"A naked, bald, and grotesquely obese man stands on the tips of his toes about to plunge, or rather topple, into a bath, in which he admires, Narcissus-like, his own absurd reflection. He is poised on a platform projecting over the bath; behind him stands a comely young woman, watching in astonishment. A flesh-brush is beside her, another is on a seat on the opposite side of the bath, where a print of Narcissus is on the wall. An ugly old woman's head looks through a small rectangular aperture up m the wail; she is much amused at the scene. On the wall is a placard: 'Glowcocks Bagnio Cold and Hot Baths Cupping Sweating and otherwise cleansing the body performed here Lodgings for Gentlemen.'"--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed with plate mark on top edge.
Publisher:
Pubd. April 6, 1803, by R. Ackermann, N. 101 Strand, London
Subject (Name):
Narcissus (Greek mythological character),
Subject (Topic):
Prostitution, Public baths, Obesity, Therapeutic baths, Bathing, Nudes, and Signs (Notices)
A copy in reverse of William Hogarth's Plate 1 of A harlot's progress: A scene outside the Bell Inn: a country girl, Moll Hackabout, having just arrived on the York Wagon (seen on the right), meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower left the girl's initials "H.M." (M[ary?] Hackabout, initials reversed on this copy) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony. A clergyman on horseback fails to notice the encounter as his horse feeds on hay next to the wagon. In the back of the wagon, four other country girls sit holding onto a rail
Alternative Title:
Innocence betrayed, or The journey to London and Innocence trahie, ou, Le voyage de Londres
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.3 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Overprinted with left and right border pieces., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2031., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 121.
Publisher:
publisher not identified
Subject (Name):
Needham, Elizabeth, -1731. and Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Rake's progress, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., and On page 58 in volume 1. With pencilled ms. notes in Steevens hand above print: Harlot's Progress 1st Impression. Plate trimmed to: 31 x 38.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.7 x 39.2 cm, on sheet 45 x 56 cm., and Leaf 2 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Parables, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
publishd. according to act of Parliament the 30 Octobr. 1777.
Call Number:
777.10.30.02+
Image Count:
1
Resource Type:
still image
Abstract:
A print showing the front elevation of a brothel, with a sign over the door "Young Ladies Educated & Board." At the threshold of the establishment, the brothel keeper (possibly Charlotte Hayes) stands at the front door talking with a young man who holds a riding crop (possibly her common-law husband, Dennis O’Kelly.) The two windows on the ground floor show, on the left, a woman entertaining a portly gentleman, and, on the right, two pretty, young woman, one leaning out the window to view the scene at the door. In the two windows on the upper, left and center, two other women are already entertaining men (one of whom is a clergyman) while on the right, two pretty women look down at the scene on the brothel threshold. On the left, a man reads handbills in a covered alley identified as "Kings Place." On the sidewalk (left) a pedestrian holds a monocle to his eye to better see the women; in his pocket is a paper with a title "Economical Lowe[r?]. On the sidewalk to the right, a flower girl in ragged clothes holds out a bunch of flowers to the young man addressing the madam. A woman (dwarf) crier holds a sheet titled "The Harlot's Progress."
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
publisher not identified
Subject (Geographic):
England and England.
Subject (Name):
Hayes, Charlotte, 1725-1813, and O’Kelly, Dennis, 1725-1787,
"Two handsome young courtesans coax an enormously obese and carbuncled 'cit' towards the door of a bagnio (right). One (right) takes him by the wrist, throwing back a cloak to reveal her charms; he leers hideously at her. The other takes him by the shoulders and chin. Above the door are the words 'Warm Bath'. A placard beside it: 'Restorative Drops -Old Age Debility of ever so long standing quickly restored to Youth and Vigour - Prepar'd & Sold by the . . .' They are under an archway inscribed 'Bagnio Court' in an arcade, suggesting Covent Garden."--British Museum online catalogue
Description:
Title etched below image., "Price one shilling coloured.", Plate numbered "146" in upper right corner., and The exposed breasts of the women in the image have been covered with cross-hatched lines in sepia ink.
Publisher:
Pubd. March 1st, 1812, by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Prostitution, Baths, Warm, Courtesans, Public baths, Doors & doorways, and Signs (Notices)
Copy of the fourth print in the Hogarth's series "Four Times of the Day. Set at the intersection of Rummer Court and Charing Cross, Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Alternative Title:
Nuit
Description:
Title engraved below image., Date from Paulson: Publish'd 23d June 1740., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Matted to: 379 x 281 mm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and England.
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., State from Paulson., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
"Scene near Charing Cross with le Sueur's equestrian statue of Charles I in the background and celebrations of the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"); in the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man; to left a barber is seen at work through a window, a chamber pot is being emptied from a window above and below a man and woman sleep beneath a wooden shelter and a link boy crouches beside them; to right the Salisbury Flying Coach has crashed while trying to avoid a bonfire in the middle of the street; shop and tavern signs include the barber's (advertising "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"), the Rummer Tavern, the Earl of Cardigan, the Bagnio and the New Bagnio."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Sheet trimmed to plate mark.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
