"George III stands on a low rectangular platform placed upon a boarded floor and is approached from all sides by applicants for office. He is in back view, but turns his head in profile to the left, to inspect a group through his spy-glass, saying: Well Gentlemen,--I have taken a peep at you all: but I am afraid that you won't do--for some of you are too Heavy & Broad-Bottom'd for Service; & the rest seem to have no Bottom at all.--So Gentlemen, I think I shall he content with my Old Servants. In the front row (left), bowing low, are three Grenvilles, the Broad-Bottoms par excellence (see No. 10530): Grenville, holding a gold-laced coachman's hat and long whip, says: Does your Honor want a steady Broad-Bottom'd Coachman to drive you; in bowing he has split his tight breeches. His nephew Temple is next him, then the spectacled Buckingham who says: We'll do any Thing; his son (Temple) adds and in any Way! [cf. No. 10721]. Close behind is the emaciated Sidmouth, hat in hand and holding out a bottle labelled Cathartic; he says: Pray your Honor remember Doctor Slop! your Old Apothecary, who Physick'd the French! [see No. 9849]. Next him and nearer the spectator stands Whitbread, dressed as a porter, and mopping his head. His porter's knot is on the ground, inscribed: Saml Froth his Knot--Carries any Weight in any Weather. He supports against his knees a huge rectangular pile of Motions to be brought in the House of Commons. These are inscribed: Motion against Royal Family [cf. No. 11234]; Motion against the Ministry; against the War; against y Judges; against the Church; against Magna Charta; Motion against. He says: If his Honor wants an Honest Porter, I'm his Man! Behind him and on the extreme left Lord Henry Petty capers to a dancing-master's kit which he plays with his fingers; he asks: Does his Honor want a Fidler to play a Jig [see No, 10589]. Behind Petty and Whitbread are two men dressed as chairmen with straps across the shoulder: one is Grattan; the other (?) Ponsonby, asks: Does his Honor want a pair of Irish Chairmen to carry his Honor clean through the Mud? Behind these and in the doorway (left) is a group of three: Cobbett, holding up his hat and a sheaf of Cobbett Political Register, says: Does his Honor want a Patriotic Reformer? Burdett asks: Does his Honor want a Partner in Business!--ask him Townsend. Townsend, the Bow Street officer, holding up his constable's staff, faces the group, saying sternly: Out with you & be damn'd; from the back of his head a label floats towards the Grenvilles: Take care of your Pockets--Gentlemen Broad bottoms. Horne Tooke says: I'm not Bill Soanes [see No. 10708]. ..."--British Museum online catalogue
Alternative Title:
Old English gentleman pestered by servants wanting places
Description:
Title etched at bottom of image., Mounted to 32 x 46 cm., and Figures identified by ms. notes in a modern hand.
Publisher:
Pubd. May 16th, 1809, by H. Humphrey, 27 St. James's Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Grattan, Henry, 1746-1820, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, Burdett, Francis, 1770-1844, Cobbett, William, 1763-1835, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tooke, John Horne, 1736-1812, Perceval, Spencer, 1762-1812, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Tierney, George, 1761-1830, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and St. Vincent, John Jervis, Viscount, 1735-1823
The Coalition ministers are gathered around the table placed in the mouth of a cave. On the left sits Lord North wearing armor under his cloak, a goblet in his left hand. Opposite him on the right is Charles Fox, dressed as a centurion and sitting on a fox. He leans on the table keeping his right hand on three dice signed, "Madras," "Bombay," and "Bengal," and clutching a dice box in his left. Behind him Admiral Keppel, the date of the battle of Ushant (1778) on his helmet, raises his goblet in a toast. Behind him Sheridan, with ass's ears and "School for Scandal" written across his head cover, watches the Duke of Portland count out money to Lord Carlisle. On Portland's shoulder leans Lord Cavendish in a centurion's armor under his cloak. Between him and North sits Burke in a Jesuit's outfit reading his own "Plan of oeconomy [sic]." Under the table lie the corpses of Lords Shelburne and Ashburton, ousted by the Coalition
Description:
Title from text in image., Printmaker from British Museum catalogue., Later state, with title etched within bottom part of image instead of below image. See British Museum catalogue., Publication line above image in upper left is mostly burnished from plate; transcription from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 28 x 38 cm.
Publisher:
Published by E. Hedges No. 92 Cornhill
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, Keppel, Augustus Keppel, Viscount, 1725-1786, Sheridan, Richard Brinsley, 1751-1816, Carlisle, Frederick Howard, Earl of, 1748-1825, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Cavendish, John, Lord, 1732-1796, Burke, Edmund, 1729-1797, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politics and government, Costumes, Drinking vessels, Gambling, and Clothing & dress
Leaf 24. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
The Coalition ministers are gathered around the table placed in the mouth of a cave. On the left sits Lord North wearing armor under his cloak, a goblet in his left hand. Opposite him on the right is Charles Fox, dressed as a centurion and sitting on a fox. He leans on the table keeping his right hand on three dice signed, "Madras," "Bombay," and "Bengal," and clutching a dice box in his left. Behind him Admiral Keppel, the date of the battle of Ushant (1778) on his helmet, raises his goblet in a toast. Behind him Sheridan, with ass's ears and "School for Scandal" written across his head cover, watches the Duke of Portland count out money to Lord Carlisle. On Portland's shoulder leans Lord Cavendish in a centurion's armor under his cloak. Between him and North sits Burke in a Jesuit's outfit reading his own "Plan of oeconomy [sic]." Under the table lie the corpses of Lords Shelburne and Ashburton, ousted by the Coalition
Description:
Title from text in image., Plate signed I.B. (that is John Boyne) in lower right corner of image., Restrike, with imprint mostly burnished from upper left corner of plate. For original issue, see no. 6281 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], and On leaf 24 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by E. Hedges No. 92 Cornhill and Field & Tuer
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, Keppel, Augustus Keppel, Viscount, 1725-1786, Sheridan, Richard Brinsley, 1751-1816, Carlisle, Frederick Howard, Earl of, 1748-1825, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Cavendish, John, Lord, 1732-1796, Burke, Edmund, 1729-1797, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politics and government, Costumes, Drinking vessels, Gambling, and Clothing & dress
The Coalition ministers are gathered around the table placed in the mouth of a cave. On the left sits Lord North wearing armor under his cloak, a goblet in his left hand. Opposite him on the right is Charles Fox, dressed as a centurion and sitting on a fox. He leans on the table keeping his right hand on three dice signed, "Madras," "Bombay," and "Bengal," and clutching a dice box in his left. Behind him Admiral Keppel, the date of the battle of Ushant (1778) on his helmet, raises his goblet in a toast. Behind him Sheridan, with ass's ears and "School for Scandal" written across his head cover, watches the Duke of Portland count out money to Lord Carlisle. On Portland's shoulder leans Lord Cavendish in a centurion's armor under his cloak. Between him and North sits Burke in a Jesuit's outfit reading his own "Plan of oeconomy [sic]." Under the table lie the corpses of Lords Shelburne and Ashburton, ousted by the Coalition
Description:
Title from text in image., Printmaker from British Museum catalogue., Later state, with title etched within bottom part of image instead of below image. See British Museum catalogue., Publication line above image in upper left is mostly burnished from plate; transcription from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching, hand-colored ; sheet 26.6 x 34.2 cm., and Sheet trimmed within plate mark. Formerly tipped into an album? Residue on left edge.
Publisher:
Published by E. Hedges No. 92 Cornhill
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, Keppel, Augustus Keppel, Viscount, 1725-1786, Sheridan, Richard Brinsley, 1751-1816, Carlisle, Frederick Howard, Earl of, 1748-1825, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Cavendish, John, Lord, 1732-1796, Burke, Edmund, 1729-1797, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politics and government, Costumes, Drinking vessels, Gambling, and Clothing & dress
"A dog with the head of Sheridan is being chased out of the gate of Devonshire House by the Duke of Portland and other leading whigs. He flees 'To Carlton House', a signpost (left) pointing the way. His collar is inscribed 'G.P.', to his tail is tied a large architectural drawing of Drury Lane, showing the new front to Bridges Street added to Garrick's theatre by R. and J. Adam. The foremost of the pursuers is Portland, about to hurl a stone; Fox follows, holding out his hands pleadingly to the fugitive. Burke holds a club inscribed 'Shelaly', and clenches his fist fiercely. Next him is the short Lord Derby (left), and on the right the Duke of Norfolk. Lord Stormont holds up his hat as if to hurl it. Along the (Piccadilly) wall of Devonshire House broadsides and papers are hung up for sale."--British Museum online catalogue
Alternative Title:
Bardolph badgered and Portland hunt
Description:
Titles etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Temporary local subject terms: Whigs -- London: Devonshire House -- Road signs -- Allusion to Drury Lane Theater -- Allusion to Carlton House.
Publisher:
Publish'd by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and Mansfield, David Murray, Earl of, 1727-1796
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and drypoint on laid paper ; plate mark 30.1 x 40.6 cm, on sheet 32.3 x 43.3 cm., and Mounted on leaf 28 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 45.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
Doctor Sangrado relieving John Bull of the yellow fever
Description:
Title from item., Sheet partially trimmed within plate mark., Printseller's announcement following publication statement: who has just fitted up his exhibition in an entire novel stile [sic], admittance one shilling. NB Folios lent out for the evening., Temporary local subject terms: Debates: budget debate, 23 February 1795 -- Artisans -- Money -- Medical procedures -- Kettles., Watermark: Strasburg lily with intials GR below., and Mounted.
Publisher:
Pub. Feby 25, 1795, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Windham, William, 1750-1810, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Fireplaces, and Wigs
Title from item., Reduced copy of a print by Isaac Cruikshank under the same title, published by S. W. Fores in 1795., Publication information extrapolated from the place and date of publication of the periodical for which the plate was etched., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1800, v. 5., p. 346., Numbered 'No. XI' in upper right corner., Temporary local subject terms: Debates: budget debate, 23 February 1795 -- Artisans -- Money., and Mounted.
Publisher:
Im Verlage des Industrie-Comptoirs
Subject (Name):
Pitt, William, 1759-1806, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Windham, William, 1750-1810
Subject (Topic):
John Bull (Symbolic character), Fireplaces, Kettles, Wigs, and Medical procedures & techniques
