"Fox (right) kneels in profile to the left, firing point-blank from a blunderbuss at a post which roughly suggests George III in back view: it is surmounted by a short wig and a hunting-cap decorated with the royal arms; round a protuberance simulating posteriors a circle is drawn with a bull's-eye at which Fox is firing. He is much caricatured, with large head and short fat legs; he wears a slouch hat with the inscription 'Ca-Ira', and has a pleased and sinister smile. Behind him Priestley (left) and Sheridan (right) face each other in profile with conspiratorial smiles. Sheridan is ramming the barrel of a pistol, saying, "Well! this new Game is delightful! - O Heavens! if I could but once Pop the Post!!! then you and me, - Dear Brother P, - Would sing with glee, - Full merrily Ca-ira! Ca-ira! Ca-ira!" Priestley holds out to him two books: "on the Glory of Revolution and on the Folly of Religion & Order", saying, "Here's plenty of Wadding for to ram down the Charge with, to give it force, & to make a loud Report.""--British Museum online catalogue
Alternative Title:
Swedes practising at a post
Description:
Title from text in image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to the assassination of Gustavus III of Sweden, March 1792 -- Guns: blunderbuss -- Pistol -- Targets: George III as a shooting target -- Toadstools -- Arms: royal arms -- Literature: books by Joseph Priestley satirized -- Music: c̦a ira., and Watermark: Whatman.
Publisher:
Pubd. April 19th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Priestley, Joseph, 1733-1804
"The King and Queen, seated on the throne (left), receive with astonished horror a deputation from Turkey. An arrogant Turk stands proffering a large rolled document with pendent seals on which are crescents: 'Powers for a new Connexion between the Port, England & France'. Beside him (left) another Turk grovels on the ground. Fox and Sheridan, kneeling with crouching humility, hold up the long cloak of the Turkish emissary; their bonnets-rouges are decorated with crescents. Behind them Priestley bows low (right). Turks with spears and banners stand behind him. To a spear topped with a crescent is attached a tricolour flag inscribed 'Vive la Republique'. Pitt, a naked mannikin, one foot on the royal dais, clutches the King's knee in terror: a chain from his wrist is attached to a royal crown lying on the ground. Behind him, and beside the throne, stands Dundas in Highland dress, tall and impassive, holding a pike. The King and Queen are much caricatured: the King stares, biting his fingers and clutching the Queen; she puts her fan before her face but looks through its sticks (as in BMSat 9528) at the Turks. The three elder princesses (not caricatured) peep from behind the throne on the extreme left."--British Museum online catalogue
Alternative Title:
Final resource of French atheists
Description:
Title etched below image., Temporary local subject terms: Turkish ambassador -- Crowns -- Thrones -- Male costume: bonnet rouge -- Female costume: fans -- Pets: Pitt as a monkey -- Turks -- Royal princesses., and Incomplete images of two prints on verso: The Monster Broke Loose, or, A Peep into the Shakespeare Gallery and The Vulture of the Constitution.
Publisher:
Pubd. Decr. 26th, 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Priestley, Joseph, 1733-1804, and Melville, Henry Dundas, Viscount, 1742-1811
"Dissenters are engaged in burning churches and attacking the clergy. In the foreground a stout bishop on his knees is being kicked and assailed by men with bludgeons; beside him is a book: 'Refutation of Dr Price'. He exclaims, raising his hands, "Murder, fire, thieves". One of his assailants says, "Make room for the Apostle of Liberty"; the other, "God assisting us nothing is to be feared". Under this group is inscribed: 'And when they had smote the Shepherd, the Sheep were scattered'. Behind (right) a Gothic building, from which extends a sign of the Mitre and Crown, is being demolished. Price sits astride on the beam supporting the sign; in one hand is an open book, 'Love of our Country', in the other is a firebrand inscribed 'The Flame of Liberty'. Beneath, two men in steeple-crowned hats are feeding a fire with faggots, whose flame and smoke, inscribed '39 Articles', ascends in a thick cloud. Next the burning building, and on the extreme right, is a porch (over a doorway) in which stands Fox, blowing a horn and pointing down to a placard over the doorway: 'Places under Government to be disposed of. NB, Several Faro and E.O. Tables in good Condition'. An adjacent placard is: 'day next charity sermon by Revd chas Fox'. A group of eager fanatics with lank hair rushes towards the doorway, holding up to Fox money-bags inscribed '30.000', '10.000' and '20.000.' In the foreground (right) are two fanatics struggling for the bag of the Great Seal; one raises a mace inscribed 'Brotherly Love' to strike his opponent; under his foot is a paper: 'Repeal of the Test Act'. In the background (left) is a group of figures engaged in demolishing a church with pickaxes; a rope pulls over the cross on the steeple. Two of this group look towards Price: a parson inscribed 'P------ly' (Priestley) waves his hat, saying, "Make haste to pull down that old Whore and we'll build a new one in its place"; a lean man, fashionably dressed (evidently Stanhope), extends his arms, saying, "Address to Assemblee national"."--British Museum online catalogue, description of an earlier state with similar composition
Description:
Title etched below image., Attributed to Rowlandson by Grego., Later state, with the original title "The test" burnished out and replaced with new title. Cf. No. 7629 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Publisher's advertisement above design: In Fores's Caricature Museum is the compleatest collection in the kingdom. Also the head and hand of Count Struenzee. Admittance 1s., Sheet trimmed to plate mark., Three lines of verse on either side of title: Bell and the dragon's chaplains were ..., and Temporary local subject terms: Literature: sermon On the Love of Our Country, by Richard Price -- Sermons: Richard Price, November 4, 1789 -- Repeal of Test and Corporation Acts, March 2, 1790 -- Maces -- Bags of money -- Clergy: bishops -- Signs: mitre and crown -- Emblems: mitre -- Crown -- Great Seal -- Burning of 39 articles -- Clubs: cudgels -- Steeple hats -- Pick-axes -- Buildings: churches -- Firebrand torches -- Literature: quotation from Bible, I Kings 22.17, II Ch. 18.16 -- Addresses: Price's address to the National Assembly of France, July 21, 1790 -- Horns.
Publisher:
Pub. Feb. 20, 1790, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Price, Richard, 1723-1791, Priestley, Joseph, 1733-1804, Stanhope, Charles Stanhope, Earl, 1753-1816, and England and Wales.
Subject (Topic):
Dissenters, Religious, Limitation of actions, Axes, Bishops, Churches, and Musical instruments
Title from item., Temporary local subject terms: Dissenters -- Executions: hangings -- Clergy: bishops -- Clergy: parsons -- Demons -- Watering cans -- Cannons -- Buildings: exterior of a Gothic church -- Serpents -- Expressions of speech: wolf in sheep's clothing -- Expressions of speech: dignitaries of Church as caterpillars., Watermark: fleur-de-lis on crowned shield with initials G R below., and Mounted to 27 x 40 cm.
Title from item., Printmaker from state published by Bentley & Co., 1 July 1791, for The Attic miscellany, with the title: Doctor Philogiston, the Priestley politician or the political priest!, Plate from: Carlton House magazine, November 1794., Above image: Engraved for the Carlton House magazine., Cf. No. 7887 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Sermons -- Opposition: members of the opposition.
"Design in an oval. A burlesque coat of arms symbolizing the supposed character of the Unitarians represented by Priestley. After the title is engraved: 'Address'd to those Peaceable Subjects of this Kingdom who prefer the Present happy Constitution to that Anarchy & Bloodshed so Zealously sought for by these restless advocates for Priestly & Paine's Sophistical Tenets.' A printed explanation is attached to the print. The shield rests on a vulture which grasps in its beak and claws the motto: 'Under these Garbs do we act.' On a shaded (sable) ground a harpy suckles young harpies and holds up the cap of Liberty with a pendent banner on which is a crown surrounded by drops of blood. On a border round the shield are ten groups of ten intertwined serpents. The crest is the Devil and a number of fiends attacking a glory of rays surrounding a triangle, symbolizing the Trinity. The supporters are (dexter) Religion, a veiled woman holding a book and cross, her foot on a skull, and (sinister) Hypocrisy, a woman with the feet of a bird of prey, reading a book, and holding (concealed) a dagger with a notched blade; a trumpet is slung to her waist; a small wallet containing 'a bandelure' (see BMSat 7829) hangs from her neck in place of a cross. She tramples on a crown. She wears a ragged drapery, intended to suggest humility, over a rich garment. 14 July 1792."--British Museum online catalogue
Description:
Title etched below image., Five lines of prose below title: Addressd to those peacable subjects of this Kingdom who prefer the present happy constitution to that anarchy & bloodshed so zealously sought for by these restless advocates for Priestly & Paine's sophistical tenets., and Watermark: J Whatman.
Publisher:
Pub. July 14, 1792, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Paine, Thomas, 1737-1809. and Priestley, Joseph, 1733-1804.
Subject (Topic):
Harpies (Greek mythology), Dissenters, Religion, Unitarians, Coats of arms, Devil, Demons, Emblems, Liberty cap, Symbols, and Vultures
A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant.--British Museum catalogue
Description:
Title from caption inscribed in brown ink below image., Title inscribed twice on sheet and struck out once., Imprint statement inscribed in brown ink below title: Pubd. July 19th, 1791 by S.W. Fores No. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7892., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., and A 'counterprint' or transfer in brown ink appears on the verso of the mount from another print: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Decapitations, Hangings (Executions), Executioners, Axes, Kings, and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Mounted to 37 x 55 cm., and Collector's annotations on mount.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching, hand-colored, on laid paper ; sheet 353 x 502 mm., Imperfect; sheet trimmed within plate mark with loss of imprint., and Watermark: A. Stace 18[...?].
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
