
Publisher:
Pubd. Novr. 21st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Title etched below image., "I.C" is the monogram of Isaac Cruikshank., Sheet trimmed within plate mark., Statement following imprint: Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Meetings: allusion to London Corresponding Society's meetings near Copenhagen House -- Bills -- Allusion to Treasonable Practices bill -- Allusion to Seditious Meetings bill -- Lilliputians -- Gulliver -- Lighting: lantern -- Candle-snuffer., and Watermark: Edmeads & Pine.
Publisher:
Published Decemr. 1, 1795, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, and Sheridan, Richard Brinsley, 1751-1816
In the foreground (left) a party of ministers is carousing. Members of the Opposition watch them with indignation. In the distance (left) behind them mounted men with hounds chase a stag. On the right the Temple of Fame is being demolished by the enemies of Britain. Many of the figures have numbers referring to notes engraved beneath the design. The central figure in the ministerial group is (4) Sandwich ("S--h") seated on the ground playing a violin, between two courtesans, each of whom holds a goblet of wine. He turns to one of them, saying, "D--mn the Navy, Give me t'ther Glee"; she holds a torn paper inscribed "How merrily we live". An open book, "Catchs Glees", in front of him, is supported by a wine-bottle. In the left corner of the print is (5) North (“N--h”) seated on a small sack inscribed “Budg[et]”, he is yawning, his arms stretched above his head. Three men stand behind him: a man in Elizabethan dress wearing a tall hat and ruff who is (9) “R--by [Rigby] in the Character of Bobadil”. He says (apparently of Sandwich) “I would he were in the Bottomless Pit.” ... For the time-serving Rigby's attack on Germain and Sandwich, and flattery of Pitt (14 Dec. 1781) see Walpole, 'Last Journals', 1910, ii. 390, and 'Parliamentary Hist.' xxii. 847. Behind him and whispering into his ear, stands 8, Lord Amherst (“A--rst”), very thin, saying, “Dick Rugby [sic] Stand Close”. Behind Amherst stands 7, Lord George Germain (“G--mn”) saying “Jeffry Barebones [i.e. Amherst], this is worse than Minden.” Next on the right stands the group of patriots: (6) Pitt (“W--P--t”) looking towards North, says “Shake off this Indolence”. (3), Fox (“F--x”), pointing towards the Temple of Fame (right) and frowning, says, “Wheres your Navy, wheres your Islands”. (2), Burke (“B--k”) is saying “Wont even Destruction move ye”. (1), The Duke of Richmond (“R--d”) says “Curs'd be those men who owe their Greatness to their Countrys Ruin”. In the foreground (right) Britannia, seated on the ground on her shield, weeps, a handkerchief held to her eyes. Behind her is (10) “The Temple of Fame, formerly the Wonder of the World, but now in Ruins”, a building with a fluted dome on which the winged figure of Fame without her trumpet is poised on one foot, the other leg being broken off. ... See British Museum online catalogue
Alternative Title:
Prospect of the year 1782
Description:
Title from caption etched above image., A companion print to British Museum Satire 5988 also ascribed to a design by Townshend: Anticipatio, or, The contrast to the Royal hunt., and Uncolored impression. Trimmed to plate mark 250 x 360 mm.
Publisher:
Published according to Act of Parliament by R. Owen, in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
In the foreground (left) a party of ministers is carousing. Members of the Opposition watch them with indignation. In the distance (left) behind them mounted men with hounds chase a stag. On the right the Temple of Fame is being demolished by the enemies of Britain. Many of the figures have numbers referring to notes engraved beneath the design. The central figure in the ministerial group is (4) Sandwich ("S--h") seated on the ground playing a violin, between two courtesans, each of whom holds a goblet of wine. He turns to one of them, saying, "D--mn the Navy, Give me t'ther Glee"; she holds a torn paper inscribed "How merrily we live". An open book, "Catchs Glees", in front of him, is supported by a wine-bottle. In the left corner of the print is (5) North (“N--h”) seated on a small sack inscribed “Budg[et]”, he is yawning, his arms stretched above his head. Three men stand behind him: a man in Elizabethan dress wearing a tall hat and ruff who is (9) “R--by [Rigby] in the Character of Bobadil”. He says (apparently of Sandwich) “I would he were in the Bottomless Pit.” ... For the time-serving Rigby's attack on Germain and Sandwich, and flattery of Pitt (14 Dec. 1781) see Walpole, 'Last Journals', 1910, ii. 390, and 'Parliamentary Hist.' xxii. 847. Behind him and whispering into his ear, stands 8, Lord Amherst (“A--rst”), very thin, saying, “Dick Rugby [sic] Stand Close”. Behind Amherst stands 7, Lord George Germain (“G--mn”) saying “Jeffry Barebones [i.e. Amherst], this is worse than Minden.” Next on the right stands the group of patriots: (6) Pitt (“W--P--t”) looking towards North, says “Shake off this Indolence”. (3), Fox (“F--x”), pointing towards the Temple of Fame (right) and frowning, says, “Wheres your Navy, wheres your Islands”. (2), Burke (“B--k”) is saying “Wont even Destruction move ye”. (1), The Duke of Richmond (“R--d”) says “Curs'd be those men who owe their Greatness to their Countrys Ruin”. In the foreground (right) Britannia, seated on the ground on her shield, weeps, a handkerchief held to her eyes. Behind her is (10) “The Temple of Fame, formerly the Wonder of the World, but now in Ruins”, a building with a fluted dome on which the winged figure of Fame without her trumpet is poised on one foot, the other leg being broken off. ... See British Museum online catalogue
Alternative Title:
Prospect of the year 1782
Description:
Title from caption etched above image. and A companion print to British Museum Satire 5988 also ascribed to a design by Townshend: Anticipatio, or, The contrast to the Royal hunt.
Publisher:
Published according to Act of Parliament by R. Owen, in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
"A satire on the taxes on windows, coal, soap, &c. In the foreground a small cart laden with coals is drawn (right to left) by an ass harnessed in front of an ox. A carter stands by the ox, wearing a cap inscribed 'No tax upon Caps'; he says: "I hope we shall sheam Measter P------t and meak him to blush for want of more wit." The ass says, "The tax upon Horses is enough to make a Dumb Ass speak." Behind the coal-cart is a woman standing outside a cottage door (right), her hands in a wash-tub. She says: "Is that Mr P------t I wish he was nigh for instead of the Soap he makes me use Lie." A large three-storied house stands at right angles with the cottage, it has a gabled pediment. Out of thirty-two windows all but seven have been blocked up. A visitor stands, one foot on the doorstep, pointing to a man who stands behind him, saying, "The Honble Mr P------t desires to know whether Esqr Blockup is at home...". A servant in livery at the door holds a lighted candle, saying, "I hope His Honour will excuse our darkness it is to save Taxes". Pitt (left) stands holding a tasselled cane and saying, "I must overlook it all for necessity has no Law". A woman looks out of the centre window of the top floor, saying, "We have got seven windows left now so we are not in total darkness.""--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Printmaker and publication date from British Museum catalogue., State with price burnished., and Temporary local subject terms: Window tax -- Coal tax -- Allusion to hat tax -- Soap tax -- Commutation Tax, 1784 -- Country houses: exterior -- Buildings: outbuildings -- Trades: washerwomen -- Carters -- Coal carts -- Wash-tubs -- Asses -- Mules -- Servants -- Lighting: candlesticks.
Publisher:
Publish'd by S. Sparrow, No. 17 Rosoman's Street, Clerkenwell
"Pitt, fast asleep, wearing only nightcap and night-shirt, walks down a staircase holding up a lighted candle in his right hand. On his right only are banisters, on his left the steps abut on a gulf indicated by the top of an arch supporting the stair; he is about to descend the first step, perilously near the left edge. Behind him, in a wall of heavy masonry, is an open door surmounted by a crown. A tall gothic window pierces the wall of the building."--British Museum online catalogue
Alternative Title:
Sleepwalker
Description:
Title etched below image., Printmaker from British Museum catalogue., Possibly etched from a drawing by Sneyd. See British Museum catalogue., and Mounted to 48 x 34 cm.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
Candlesticks, Castles & palaces, Interiors, Quatrefoils, Sleepwear, Somnambulism, and Stairways
William Pitt, acting as an auctioneer in the dissoluted Parliament, sells from the rostrum decorated with Royal Arms "useless valuables," such as "Magna Charta." Corwall, the Speaker sitting below the rostrum, records bids in the "Sundry acts." In front of him stands Thurlow in Chancellor's robes making dismissive comment on "nonsensical bidings of those common fellows," i.e. members of the House of Commons who leave through the door on the left. Last of them, Fox, turns back vowing to bid "with spirit" for lot 1, "rights of the people in 558 vol." held on display by Henry Dundas. A reference to the dissolution of the Parliament by the King on March 25.
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue for the History of the Westminster election, 1784, p. 48. See British Museum Catalogue., Sheet trimmed within plate mark with partial loss of imprint., and Mounted to 30 x 41 cm.
Publisher:
Pubd. March 26th by W. Humphrey No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Pitt, William, 1759-1806., Fox, Charles James, 1749-1806., Thurlow, Edward Thurlow, Baron, 1731-1806., Cornwall, Charles Wolfran, 1735-1789., and Melville, Henry Dundas, Viscount, 1742-1811.
Subject (Topic):
Great Britain, Politics and government, Political elections, Auctions, and Clothing & dress
William Pitt, acting as an auctioneer in the dissoluted Parliament, sells from the rostrum decorated with Royal Arms "useless valuables," such as "Magna Charta." Cornwall, the Speaker sitting below the rostrum, records bids in the "Sundry acts." In front of him stands Thurlow in Chancellor's robes making dismissive comment on "nonsensical bidings of those common fellows," i.e. members of the House of Commons who leave through the door on the left. Last of them, Fox, turns back vowing to bid "with spirit" for lot 1, "rights of the people in 558 vol." held on display by Henry Dundas. A reference to the dissolution of the Parliament by the King on March 25.
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 26th by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwall, Charles Wolfran, 1735-1789, and Dundas, Henry, 1742-1811
Subject (Topic):
Great Britain, Politics and government, Political elections, Auctions, and Clothing & dress
