Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
"Emaciated and shaven-headed paupers treated as slaves by cruel overseers: adults beating hemp and children picking rope in the foreground, others in the background manacled to the wall or hanging from the ceiling, tied up by their feet and hands; to right, a manager with a scourge seizing an elderly man, and a man pulling a cart, which he says is full of dead infants to be sold to surgeons; to left, a manager turning away the starving poor who beg to be let in."--British Museum online catalogue
Description:
Title from item., Text below title: Dedicated to those two ugly old women, Mothers Brougham and Martineau., Asterisk in title is explained by note below image, in lower right: * For workhouse, read slave house., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., and No. 57.
Publisher:
Printed and published by G. Drake, 12, Houghton-Street, Clare-Market
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Almshouses, Children, Forced labor, British, Punishment & torture, Poor persons, Law and legislation, Poor laws, and Political satire, English
Royal George running from his wife and Cruize in the channel!!
Description:
Caption title., "Tune -- 'Now we're free from College Rules.'"--Below title., "Price One Penny."--Below imprint., R---l = Royal., Without the music., Satire in verse., First line: Now I'm free from upstart fools., and For further information, consult library staff.
Publisher:
Printed and published by John Fairburn, Broadway, Ludgate-Hill
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Political satire, English and Politics and government
A collection of James Sayers' prints, mostly political satires and caricatures, mounted on blue paper and assembled by an unknown collector; topics include, in addition to general political topics of the late 18th century, the Warren Hastings trial, the East India Company, and the French Revolution. Mostly black ink, with one in brown and one in blue. Prints were published by C. Bretherton, Ja. Bretherton, Thomas Cornell, and H. Humphrey
Description:
Title from spine., Bound in three quarter red morocco with spine title: Sayer's caricatures., and Accompanied by a typed list of titles bound in, with page numbers.
Subject (Geographic):
Great Britain and France
Subject (Topic):
Politicians, Political satire, English, Politics and government, and History
"Heading to a broadside printed in two columns. The King, a bloated and whiskered infant, sleeps in a cradle, rocked by Sidmouth (right), a lean old woman wearing a cap and bag-wig, who sits in a rocking-chair, his clyster-pipe (cf. British Museum Satires No. 9849) on the ground. The cradle is surmounted by a pagoda with bells, and ornamented by two large crocodiles, representing the Chinese dragons of the Pavilion, cf. British Museum Satires No. 12749. On it are also a sun, with a fool's cap in its disk, between crescent moons. Round the cradle lie toys: soldiers, mounted lancers, &c., on wheels, a cannon, a sceptre, a crown with a toy windmill stuck in it. With these are papers: 'Divorce'; 'Protocal' [sic]; 'Send her to Hell'. The infant holds a coral and bells and a corkscrew. Castlereagh sits over the fire warming a napkin. Canning (see British Museum Satires No. 13737) walks off to the left, disgustedly carrying the pan of a commode decorated with a crown and 'G.R.' On the chimneypiece are pap-boat, bottle of 'Dolby's Carminative, &c'. (Dolby was a radical bookseller, 'Dalby's carminative' a well-known remedy for infants). A large 'Green Bag' hangs on the wall. In a doorway behind Sidmouth, inscribed 'French Dolls', stand two young women, in evening dress, stiff and impassive."--British Museum online catalogue
Description:
Title printed in letterpress below image., First edition? For the eighth edition, see no. 13764 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Date of publication from description of later edition in the British Museum catalogue., Twelve stanzas of verse in two columns below title, printed in letterpress: Hush! GREAT BABE! lie still and slumber, Troops of lancers guard thy bed, Chinese gimcracks, without number, Nicely dangle o'er thy head. ..., "Price, with the engraving, coloured, 1s."--Below verses., Publisher's advertisement above imprint statement: "The Devil's ball; or, There never were such times." Words only, 2d. - with coloured engraving, 1s. 6d.", and "(Entered at Stationers' Hall.)"--Below imprint.
Publisher:
Published by T. Dolby, 299, Strand, and 34, Wardour Street, Soho
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Canning, George, 1770-1827
Subject (Topic):
Politics and government, Political satire, English, Cradles, Rocking chairs, Toys, and Fireplaces
A racist and complex print purports to show a dinner held at the African Institution, becoming increasingly drunken and debauched as the evening progresses. Cruikshank employs many common 19th-century racist stereotypes of black people - drunkenness, aggressiveness, and sexual promiscuity - and lampoons the idea that black people could aspire to behave like white people. In the print, the white abolitionists are portrayed as unsuspecting and bewildered innocents who find themselves entirely out of their depth. Cruikshank seems to suggest that their association with black people has corrupted them - that they are being 'uncivilised' rather than black people becoming 'civilised'. Meanwhile, the idea of relationships between races is ridiculed. Many familiar and important figures are represented. Abolitionists like Wilberforce, Stephen and Macaulay appear next to the street entertainer Billy Waters and the radical Robert Wedderburn ... See a full description at Royal Museums Greenwich online catalogue and A design based on Gillray's 'The Union Club' with the roistering fraternizers being English and negroes, in place of English and Irish. The chairman's raised throne with its canopy is on the extreme left, at the head of the table which extends to the right across the design. The throne is an infant's chair, or commode, supported on a round tray based on two casks, one above the other. Wilberforce has risen from the chair, so far as the front bar will permit, his chairman's hammer held between flexed knees ..."--British Museum online catalogue
Description:
Title etched below image. and Place of publication transposed from end of publisher's statement.
Publisher:
Pud. July 19th 1819 by G. Humphrey, 27 St. James's Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Baartman, Sarah., Henri Christophe, King of Haiti, 1767-1820, Lyon, G. F. 1795-1832. (George Francis),, Macaulay, Zachary, 1768-1838, Marryat, Joseph, 1757-1824., Smith, William, 1756-1835., Stoddart, John, 1773-1856., Stephen, James, 1758-1832., Parr, Samuel, 1747-1825., Wedderburn, R. (Robert), Wilberforce, William, 1759-1833, and Anti-slavery Society (Great Britain)
Subject (Topic):
Antislavery movements, Political satire, English, Politics and government, Caricature, Clubs, Ethnic stereotypes, Intoxication, and Racism
Title from items., Attributed to Charles Jameson Grant in the British Museum online catalogue., Printed on one side only with imprint at foot of each sheet; most with horizontal orientation., and A collection of 52 prints bound in plain blue wrappers. Some loss due to chewed corners; more loss due to trimmed edges. Housed in a blue buckram box with spine title: The political drama. No. 47 bound in before no. 46. Nos. 52-64 lacking, stubs remaining. For further information, consult library staff.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Topic):
English wit and humor, Pictorial, Caricatures and cartoons, and Political satire, English
