"A pugilistic contest between George III (left) and Charles IV of Spain (right), standing waist-deep in the sea. Each wears a crown, but that of Charles falls from his head. George III says, "Another thump in the bread basket will do your business, Whiskerando!" Each has a backer: behind George is Neptune, holding his trident and crowned with sea-weed; he extends his left arm, saying, "Bravo! my Son, make him feel the dominion of the Seas is thine and shall be so for ever." That of Spain is the Pope wearing his robes and triple crown, and holding his crozier to which two keys are attached. Fame emerges from clouds above Neptune, blowing her trumpet and holding a laurel wreath above George III's head. The two kings and Neptune are nude."--British Museum online catalogue
Description:
Title etched below image., Attributed in the British Museum catalogue to H.W.: possibly either Henry Wigstead or William Holland., Sheet trimmed within plate mark., Publisher's advertisement above the image: In Holland's exhibition rooms may be seen the largest collection of humorous prints. Admittance one shilling., and Watermark: fleur-de-lis on crowned shield with a monogram WC below.
Publisher:
Pubd. by William Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charles IV, King of Spain, 1748-1819, and Pius VI, Pope, 1717-1799
Subject (Topic):
Neptune, Clergy, Popes, Crowns, Trumpets, Angels, and Fights
Title from item., Sheet trimmed to plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Thirteen lines of text in two columns on both sides of title provide description of the animals in the menagerie numbered in the image., Temporary local subject terms: Economy: subsidies to allies -- Menageries -- Cages -- Crowns -- Money: guineas -- Male dress: Highland dress -- Personifications: Austrian leopard -- Prussian eagle -- Gallic cock -- Dutch frog -- Sardinian hedgehog -- Russian bear -- Swedish pig -- Condé mouse -- Brunswick mouse -- Neapolitan bat -- Pope as the 'Whore of Babylon'., 1 print : etching on wove paper ; sheet 33 x 46 cm., and Sheet trimmed within plate mark with partial loss of imprint; mounted to 34 x 48 cm.
Publisher:
Pubd. July 5th 1796 by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Pius VI, Pope, 1717-1799
Subject (Topic):
John Bull (Symbolic character), Animal shows, Leopards, and Lions
Title from item., Sheet trimmed to plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Thirteen lines of text in two columns on both sides of title provide description of the animals in the menagerie numbered in the image., and Temporary local subject terms: Economy: subsidies to allies -- Menageries -- Cages -- Crowns -- Money: guineas -- Male dress: Highland dress -- Personifications: Austrian leopard -- Prussian eagle -- Gallic cock -- Dutch frog -- Sardinian hedgehog -- Russian bear -- Swedish pig -- Condé mouse -- Brunswick mouse -- Neapolitan bat -- Pope as the 'Whore of Babylon'.
Publisher:
Pubd. July 5th 1796 by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Pius VI, Pope, 1717-1799
Subject (Topic):
John Bull (Symbolic character), Animal shows, Leopards, and Lions
Title from caption below image., Sheet trimmed within plate mark., and Temporary local subject terms: Croziers -- Bugaboo -- Keys: Papal key -- Military: Austrian soldiers -- Monsters -- Napoleonic Wars.
Publisher:
Published by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Charles, Archduke of Austria, 1771-1847, Fox, Charles James, 1749-1806, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Napoleon I, Emperor of the French, 1769-1821, and Pius VI, Pope, 1717-1799
"A balloon about to rise from the ground encircled by three tiers of galleries or narrow platforms, protected by railings. Behind the railings sit the passengers. In the highest tier are three ladies notorious at that time for their amours ...: Grace Elliott or Eliot, née Dalrymple, known as 'Dally the tall', she holds a fan, turning her head in profile to the left, towards Perdita (Mary Robinson), who clasps her hands ecstatically; Lady Worsley sits on the right. In the centre gallery sit ex-ministers: North (left) and Fox (right) in the centre, North's arm on Fox's shoulder; Fox turns his head to North with an expression of satisfaction. Each rests his right hand on the railing in front of him, and these hands hold an inconspicuous thread which is attached to the nose of the Duke of Portland (left), who turns in profile to the right. On the right, a little apart, sits Burke dressed as a Jesuit (see British Museum Satires No. 6205) looking in profile to the right towards the Pope, who stands on the gallery, emerging from behind the curve of the balloon. He wears furred robes and his triple crown; as a pendant to him on the extreme left is the Devil looking towards the ministers with a pleased expression; over his arm he holds a net. In the lowest gallery sit celebrated quacks and other London characters. These are (left to right) "Vestina', the goddess of Health who advertised the virtues of the celestial bed (incorrectly said to have been Lady Hamilton), sits next her employer, Dr. Graham; they look at each other; she holds a sceptre wreathed with a garland. Jeffery Dunstan, Mayor of Garrat, stands, knock-kneed, with his sack over his shoulder in his accustomed attitude when calling 'old wigs'. Sam House sits resting a foaming tankard of porter on the railing in front of him, the tankard inscribed "House Ward[our] Stre[eet]". Katerfelto, turned in profile to the right, gazes up at the moon through his telescope; in his left hand is a paper, "Wonders, Wonders Most Wonderfull Wonders", the usual heading of his advertisements, cf. British Museum Satires No. 6162. His black cat sits on the railing facing him, saying, "are there Mice in the Moon Master". In the upper right corner of the design is the moon, a crescent-shaped profile inset in a circle, looking down at the balloon. The balloon is encircled longitudinally by eight ropes which meet in a knot beneath it and are there attached to four stouter ropes attached to the four corners of a platform which rests on the ground, from which the balloon appears about to ascend. On this platform is a tub inscribed "Vanity", bubbling over with soapsuds inscribed "Froth". Beside the platform (right) stands a Frenchman capering on one leg and flourishing a knife. He says, "Oh Begar dis be von fine Cargo." ... In the background are the roofs and spires of London, St. Paul's being prominent on the left, the Monument on the right. ..."--British Museum online catalogue
Description:
Title etched below image., "Hanibal Scratch" might be a pseudonym of John Nixon; see Catalogue of prints and drawings in the British Museum, v. 5, page 842., Text beneath title: Setts out from Swan with two Necks Lad Lane every Monday morg., Sheet trimmed within plate mark., and Twenty lines of verse in four columns below image, etched above and on either side of title: Who choose a journey to the Moon, may take it in our Stage Balloon ...
Publisher:
Pubd. Decr. 23, 1783, by Wm. Wells, No. 132 Fleet Street
Subject (Geographic):
Great Britain.
Subject (Name):
Elliott, Grace Dalrymple, -1823, Robinson, Mary, 1758-1800, Worsley, Seymour Dorothy, Lady, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Burke, Edmund, 1729-1797, Pius VI, Pope, 1717-1799, Graham, James, 1745-1794, Dunstan, Jeffery, 1759?-1797, House, Samuel, -1785, Katterfelto, Gustavus, -1799, and St. Paul's Cathedral (London, England),