"Bottom sits in an arm-chair directed to the left, wearing spectacles on his ass's forehead. In his right hand is a piece of charcoal in a holder, in his left is a paper, which he is studying. Above his head is etched 'Apollo'. On the left stands a man looking over Bottom's shoulder, his fists clenched. Behind (right) two students (seated) draw from the antique, a nude male statue on a pedestal just above the level of their heads."--British Museum online catalogue
Description:
Title from caption below image, a line from a speech by the character Quince, from Shakespeare's A midsummer night's dream, iii.1.121., Printmaker from British Museum catalogue., Six lines of verse below title: "W_hen Phidias or Raph'el shall chuse to repair, I_ncog to our fine modern Artists' fam'd School, L_ost in wonder to see stuck in Genius's Chair T_he Block which now fills it) a formal old Fool. O_ ff again with this sneering Remark they will go, N_o marvel your Pupils old Friend are so so". JP.", and Initial letters of each line form word 'Wilton.'
Publisher:
Pubd. Jany 1, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Wilton, Joseph, 1722-1803, Richards, John Inigo, 1731-1810, Phidias, approximately 500 B.C.-approximately 430 B.C., Raphael, 1483-1520., Royal Academy of Arts (Great Britain), and Apollo (Deity)
Subject (Topic):
Artists' materials, Artists' models, and Sculptors
Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of William Kent (center) holding a artist's palette and paint brush, Raphael (left). and Mil.angelo (i.e. Michelangelo, right), is being whitewashed by a plasterer (Pope) standing on scaffolding. See British Museum online catalogue
Alternative Title:
Burlington gate
Description:
Title and date from earlier version in Paulson., Later reduced copy., Date from British Museum online catalogue., Other lettering within image; a key below, begins, "A. P-pe, a plasterer white washing & bespattering. B. any body that comes in his way. C. not a Duke's coach as appears by [the] crescent at one corner. D. Taste. E. a standing proof. F. a labourer.", Formerly attributed to Hogarth. See Paulson, R. Hogarth's graphic works (2nd ed.), p. 35., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1873., See Paulson, R. Hogarth's graphic works (2nd ed.), no. 277., and On page 54 in volume 1. Plate trimmed to:
Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of William Kent (center) holding a artist's palette and paint brush, Raphael (left). and Mil.angelo (i.e. Michelangelo, right), is being whitewashed by a plasterer (Pope) standing on scaffolding. See British Museum online catalogue
Alternative Title:
Burlington gate
Description:
Title from Paulson., Date from British Museum online catalogue., Reduced copy after Hogarth, not Hogarth., Other lettering within image; a key below, begins, "A. P-pe, a plasterer white washing & bespattering. B. any body that comes in his way. C. not a Duke's coach as appears by [the] crescent at one corner. D. Taste. E. a standing proof. F. a labourer.", "Price 6d"--Lower right hand corner., Formerly attributed to Hogarth. See Paulson, R. Hogarth's graphic works (1st ed.), p. 299-300., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1874, See Paulson, R. Hogarth's graphic works (2nd ed.), no. 277., In Steevens's hand at top of page (referring to 3 prints): See Mr. Nichols's Book, 3d edit. p. 28.175 / Three different originals of Burlington gate., and On page 54 in volume 1.
