A caricature on the prevalence of bribery during elections, most probably that of 1826. The successful liberal candidate stands on a platform before a cheering crowd and people waving from the windows of adjoining building. In the 'Committee Room' behind him, an official pays a man holding a sign inscribed 'No bribery or corruption' with the word 'and' between bribery and corruption scored through. On the right is an armchair and behind it stand two large flags; two flowers on the chair match the flower on the lapel of the candidate
Description:
Title written in ink in bottom left corner of image, in an unidentified hand (possibly Theodore Lane's)., Statement of responsibility written in ink on verso, in an unidentified hand (possibly Theodore Lane's)., Date supplied by cataloger., A small hole in the lower right and two small looses along left edge., Probably the original drawing for a lithograph published in 1829; Cf. Lewis Walpole Library call no.: 829.06.01.02+., and A companion drawing: Rejected candidate.
Subject (Geographic):
Great Britain.
Subject (Topic):
Political corruption, Elections, Cheering, Corruption, Crowds, Political elections, Politicians, and Signs (Notices)
"John Bull, blindfold, stands on a massive truncated pillar holding the beam of a pair of scales. In one scale (left), near the ground, Mrs. Clarke sits composedly among a mass of papers, holding one inscribed My dear Dearest Dearest Darling [see British Museum satires no. 11228, &c.]. The others are inscribed: Sandon, Toyne [Tonyn], Dowler, Omeara, Carter, French, Knight, Clavering. In the other scale the Duke of York swings high in the air, and shouts down to three men on the ground: Save me save me Save my Honour [cf. British Museum satires no. 11269]. They haul hard at ropes attached to his scale, which they tilt sideways so that he is in danger of falling out. One, a drink-blotched bishop wearing a mitre, says: Pull away Pull away the Church is in danger; the other two say: Pull away Pull away we lose all our Places, and Pull away pull away we shall lose our Noble Commander. On the pillar Britannia is depicted seated with her shield and lion; she holds the broken staff of a flag."--British Museum online catalogue
Alternative Title:
John Bull as Justice weighing a commander
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue, with a possible collaboration with George Cruikshank also noted., and Mounted on linen and formerly sewn in an album with only the holes remaining on top edge.
Publisher:
Pubd. by J. Johnstone, 101 Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
John Bull (Symbolic character), Britannia (Symbolic character), Political corruption, History, Sex, Political aspects, Justice, Blindfolds, Scales, Columns, and Bishops
A caricature on the prevalence of bribery during elections, most probably that of 1826. The distraught rejected candidate, shown full-length and facing left is red in the face and pulling at his hair. His election placard lies on the floor and two notes are visible on the mantelpiece above a grill with fireplace tools: 'Tavern expenses 500' and 'Bringing voters from London 800'. Through the window on the right, with flags flying, a cheering crowd carries the successful candidate in a chair above their heads
Description:
Title written in ink in bottom right corner of image, in an unidentified hand (possibly Theodore Lane's)., Statement of responsibility written in ink on verso, in an unidentified hand (possibly Theodore Lane's)., Date supplied by cataloger., A small hole in the lower right., Probably the original drawing for a lithograph published in 1829; Cf. Lewis Walpole Library call no.: 829.06.01.01+., and A companion drawing: The chosen candidate.
Subject (Geographic):
Great Britain.
Subject (Topic):
Political corruption, Elections, Anger, Corruption, Crowds, Political elections, and Signs (Notices)
"Mrs. Clarke auctions commissions from a rostrum to a crowd of bidders, while the Duke of York acts as her clerk. All are unconscious of a net in which they are enclosed, and with which the Devil flies off into flames (right). Mrs. Clarke (right), in profile to the left, with raised hammer, holds out a paper headed Commission. She says: Going for no more than £500 a Commission Positively worth 5000. An officer, probably Dowler, see British Museum satires no. 11253, holds out his arms towards her, saying, my dear dear dear Angel Knock it down to me or I am ruin'd. Another says: Let the good Bishop [the Duke, see British Museum satires no. 11227] have the Game & we my Boy will have the Cream. The other applicants are in civilian dress; one says to the bidder: my dear fellow dont be so anxious for depend upon it these tricks will be Found out & all will be Lost. The Duke of York, in uniform, records the bids in a book, his pen resting on the figure 500. He says Thus am I content to record & ratify the Destruction of the Army, my Country & myself, rather than loose my dear DARLING to [cf. British Museum satires no. 11228]. The Devil looks over his shoulder at Mrs. Clarke to say with a baleful grin: Going, Going Gon you may now say, for I have You tight enough my dear Honey."--British Museum online catalogue
Description:
Title etched below image., Four lines verse below title: Who for the tricks he has done in the dark, is content to be his darling Clark's clerk. And to cure her from being more love sick, has given her a royal dukes bishopric., Sheet trimmed to plate mark at top., and Mounted on linen and formerly sewn in an album, with only the holes remaining on the left edge. Also numbered in pencil on verso: PM-02-17-Hi. HE $800.
Publisher:
Pubd. 22nd April 1809 by J.H. Warl, London
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Political corruption, History, Sex, Political aspects, Corruption, Military officers, British, Auctions, Nets, and Devil
Title from caption below image., Probably a companion print to: The rejected candidate., Sheet trimmed below title with probable loss of statement of responsibility as in companion print: from a sketch by the late celebrated Theodore Lane ; W. Day lithog., 17 Gate Street., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published (for the proprietor) by James Bulcock, 17 Park Walk, Chelsea
Subject (Geographic):
Great Britain.
Subject (Topic):
Political corruption, Elections, Cheering, Corruption, Crowds, Political elections, Politicians, and Signs (Notices)
"Heading to etched verses. Mrs. Clarke, seated on a dais, receives applicants for commissions who advance through a doorway (left). She sits on a drum, wearing a cocked hat and military sash over a white dress, and holds up a sword. A short fat soldier holds over her head a Union flag with the white horse of Hanover. Two soldiers stand at attention with fixed bayonets behind her, and a fat trumpeter blows his trumpet. Another Union flag, without the white horse, flies from the corner of the large dais. On the wall hangs a notice: 'Half-pay Commissions at Half Price for Ready Money'. The applicants press forward in a bunch, headed by a fat and gouty 'cit' hobbling on two sticks, behind whom is a chimneysweep. The first of three verses: 'Come all you brave Fellows who wish for Promotion. Wether Captain or Colonel or a General's your notion. A Warehouse I keep for the sale of Commissions, And our Prices you'll find will suit all conditions, You'll be treated with Honor if you secrecy mark Sir For my Master is Noble and I am his Clarke Sir, You'll be treated &c.' The last lines: 'But forget not the ready (Gold or Notes) for pray mark! My Master wants Money, & so does his Clarke. But forget not &c.' The verses are bordered by spears which serve as posts for plump purses, symmetrically attached to them."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 1809 by Walker, No. 7 Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827.
Subject (Topic):
Political corruption, Soldiers, British, Flags, Podiums, Daggers & swords, Hats, Staffs (Sticks), and Chimney sweeps
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
A single plate with Laughing audience in the upper left, Rehearsal of the Oratorio of Judith in the upper right, and An emblematic print on the South Sea below and Rehearsal of the Oratorio of Judith: First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible
Alternative Title:
Rehearsal of the Oratorio of Judith and Emblematic print on the South Sea
Description:
Titles engraved below images., Plate bound in as leaf 70: Hogarth restored / now re-engraved by Thomas Cook, 1806, Rehearsal of the Oratorio of Judith: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 127., Laughing audience: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 130., and Election carried by bribery and the devil: Copy after Hogarth's The South Sea scheme. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 43.
Publisher:
Published by G.G. & J. Robinson, Paternoster Row
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Wilkes, John, 1725-1797., South Sea Company., and Great Britain. Parliament
Subject (Topic):
Dandies, British, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, Theaters, Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
A crowd of people, most wearing Scotch plaid, stand before a mountebank's stage, holding out their hands to the charlatan, a caricature of Lord Bute who holds bags of money. Behind him on the floor of the stage is a chest filled with more bags of money. A woman in a Welsh hat, the Princess of Wales, looks out from the curtains of a bed in the back of the stage and listens with pleasure. A tall quack (T. Smollet) wears a fool's cap, a hornbook hangs from his girdle, and the newspapers The Briton rolled under his arm; at his feet are other copies of The North Briton and The Monitor
Description:
Title etched below image., Numbered in upper right corner: "Brit. Antidote. Pl. 20.", Truman's notes about the print are shelved as: LWL Mss Group 1 File 20., Bowditch's transcription of E. Truman's note on the mounting sheet; "Truman Sale 1906.", and Mounted to 31 x 47 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Political corruption, Patronage, Political, Crowds, Fools & jesters, and Quacks
