Toothache, or, Torment and torture, Torment & torture, and Torment and torture
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published August 1, 1823, by John Fairburn, Broadway, Ludgate Hill
Subject (Topic):
Toothache, Dentistry, Quacks and quackery, Dental equipment & supplies, Pain, Birdcages, Wigs, and Dogs
"Round a bare and decayed oak-tree is twined a serpent with the head of Fox; he has scaly arms with human hands and holds out a damaged apple inscribed 'Reform', saying, "nice Apple, Johnny! - nice Apple". John Bull (left) is a fat and squat yokel, wearing the Windsor uniform of blue coat with red collar and cuffs. The pockets of his coat and waistcoat bulge with round golden apples. His back is to Fox, towards whom he looks out of the corners of his eyes, saying: "Very nice N'apple indeed! - but my Pokes are all full of Pippins from off t'other Tree: & besides, I hates Medlars, they're so domn'd rotten! that I'se afraid they'll gie me the Guts-ach for all their vine looks!" Fox's scaly tail is coiled round the upper branches; its tip issues from a large cap of 'Liberté', decorated with tricolour cockade and ribbons, which is poised on a branch. The trunk of the tree is 'Opposition'; its roots are: 'Envy', 'Ambition', 'Disappointment'. The main branches are 'Rights of Man' (see BMSat 7867, &c.) and 'Profligacy'. Each rotten apple or medlar has an inscription: 'Democracy.', 'Treason.', 'Slavery.', 'Atheism.', 'Blasphemy.', 'Plunder.', 'Murder.', 'Whig Club', 'Impiety', 'Revolution', 'Conspiracy', 'Corresponding Society', 'Deism', 'Age of Reason' (Paine's deistic book). In the background (right) is an oak in full leaf: its trunk is 'Justice', the roots 'Commons', 'King', 'Lords', the branches 'Laws' and 'Religion'. From it hangs a crown surrounded by 'pippins', some inscribed 'Freedom', 'Happiness', 'Security'. (Cf. BMSat 8287, &c.)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Liberty: tree of liberty -- Uniforms: Windsor uniform -- Literature: Thomas Paine's Rights of Man -- Vices -- Cap of liberty as bonnet rouge -- Serpents -- Reforms., and Watermark: 1794.
Publisher:
Pubd. May 23d, 1798, by H. Humphrey, No. 27 St. Jamess [sic] Street, London
"The triumphal procession (l. to r.) of a hideous negress symbolizing Quassia, a drug obtained from the Quassia tree, which is supposed to have supplanted hops in brewing. She sits astride a drayman's pole (as in BMSat 10580, &c), from which is suspended horizontally a cask inscribed 'True Quassia Free from Taxation'; the pole is supported on the shoulders of two brewers, Whitbread (r.), and Combe (l.). She holds up in one hand a branch of the noxious tree, with a (tricolour) scroll: 'Kill-Devil [rum] for ever', and in the other a frothing tankard inscribed 'Quos-sia'. This is irradiated, the rays being inscribed 'Apoplexy', 'Palsy', 'Consumption', 'Debility', 'Colic', 'Stupor', 'Dropsy', 'Scurvy', 'Dysentery', 'Hæmorrhoids', 'Hydrophobia', 'Idiotism'. A third brewer, the very corpulent George Barclay, follows on the extreme left., waving his hat. He holds up a (tricolour) standard: 'Pro bono Publico - Quassia for Ever, - No Hops! no Malt! Down with all the Private Breweries! - Kill-Devil and Quassia for Ever!' From his apron projects a book: 'Receipts to make a Cauliflour Head'. In front of the procession is a dray-horse, with dangling chains which show that the barrel has been detached from them; its head is cut off by the r. margin. On its back sits the bulky Grenville between Fox and Petty who clings to his waist. All are in court dress, and exultingly wave their cocked hats, which, like the hats of the brewers, are decorated with large tricolour favours inscribed 'Quassia for Ever'. On the horse is a pannier with a (tricolour) label: 'Grains from the Quassia Breweries for the New Piggery' [cf. BMSat 10540]; this, like the riders' pockets, is overflowing with guineas. From Petty's hat fall two bundles of papers: 'Tax upon Private Brewer[ies]' and 'Tax upon Maid-Servants'. Whitbread, who looks round at the spectator, has a favour in his hat larger than the others and having the additional inscription. 'No Private Breweries - Impeachment of Malt & Hops! No Scotch Barley', indicating his charges against Melville (see BMSat 10576, &c). On the groun lie broken hop-poles, with hop-vines still attached to them. Behind are conical stacks of hop-poles 'To be Sold for Fire-Wood'."--British Museum online catalogue
Description:
Title etched below image. and Mounted to 31 x 39 cm.; annotations in modern hand along lower margin of sheet and mount.
Publisher:
Pubd. June 10th, 1806, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, and Combe, Harvey Christian, 1752-1818
"A bayonet charge of British soldiers (right) against Spaniards and Frenchmen (left). The Spaniards, wearing feathered hats, are fleeing unarmed. A thin Frenchman dressed as a petit-maitre staggers back in alarm, his arms outstretched, one hand on the shoulder of an equally terrified Spaniard. A Spaniard in cloak and slashed doublet has fallen to the ground and tries to shelter behind the Frenchman; coins apparently from his pockets lie on the ground beside him. The British advancing with bayonets are led by an officer who holds a sword raised to strike; a soldier holds a British flag."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 8th, 1780, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain
Subject (Topic):
Foreign relations, Soldiers, British, Military standards, and Clothing & dress
"Two corpulent men, with arms interlaced, trip through space, their heads turned in profile to the right, naked except for a piece of floating drapery. One (left) holds up a frothing tankard of Berkley Ale, the other a foaming goblet, tankard and goblet being the centre of a pointed star. The heads are well characterized, and alike only in fatness, short hair, and side-whisker."--British Museum online catalogue
Alternative Title:
Twin stars, Castor and Pollux
Description:
Title etched below image., No. 5 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., Temporary local subject terms: Mythology: Castor & Pollux -- Brewers: George Barclay, fl. 1799 -- Charles Sturt -- Dishes: tankards -- Glass: goblets -- Beverages: ale., Mounted., and Watermark: J Whatman Turkey Mills.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Str
"Napoleon, advancing down a gently sloping causeway of rock which traverses water and flames, is halted by 'Leo Britannicus' who bounds savagely towards him. He drops a short chain attached to the nose of the 'Russian Bear', a huge white creature at his heels. He is beset on all sides by monsters, who emerge from a background of flame, smoke, and cloud, or from the water. Beside the British Lion is a little 'Sicilian Terrier', barking ferociously. Death, a skeleton-like corpse, rides a mule which dashes through the air towards Napoleon, snorting flame. He wears a Spanish hat and cloak, and holds up a flaming spear and an hour-glass whose sands have almost run out. The mule's trappings are inscribed 'True-Royal-Spanish-Breed'. Outstripping the mule, a savage 'Portuguese Wolf', with the end of a broken chain attached to his collar, leaps towards Napoleon. The heads and hulders of two melancholy French officers with their necks chained together emerge from clouds to address Napoleon; they say: "Remember Junot and Remember Dupont." Above these is the Pope's tiara, the apex of flames, emitting thunderbolts towards Napoleon, and inscribed 'Dreadful Descent of ye Roman Meteor' [cf. BMSat 10970]. Immediately above Napoleon is a crescent moon inscribed 'British-influence' enclosing the old (dark) moon, which is 'French Influence'. This forms the centre of a turban, and is surrounded with fiery clouds flanking the features of the Sultan, looking fiercely down at Napoleon. Blood drips from it. This is 'The Turkish New-Moon, Rising in Blood'. Beside it (right) the head and arms of a man raising an enormous sword above Napoleon emerge from swirling flames: The 'Spirit of Charles ye XII' [of Sweden 1682-1718]. On the r. a double-headed Habsburg eagle swoops towards Napoleon from clouds: "- The Imperial Eagle emerging from a Cloud." Its collar is inscribed 'German Eagle'. From the water beyond Napoleon's causeway, the 'Ditch of Styx', project the crown and hands of the drowning 'Rex Joseph'; he is immediately under the Spanish mule ridden by Death. The water on the nearer side of the causeway, in the foreground, is the 'Lethean Ditch'. From this (left) rats crawl towards Napoleon: "The Rhenish Confederation of Starved Rats, crawling out of the Mud [cf. British Museum Satires No. 10433]." Three frogs raise their heads from the ditch to spit: "Dutch-Frogs spitting out their spite." A rattle-snake spits venom, and shakes its tail: "- American Rattle-Snake shaking his Tail.-" On the right, standing on a rock, is a dilapidated eagle with clipped wings, and scanty feathers: "Prussian Scare-Crow attempting to Fly -.""--British Museum online catalogue
Description:
Title etched below image. and 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 26.5 x 39.0 cm, on sheet 28.8 x 41.4 cm.
Publisher:
Publish'd Septr. 24th, 1808, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Mustafa IV, Sultan of the Turks, 1779-1808, and Charles XII, King of Sweden, 1682-1718
Subject (Topic):
Peninsular War, 1807-1814, Monsters, Fire, Lions, Bears, and Eagles
"Man and woman dancing under a large tree, with bystanders seated watching in the shade, and other rustic festivities, including a boxing fight, taking place in the background; an oval composition."--British Museum online catalogue
Description:
Title etched below large oval-shaped image., Smaller image engraved below title, with a column of verse etched on either side: How often have I blest the coming day, when toil remitting lent its turn to play ..., Text at bottom of plate: To Miss Henrietta Gertrude Hotham, this plate and its companion are most respectfully dedicated by her most obedient humble servant, Robert Wilkinson., Companion print to: "The deserted village.", and Sheet trimmed within plate mark on upper and lower edges.
Publisher:
Publish'd June 4th, 1784, by Rt. Wilkinson, No. 58 Cornhill, London
"Boswell (left) rises in terror from his bed, at the sight of a headless man in Highland dress, the head replaced by a headsman's axe surmounted by a Scots cap. This spectre, irradiated, advances from the right and draws aside the curtain of the bed. Boswell's nightcap flies upwards from his head ..."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the Second. [London] : [E. Jackson], [1786], Three lines of verse below title: "I had the most elegant room, by there was a fire in it that blazed, And the sea to which my windows looked roared, & the pillows were made of sea fowls feathers ..." Vide Journal p. 110., Sheet trimmed within plate mark, and Temporary local subject terms: Highland dress -- Scots cap -- Bed curtains -- Nightmare -- Headless spectre.
Publisher:
Publish'd May 15th, 1786, by E. Jackson, No. 14 Mary-le-bone Street, Golden Square
Subject (Name):
Boswell, James, 1740-1795 and Boswell, James, 1740-1795.
"The Prince of Wales (left) leads a goat with the head of Mrs. Fitzherbert (right) to the door of the forecourt of a large town-house, held partly open by the Duchess of York. She says, "O Dunder & Wonder! - what Cratur is dat which you are bringing here ? - relation of mine, indeed? - no, no! - me know no Nanny-goat-Princess! - so set off, with your bargain, you poor - Toasted - Cheese! you! - for she sha'nt come in here, to poison the house! - off! - off! - off." The Prince, who wears in his hat a leek, with his motto, 'ich dien', answers, "Not open the Toor ? - Cot-splutter-a-nails - when Nanny is come to see you, herself? - vhy isn't Nanny a Princess too ? - & a Velch Princess? - and hur is come to visit hur Brothers & hur Sisters! - & not to let hur in? why the Voman is mad, sure!" In place of a star he wears a medallion enclosing a pair of goat's horns. He holds his goat by a ribbon wreathed with roses. Mrs. Fitzherbert has goat's horns and wears a coronet with the Prince's feathers; she looks up at him with an expression of dignified surprise. ... The door of the Duke's house is surmounted by a pediment decorated with the Prussian eagle and pairs of doves (an emblem on the Duchess's state-bed, 'Lond. Chronicle', 21 Dec. 1792)"--British Museum online catalogue
Alternative Title:
Prussian reception
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 12th, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Emblems, Goats, Lanterns, National emblems, Welsh, and Prussian
"A vulture with the head of Pitt (in profile to the left) grasps in the left claw the Crown and sceptre, in the other (outstretched) the coronet of the Prince of Wales; the latter he crushes under the weight of his powerful talons, while he bites at the Prince's feathers, one of which he has already plucked out. The gorged bird's bulging breast is inscribed 'Treasury'; under the crown lies 'Magna Charta', torn. The spread of the creature's Avmgs and the stretch of its long heck towards the feathers give an impression of savage rapacity."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Treasury -- Birds: vulture -- Magna Charta -- Prince of Wales's coronet -- Crowns -- Sceptres -- Allusion to Regency crisis, 1788., Watermark: fleur-de-lis on crowned shield., and Mounted to 29 x 38 cm.
Publisher:
Pubd. Jany. 3d, 1789, by H. Humphrey, New Bond St.
