"Six French émigrés are grouped at the roadside beside a signpost (right) pointing (left) to 'London' and (right) to 'Dover'. A lean and elderly woman holding a clipped poodle stands with her left hand in the arm of a man wearing a cocked hat with a tricolour cockade, and a long coat reaching almost to his ankles; he holds a tasselled cane. Next him is a stout man wearing a long cloak, and a boy or dwarfish man. On the right are two women holding large muffs. A second clipped poodle runs beside them. In the background a coach (right) inscribed 'London Dover Canterbury' is driving towards London with outside passengers; one, a sailor, waves his hat. The gable end of a cottage (left) and trees complete the background."--British Museum online catalogue
Description:
Title engraved below image., After Robert Dighton; see British Museum online catalogue., and Plate numbered "617" in lower left corner.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
"Two fashionably dressed shopmen supply ladies with pads to extend their dresses at the back. Two other ladies have already been fitted; a fifth, who is buxom, sits on a stool clasping an inflated specimen at which she smiles with satisfaction. Various types of these pads or 'derrières' hang on the wall, and a pile lies on the ground (right). A dog, shaved in the French manner showing very thin hindquarters, is begging. Beneath the title is engraved: 'Derriere begs leave to submit to the attention of that most indulgent part of the Public the Ladies in general, and more especially those to whom Nature in a slovenly moment has been niggardly in her distribution of certain lovely Endowments, his much improved (aridæ nates) or Dried Bums so justly admired for their happy resemblance to nature. Derriere flatters himself that he stands unrivalled in this fashionable article of female Invention, he having spared neither pains nor expence in procuring every possible information on the subject, to render himself competent to the artfully supplying this necessary appendage of female excellence.'"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Watermark in center of sheet: fleur-de-lis with CV [monogram] below.
Publisher:
Published July 11th 1785 by S.W. Fores, No. 3 Piccadilly
Leaf 13. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Alternative Title:
Cuisine de la poste
Description:
Titles in English and French etched below image., Initial letters of publisher's name in imprint form a monogram., Imprint continues: ... where may be had Mr. Bunburys other works, &c. &c., A reduced and reversed version of no. 4764 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4. This version is briefly described on page 42 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: French kitchen -- French poodle -- Paper sheet pictures -- Snuff box., and Watermark: W[?].
Publisher:
Publish'd Feb. 1st, 1771, by MDarly, 39 Strand ...
Subject (Geographic):
France
Subject (Topic):
Clothing & dress, Interiors, Kitchens, Fireplaces, Poodles, Furniture, and Snuff
Leaf 13. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Alternative Title:
Cuisine de la poste
Description:
Titles in English and French etched below image., Initial letters of publisher's name in imprint form a monogram., Imprint continues: ... where may be had Mr. Bunburys other works, &c. &c., A reduced and reversed version of no. 4764 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4. This version is briefly described on page 42 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: French kitchen -- French poodle -- Paper sheet pictures -- Snuff box., On leaf 13., 1 print : etching and engraving on laid paper ; plate mark 24.7 x 35 cm, on sheet 7.5 x 44.4 cm., and Censored impression; the three images of Jesus Christ in the background of the design have been cut out and removed from sheet.
Publisher:
Publish'd Feb. 1st, 1771, by MDarly, 39 Strand ...
Subject (Geographic):
France
Subject (Topic):
Clothing & dress, Interiors, Kitchens, Fireplaces, Poodles, Furniture, and Snuff
"A stout lady pours tea on to a plate, missing the cup, in her amused astonishment at the appearance of her very fat and jovial husband who sits opposite her, wearing a hat burlesquing the French fashion, coat open over a wide expanse of horizontally striped waistcoat, and plain white trousers. She exclaims: Lord, my dear! the French folks have quite transmogrify'd you. What, is that a French collar? why, it sticks out like two large horns; and they've stuck a sugar-loaf on your head--and what have they been doing with your small cloaths? and where's your wig, my dear? He answers: O! all a mode! all a mode! His daughter, who leans on the back of her mother's chair, says with a quizzical smile: All a mode! all a mode! Why, Papa, you seem to have forgot all your English. You'll have all the customers take you for a French Mounseer. Both ladies are dressed in the fashion, with huge gigot sleeves. The daughter's dress is patterned with huge checks. Behind the traveller are his caped greatcoat, portmanteau, and a clipped poodle, surprised and resentful. Cf. British Museum Satires No. 15464."--British Museum online catalogue
