"Portrait after William Hoare, seated to left at table, three-quarter length, eyes to front, holding letter in his right hand; wearing plain coat with large, buttoned-down cuffs and tightly curled wig."--British Museum online catalogue, description of an earlier state
Description:
Title engraved below image., State with alteration to publisher Richard Houston's address in imprint statement; text "at [the] Golden Head in Broad Court Covent Garden" at end of imprint has been erased and "Charing Cross" added in its place. This state seems to come between Russell's state 'b' (state I in: Smith, J.C. British mezzotinto portraits) and state 'c'. See: Russell, C.E. English Mezzotint portraits and their states., Date range for publication inferred from the 1754 date assigned to the preceding state of the plate (British Museum online catalogue, registration no.: 1859,0709.1451), as well as from other plates published by Richard Houston that are dated up to 1760., "Price 5 s."--Preceding imprint., Window mounted to 51 x 36 cm., and Mounted opposite page 254 (leaf numbered '70' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
"Portrait of William Pitt, half-length, directed to the front, head turned and looking to the left, wearing double breasted coat and neckerchief; vignette."--British Museum online catalogue
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and Bound in opposite page 256 (leaf numbered '72' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Nov. 17, 1810, by T. Cadell & W. Davies, Strand, London
"Portrait of William Wyndham Grenville, Baron Grenville, whole length, standing slightly to right by an armchair on a podium, with head turned to look to left, pointing with his right hand, holding a university hat in the left; wearing ornate gown of Chancellor of the University of Oxford, and lace cravat; curtain behind at left."--British Museum online catalogue
Description:
Title engraved below image., Sheet trimmed within plate mark on right and left sides., Window mounted to 51 x 36 cm., and Mounted before page 325 (leaf numbered '148' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 21, 1814, by R. Ackermann, 101, Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834,
An elderly man in a top hat sits with his arms crossed and his eyes closed, as he sits in Parliament. The text below: We live hardly anywhere else than in St. Stephen's. Speech of D.W. Harvey, Esq
Description:
Title from caption below image. and Date of publication from unverified data in local card catalog record.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
The King points at a Whig being taken away by a beefeater; the Duke of Wellington tries on the crown; a chancellor hides
Alternative Title:
Whigs turned out
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., Text below image in lower right: A national blessing - though, alas! a curse seems close behind., and No. 62.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Wellington, Arthur Wellesley, Duke of, 1769-1852
"A balloon about to rise from the ground encircled by three tiers of galleries or narrow platforms, protected by railings. Behind the railings sit the passengers. In the highest tier are three ladies notorious at that time for their amours ...: Grace Elliott or Eliot, née Dalrymple, known as 'Dally the tall', she holds a fan, turning her head in profile to the left, towards Perdita (Mary Robinson), who clasps her hands ecstatically; Lady Worsley sits on the right. In the centre gallery sit ex-ministers: North (left) and Fox (right) in the centre, North's arm on Fox's shoulder; Fox turns his head to North with an expression of satisfaction. Each rests his right hand on the railing in front of him, and these hands hold an inconspicuous thread which is attached to the nose of the Duke of Portland (left), who turns in profile to the right. On the right, a little apart, sits Burke dressed as a Jesuit (see British Museum Satires No. 6205) looking in profile to the right towards the Pope, who stands on the gallery, emerging from behind the curve of the balloon. He wears furred robes and his triple crown; as a pendant to him on the extreme left is the Devil looking towards the ministers with a pleased expression; over his arm he holds a net. In the lowest gallery sit celebrated quacks and other London characters. These are (left to right) "Vestina', the goddess of Health who advertised the virtues of the celestial bed (incorrectly said to have been Lady Hamilton), sits next her employer, Dr. Graham; they look at each other; she holds a sceptre wreathed with a garland. Jeffery Dunstan, Mayor of Garrat, stands, knock-kneed, with his sack over his shoulder in his accustomed attitude when calling 'old wigs'. Sam House sits resting a foaming tankard of porter on the railing in front of him, the tankard inscribed "House Ward[our] Stre[eet]". Katerfelto, turned in profile to the right, gazes up at the moon through his telescope; in his left hand is a paper, "Wonders, Wonders Most Wonderfull Wonders", the usual heading of his advertisements, cf. British Museum Satires No. 6162. His black cat sits on the railing facing him, saying, "are there Mice in the Moon Master". In the upper right corner of the design is the moon, a crescent-shaped profile inset in a circle, looking down at the balloon. The balloon is encircled longitudinally by eight ropes which meet in a knot beneath it and are there attached to four stouter ropes attached to the four corners of a platform which rests on the ground, from which the balloon appears about to ascend. On this platform is a tub inscribed "Vanity", bubbling over with soapsuds inscribed "Froth". Beside the platform (right) stands a Frenchman capering on one leg and flourishing a knife. He says, "Oh Begar dis be von fine Cargo." ... In the background are the roofs and spires of London, St. Paul's being prominent on the left, the Monument on the right. ..."--British Museum online catalogue
Description:
Title etched below image., "Hanibal Scratch" might be a pseudonym of John Nixon; see Catalogue of prints and drawings in the British Museum, v. 5, page 842., Text beneath title: Setts out from Swan with two Necks Lad Lane every Monday morg., Sheet trimmed within plate mark., and Twenty lines of verse in four columns below image, etched above and on either side of title: Who choose a journey to the Moon, may take it in our Stage Balloon ...
Publisher:
Pubd. Decr. 23, 1783, by Wm. Wells, No. 132 Fleet Street
Subject (Geographic):
Great Britain.
Subject (Name):
Elliott, Grace Dalrymple, -1823, Robinson, Mary, 1758-1800, Worsley, Seymour Dorothy, Lady, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Burke, Edmund, 1729-1797, Pius VI, Pope, 1717-1799, Graham, James, 1745-1794, Dunstan, Jeffery, 1759?-1797, House, Samuel, -1785, Katterfelto, Gustavus, -1799, and St. Paul's Cathedral (London, England),
Title from caption below image., Probably a companion print to: The rejected candidate., Sheet trimmed below title with probable loss of statement of responsibility as in companion print: from a sketch by the late celebrated Theodore Lane ; W. Day lithog., 17 Gate Street., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published (for the proprietor) by James Bulcock, 17 Park Walk, Chelsea
Subject (Geographic):
Great Britain.
Subject (Topic):
Political corruption, Elections, Cheering, Corruption, Crowds, Political elections, Politicians, and Signs (Notices)
"Caricature broadside with a satire of two men bowing to present a petition to Queen Caroline above three columns of letterpress."--British Museum online catalog
Description:
Title from letterpress text below image., Date of publication from the British Museum online catalogue, registration no.: 1975,0118.29., Sheet trimmed within plate mark on top edge., "Price one shilling"--Following imprint statement., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 40.7 x 26 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed with loss of imprint statement and price from bottom edge., and Mounted on page 42 of: George Humphrey shop album.
Publisher:
Printed and published by S.W. Fores, 41, Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., and Wilberforce, William, 1759-1833
"Sheridan and Fox are prisoners behind a bar on which they lean. Burke towers above them, with a stern frown, seizing each by the hair. He says: ""Behold the abettors of Revolutions, see "the authors of Plots & conspiracies, & take cognizance of the enemies of both "Church & State; - "I know them all, & have a while upheld, the unyok'd "humour of their Wickedness," - I have bore [sic] with them 'till the measure "of their iniquity is full; but now, I will bare them before ye Justice of injured "humanity, - I will prove unequivocally, that there exists at the present "moment, a junto of Miscreant Jacobites [sic], who are aiming at the Over-"throw of the British Constitution" - Vide Burkes Speech on the Quebec Bill - ". Sheridan (left) in profile to the left, his hands clasped, says with a terrified expression, "Ha! what's that? miscreant Jacobites! - plots Conspiracies! Revolution! - O! Damnation! we're all found out! - ah Joseph! Joseph! I fear you've brought up your Neck for a fine Collar!" Fox (right), his head bowed under Burke's hand, his handkerchief to his eyes, says, "O the devil! I'm quite overcome, & stupified with Grief! to think that the Man who has been my dearest Friend, and my Chum in all infamy, for Twenty five years, should now turn Snitch at last! good-lack-a-day!"."--British Museum online catalogue
Alternative Title:
Father of the gang turnd. kings evidence and Father of the gang turned king's evidence
Description:
Title from text in bottom part of image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Burke's speech on Quebec Bill -- Coalition: denounced in 1791 -- Spectacles -- Literature: Sheridan's School for scandal., and Watermark: Strasburg lily, dated 1805.
Publisher:
Pubd. May 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Jacobites, Politicians, Impeachments, Prisoners, Debates, Eyeglasses, Crying, and Handkerchiefs
A politician sits center in a chair before a table with a single candlestick on top. He holds the candle itself in his hand as he closely examines a sheet of paper, oblivious to the fact that the candle is burning a hole in the brim of his hat. A copy after Hogarth without the two wall maps
Description:
Title etched below image. and Copy of No. 1980 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2.
