"Fox (left) and Burke (right) sit side by side in the stocks as Hudibras and his 'squire Ralpho. One foot of each is imprisoned; their hands are clasped. Burke looks at Fox, who sits with closed eyes and a dejected expression. Pitt stands (right) holding a halberd and a bunch of three keys labelled 'Treasury'. All are in pseudo-seventeenth-century costume. On the wall behind Fox hangs a scourge with two lashes, one inscribed 'Prerogative', the other 'Vox Populi', indicating the two causes of the fall of the Coalition. Behind Burke's head is a placard: 'This day is pubd------An Essay on ye Tumblime and Beautifull by Ralph B.' (an allusion to Burke's essay on 'The Sublime and the Beautiful'). In front of the stocks lie two papers inscribed 'India Bill' and 'Warrant of... Temple', since Temple had conveyed to the Lords the king's desire for the defeat of the India Bill. A whipping-post attached to the stocks is inscribed 'Otium cum Dignitate'. Beneath the design is etched: 'Sure none that see how here we sit, Will judge us overgrown with wit; For who without a cap & bauble Having subdu'd, a bear & rabble, And might with honor have come off, Would put it to a second proof: A Politic exploit right fit, For Coalition zeal & wit! Hudibrass.'"--British Museum online catalogue
Alternative Title:
Hudibras and his 'squire
Description:
Title etched below image., Attributed variously to Collings and to Gillray., Publisher dates from British Museum catalogue., and Mounted to 33 x 27 cm.
Publisher:
Pubd. by W. Wells No 132 Fleet Street
Subject (Geographic):
England.
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Pitt, William, 1759-1806
"Pitt (r.), as a bare-footed monk with a large tonsure, sits in a high Gothic chair. Melville, in Highland dress and holding his feathered bonnet, kneels before him in profile to the right., saying, "Ye mun knaw - I have got into a little wee scrape, - and as ye knaw you and I ganarally rowd in the same boat - I want to ask your advice." Pitt looks agitated, and puts out his hands with a deprecating gesture; he says: "Dont implicate me I request - I that am compleatly Imacculate. Except laying a few trifling Taxes on Income, Births, Marriages, Burials, Houses, Windows, Tea, Coffee, Wine, Horses, Dogs, Carriages, Wills, Agreements, Servants, Hats, Receipts, News-Papers, Letters - Bricks, Tiles, Pepper, Salt, Cyder, Perry, Malt, Hops, - and such like iconsiderable things - , I dont think I ever did a paw - paw - action in all my Life. - however I'll endeavour to procure you absolution, for old acquaintance sake.""--British Museum online catalogue
Alternative Title:
Johnny MacCree at confession
Description:
Title from item., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Mounted to 49 x 30 cm., and Watermark: Strasburg Lily.
Publisher:
Pubd. March 29th, 1805 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
"Two elderly Scots discuss the Melville case; one, wearing old-fashioned court dress with a sword, takes snuff from the other's ram's-horn mull; he says: "Touch the Sillar!!! - T'is a on disgrace on aw Scotland!" They have sly, twisted expressions. Melville (left), weeping, clutches the back of the speaker's coat. He wears Highland dress, and says: "What my ain Countrymen turn their backs on me! then tis aw up with Johny Mac-cree [see British Museum Satires No. 10378]". On the right, Pitt runs off furtively to the right, saying, "I must cut out this Connexion - & leave him to his fate"."--British Museum online catalogue
Alternative Title:
Johny Mac-Cree in the dumps!! and Johnny Mac-Cree in the dumps!!
Description:
Title etched below image. and Watermark: C. Wilmott 1801.
Publisher:
Published April 12 - 1805 by S.W. Fores, 50 Piccadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
Dundas, Henry, 1742-1811 and Pitt, William, 1759-1806
"John Bull, blind, maimed, and ragged, walks (right to left) near a chasm, the edge of which stretches across the foreground of the design. His wooden right arm terminates in a hook to which is attached a cord from the collar of a lean greyhound with the head of Pitt (as in BMSat 8794). Pitt drags him forward and slightly towards the gulf; in his mouth is a large bare bone, his collar is inscribed 'Licenc'd to Lead'. In John Bull's left hand is a staff, on his back a burden inscribed 'Loans'. He has a wooden leg, which a dog with the head of Sheridan and a collar inscribed 'Licenc'd to Bite' is biting savagely. Behind and on the extreme right is a dog with the head of Grey, and a collar inscribed 'Grey Hound'; he bites John Bull's coat. Fox, a mastiff with a fox's brush, stands behind Pitt, glaring fiercely, on his collar is 'Licenc'd to Bark'. Behind is grass and a tree (left) and in the distance the roofs and spires of London, showing St. Paul's."--British Museum online catalogue
Alternative Title:
John Bull and his dog Faithful
Description:
Title etched below image., Printmaker from British Museum catalogue., A satire on a Dog Tax, April 1796., and Mounted to 31 x 46 cm.
Publisher:
Pubd. April 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Grey, Charles Grey, Earl, 1764-1845, and St. Paul's Cathedral (London, England),
Subject (Topic):
John Bull (Symbolic character), Taxation of personal property, Artificial limbs, Blindness, Debt, Dogs, and People with disabilities
Title from caption etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark at top and bottom., Temporary local subject terms: Interiors: House of Commons -- Clergy: Pitt as parson -- Acts of Parliament: Union with Ireland Act 1800 -- Speaker of the House of Commons -- Hibernia (Symbolic character)., Watermark: A Stace 1798., and Printseller's stamp in lower right corner: S.W.F.
Publisher:
Publisd April 20th, 1800, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
"Pitt stands, in profile to the right, on a fortified tower, or platform, in the crenellations of which are cannon; he looks through a spy-glass, his knees bending with fear, and clutches by the arm a stout John Bull (left), a yokel (as in British Museum Satires No. 7889), who stands full face, almost equally terrified. He is watching a flight of geese advancing from the right, and says, "There, John! - there! there they are! - I see them - get your Arms ready, John! - they're Rising & coming upon us from all parts; - there! - theres Ten Thousand sans-Culottes now on their passage! - & there! look on the other side, the Scotch have caught the Itch too; and the Wild-Irish have begun to pull off their Breeches! - what will become of us John? - & see, there's Five Hundred Disputing-Clubs, with bloody Mouths; - & Twenty Thousand Bill-stickers with Ca ira pasted on the front of their Red-Caps ! - where's the Lord Mayor John ? - are the Lions safe ? - down with the Book-stalls! - blow up the Gin-shops! - cut off the Printers Ears! - O Lord John! - O Lord! - we're all ruined! - they'l Murder us, and make us into Aristocrat Pyes!" John Bull answers: "Aristocrat Pyes ? - Lord defend us! - Wounds, Measter, you frighten a poor honest simple Fellow out of his wits! - Gin-Shops & Printers-Ears! - & Bloody-Clubs & Lord Mayors! - and Wild-Irishmen without Breeches, & Sans-Culottes! Lord have mercy upon our Wives & Daughters! - And yet, I'll be shot, if I can see any thing myself, but a few Geese, gabbling together - But Lord help my silly head, how should, such a Clod-pole as I, be able to see any thing Right ? - I dont know what occasion for I to see at all, for that matter; - why Measter does all that for I, - my business is only to Fire when & where Measter orders, & to pay for the Gunpowder; - but Measter o' mine, (if I may speak a word,) where's the use of Firing now? - what can us two do against all them Hundreds of Thousands of Millions of Monsters ? - Lord, Measter, had not we better try if they won't shake hands with us, & be Friends ? - for if we should go to fighting with them, & They should Lather Us, what will become of you & I, then, Measter!!!" John Bull, frightened and bemused, holds a musket with a broken bayonet, his left hand is in his coat-pocket, and he wears very wrinkled gaiters. In his hat are two favours, one 'Vive la Liberte', the other 'God save the King'. A pamphlet projects from each waistcoat-pocket: one, Paine's 'Rights of Man' (see British Museum Satires No. 7867, &c), the other 'Pennyworth of Truth'. This is the pamphlet 'One Pennyworth of Truth, from Thomas Bull to his Brother John' denounced by Grey (17 Dec.) as a libel. 'Parl. Hist.' xxx. 138 ff. It attacked Price and Priestley and was by the Rev. William Jones. 'Hist. MSS. Comm., Kenyon MSS.', p. 536. Pitt's hair rises on his head, and his face is blotched with drink."--British Museum online catalogue, description of an earlier state
Alternative Title:
Geese alarming the Capitol and John Bull bothered
Description:
Title etched below image., Later state, with price changed, of no. 8141 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Two lines of text following title: Thus on the rock, heroic Manlius stood, spy'd out the geese, & prov'd Rome's guardian god., Sheet trimmed within plate mark., In upper right corner of plate: Price 4 shills., the engraving not having been paid for by the Associations for vending two-penny scurrilities., Temporary local subject terms: Spyglasses -- Allusion to Thomas Paine's The Rights of Man -- Weapons: muskets with bayonettes -- Threat of the French invasion -- Favors: label 'God save the King' -- Favors: French tricolor cockade., and Mounted to 36 x 46 cm.
Publisher:
Pubd. Decr. 19th 1792 by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Fortifications, and Cannons
"John Bull's head and shoulders emerge from a gigantic coffee-mill. He is being ground by Pitt into guineas which pour from the spout of the machine into the inverted coronet of the Prince of Wales, held out by the Prince (left). John Bull, his hands clasped, shrieks "Murder! Murder!" Pitt (right), both hands on the handle, is working hard, stripped to his shirt. His coat lies across an enormous heap of guineas on which he rests his left knee. He says: "God save great George our Ki . . ." Behind him, and in the upper right corner of the design, is the crown, the centre of a sun whose rays extend behind Pitt's head, with the words: "Grind away! grind away grind away Billy! never mind his bawling! grind away." Other words from the crown are directed towards the victim: "What! - What! - what! Murder hay? why, you poor Stupe, is it not for the good of your Country? hay? hay". Between Pitt and the post of the mill Dundas and Burke are grovelling for guineas: Burke, frowning, uses both hands; Dundas, who wears a plaid, fills his Scots cap. Behind the post Loughborough grovels, his elongated judge's wig turned in back view (cf. BMSat 6796). The Prince (right) wearing a Garter ribbon, with the letters 'G.P' on the jewel, kneels on one knee, his head turned in back view; he points out his harvest of coins to a row of creditors. These stand in a row on the left: a jockey, probably Chifney (given a pension by the Prince, see BMSat 7918), holds out a paper: 'Debts of Honor'. Next, a bearded Jew holds out a paper headed 'Money Lent at £500 pr Cent'. Next is Mrs. Fitzherbert (caricatured) and another woman (? Mrs. Crouch); others are indicated. Behind this group is part of the colonnade and façade of Carlton House."--British Museum online catalogue
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Temporary local subject terms: Coffee-mills -- Taxation -- Debts: Prince of Wales's debts -- Buildings: Carlton House -- Creditors -- Jews -- Pensions: pension for Samuel Chifney, the jockey -- George III as sun -- Crowns -- Emblems: Prince of Wales's feathers., and Mounted to 34 x 48 cm.
Publisher:
Pubd. June 1st, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, and Fitzherbert, Maria Anne, 1756-1837
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Newsboy's horns -- Symbols: bonnet rouge -- Uniforms: Windsor uniform -- Newspapers: True Britton -- Morning Chronicle -- Reference to Frederick Augustus, Duke of York -- Walking staves -- George III as John Bull., Bookseller's stamp: S.W.F., in lower right of plate., and Mounted to 28 x 43 cm.
Publisher:
Pubd. May 12, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on sides and bottom., Publisher's statement following imprint: ... wher [sic] may be had compleat sets of caracatars [sic] on the French Revolution., and Temporary local subject terms: Reference to Holland -- Barrels -- Pipes -- Guns: bayoneted muskets -- Cartouche boxes -- Swords -- Rivers: Scheldt -- Dutch towns -- Ships -- Military: sentry -- Allusion to French Revolution -- Dutchmen.
"John Bull (left) capers clumsily to a tune played by Pitt, Dundas, and two others. He has a drink-bloated profile, wears a round hat and old-fashioned buckled shoes. He says: "Lord love ye my good Masters - do give us something new - I be tired of all the old Jigs - I knows the March to Paris by heart, - and as for Indemnity for the Past, and Security for the future, they are as easy to me as my A-B-C - I want something stilish, and grand." Pitt, seated, plays a large 'cello incorrectly drawn and having a rose under the strings which suggests the viol da gamba. He looks up at John Bull jauntily, saying, "I will endeavour to please you if I can, what do you think of this - it is a grand serious-movement called the Deliverance of Europe or Union with Ireland". Dundas (right), wearing kilt and feathered bonnet with legal wig and bands, stands in profile to the left, impassively playing the bagpipes. Two background figures dejectedly play wind-instruments; one is probably Grenville."--British Museum online catalogue
Description:
Title from item., Printmaker from Krumbhaar. Attributed to Sansom in the British Museum Catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Strasburg lily.
Publisher:
Pub March 21, 1799, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
John Bull (Symbolic character), Bagpipes, Dance, Musical instruments, and Violoncellos