"Heading to printed verses: 'A Ballad, Occasioned by a Certain Earl's styling himself a Sans Culotte Citizen in the House of Lords.' Stanhope, wearing a bonnet-rouge inscribed 'Liberty', tramples on a scroll inscribed 'A Deo et Rege', beside which lies his (overturned) earl's coronet. He capers bare-legged, his breeches flutter to the ground from his left hand. In his right is a tricolour flag inscribed 'Vive l Egalite'; the flagstaff is surmounted by an ass's head, which looks down at Stanhope, who looks ecstatically up at it, his head turned in profile to the left. Above the design: "---off, off, ye lendings." Stanhope, his coronet, breeches, and flag, are in full light, the rest of the design is in shadow, clouds forming a background. On the left three members of the House of Lords flee, their backs towards him: the Lord Chancellor (Loughborough), in hat, wig, and robes, as the Speaker of the Lords, carrying a document: 'Vote of the House of Lords One Dissentient Stan[hope]'. Next him is a judge carrying 'Magna Charta'; the third is a bishop with a 'Bible' under his arm. On the right four ladies, one elderly, the others young (presumably his wife and daughters), hasten in alarm away from Stanhope. ..."--British Museum online catalogue
Alternative Title:
Noble sansculotte
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., On sheet with letterpress broadside with caption title: A ballad occasioned by a certain Earl's styling himself a sans culotte citizen in the House of Lords., One line of text etched above image: "-off, off, [the] lendings.", At bottom of sheet, in letterpress: (Entered at Stationers Hall)., and Temporary local subject terms: Cap of Liberty -- Insignia: earl's coronet -- Judges -- Clergy: bishops -- Allusion to sansculottes -- Toys: hobby horses -- Male costume: sansculottes -- Bonnet rouge.
Publisher:
Pubd. May 3d, 1794, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816 and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
"Pitt, grotesquely thin and much caricatured, leads Eleanor Eden, a conventionally pretty woman, towards a bower (right) covered with a vine bearing many bunches of grapes interspersed with coronets. Within it are three large sacks inscribed '£'. His left hand is on her back, his right points to the bower. She advances demurely, a fan inscribed 'Treasury' held before her face. A Cupid with a torch flies before them. The Devil, a fat nude creature with webbed wings and the face of Fox, crouches behind the bower (right), impotently gnashing his teeth and clenching his fists. Ribbons with the jewels and star of an order are twined in the bower; more coronets and a star emerge from the ground. ..."--British Museum online catalogue
Alternative Title:
To the nuptial-bower he led her, blushing like the morn
Description:
Title etched at bottom of image., One line of quoted text to left of title: "To the nuptial-bower he led her, blushing like the morn.", Sheet trimmed within plate mark., Temporary local subject terms: Money: sacks of money -- Coronets -- Demons -- Cupids -- Female dress: fans -- William Pitt the Younger's debts -- Reference to Lord Auckland., and Watermark: Strasburg lily.
Publisher:
Pubd. Feby. 13th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Buckinghamshire, Eleanor Hobart, Countess of, 1777-1851
"Britannia, massive, but childlike, sleeps in a large wicker cradle, rocked by Addington, dressed as an elderly woman, who is seated on a low stool (right). Hawkesbury, a thin and spinsterish nursemaid, (left) approaches the foot of the cradle holding out an ornate child's commode, inscribed 'French C . . k . . g Chair'. Behind the cradle appear the head and shoulders of Fox, looking furtively towards Britannia and Addington, while he hangs out napkins to dry on a cord stretched across the fireplace; one is 'French Cambrick'. Britannia sleeps with her thumb in her mouth, her right arm across the coverlet, holding her shield and spear; her uncovered shoulder shows that she is wearing a Roman corslet. The head of the cradle is inscribed: 'Requiescat in Pace'. Addington sings: "o, By - my Baby, my Baby, - o, By - in Peace! my dearee! - For such a sweet Nap as This, You never had, far nor nearee! - so. By - my Baby, my dearee!' On the ground is a casserole of 'French Pap'; on the plain chimney-piece are a bottle labelled 'Composing Draught' and a box of 'Opiate Pills'. Above it is a print of 'Buonaparte' playing a fiddle and capering ecstatically. On the wall (left) are a broadside: 'Rule Britannia . . . Britons never will be - ['slaves' torn off] and (right) a birch-rod tied with tricolour ribbon. Addington, Hawkesbury, and Fox all wear their hair in their accustomed manner with the addition of tricolour ribbons. The first two look anxious, Fox registers calculating satisfaction."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Nursery -- Cradle -- Casserole -- Child's Commode -- Bonnet Rouge., and Mounted to 30 x 44 cm.
Publisher:
Pubd. Decr. 4th, 1802, by Js. Gillray, No. 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Napoleon I, Emperor of the French, 1769-1821
"A game of cards at a round table in which Lord Jersey (left) and Mrs. Fitzherbert (right) face each other in profile. Lady Jersey sits full-face, her head turned in profile towards her husband and lover: the Prince has left his place (indicated by a stool decorated with his feathers) as Lady Jersey's partner to stand behind Lord Jersey, his hands resting on his head, forefingers raised to form horns as in BMSats 8809, 8811. Lady Jersey has taken seven tricks; her husband has laid on the table before him the ace and three court cards. All the players raise their hands in surprise. The Prince wears his Light Horse uniform (cf. BMSat 8800), his eyes being concealed by his helmet as in BMSat 8811. Lady Jersey wears three tall feathers in her hair, a locket inscribed 'J' hangs from her neck. The fatness of the Prince and Mrs. Fitzherbert contrasts with the leanness of the other two. A candle-sconce is on the wall."--British Museum online catalogue
Alternative Title:
Nunkee gaining the honors
Description:
Title etched below image., Thomas Humphrey is one of the pseudonyms used by Gillray. See British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: Prince of Wales's Light Horse uniform -- Emblems: Prince of Wales's feathers -- Gambling: card games -- Cuckolds -- Furniture: card table -- Obesity.
Publisher:
Pubd. June 16th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, George Bussey Villiers, Earl of, 1735-1805, Jersey, Frances Villiers, Countess of, 1753-1821, and Fitzherbert, Maria Anne, 1756-1837
A cartoon illustrating the first reactions in England to the news of the fall of the Bastille. On the right, the radiant figure of Liberty sits enthroned on the ruins of the Bastille. Kneeling on one knee before her, Louis XVI holds up to her his crown; inscribed below him are the words "A repentant monarch." Following behind him are six figures in chains, each clearly identified: Orléans and Necker, Marie Antoinette, two German counselors, and a figure suggestive of Mrs. Schwellenberg. La Fayette and the ranks of the National Guard bring up the rear. All around them are cheering crowds
Description:
Title etched below image., Printmaker from British Museum catalogue., "Price 2 sh. plain.", Sheet trimmed to plate mark., and Watermark.
Publisher:
Pubd. Aug. 3d, 1789, by J. Aitken, N. 14 Castle Street, Leicester Fields
Subject (Geographic):
France
Subject (Name):
Louis XVI, King of France, 1754-1793, Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793, Necker, Jacques, 1732-1804, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, and Bastille.
Subject (Topic):
Liberty, History, and Foreign public opinion, British
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly schoolmaster sits by a writing-table, in profile to the right, addressing an old countrywoman who faces him, making a slight curtsey. Behind her (right) are four little boys, two with bags of books slung from the shoulder. The schoolmaster, who wears night-cap, slippers, and buttoned overcoat or dressing-gown, says: "Good woman you are always making complaints against my Scholars, what have they done to offend you now?" She answers: "Please your Honors Worship they followd me up and down--and said one to another--At her!--beat her! damn her!--pelt her!-- and a great deal more that I do not recollect". The leader of the boys, bowing, cap in hand, says: "Indeed Sir, we were only repeating our Greek Alphabet, in order to get quite perfect--what the Old Woman heard was only Alpha--Beta-- Gamma--Delta--and so on to the conclusion". The boys' expressions indicate a successful conspiracy."--British Museum online catalogue, description of an earlier state
Alternative Title:
Greek alphabet
Description:
Title etched below image., Reissue; former plate number "66" has been replaced, and date has been removed from end of imprint statement., Date of publication based on earlier state with the complete imprint "London, Published by Thomas Tegg, No. 111 Cheapside, Jany. 15, 1809." Cf. No. 11460 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "132" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 130., Temporary local subject terms: Alphabet -- School children., 1 print : etching on wove paper, hand-colored ; sheet 24 x 36 cm., and Imperfect; sheet trimmed within plate mark on top edge with almost complete loss of plate number.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly schoolmaster sits by a writing-table, in profile to the right, addressing an old countrywoman who faces him, making a slight curtsey. Behind her (right) are four little boys, two with bags of books slung from the shoulder. The schoolmaster, who wears night-cap, slippers, and buttoned overcoat or dressing-gown, says: "Good woman you are always making complaints against my Scholars, what have they done to offend you now?" She answers: "Please your Honors Worship they followd me up and down--and said one to another--At her!--beat her! damn her!--pelt her!-- and a great deal more that I do not recollect". The leader of the boys, bowing, cap in hand, says: "Indeed Sir, we were only repeating our Greek Alphabet, in order to get quite perfect--what the Old Woman heard was only Alpha--Beta-- Gamma--Delta--and so on to the conclusion". The boys' expressions indicate a successful conspiracy."--British Museum online catalogue, description of an earlier state
Alternative Title:
Greek alphabet
Description:
Title etched below image., Reissue; former plate number "66" has been replaced, and date has been removed from end of imprint statement., Date of publication based on earlier state with the complete imprint "London, Published by Thomas Tegg, No. 111 Cheapside, Jany. 15, 1809." Cf. No. 11460 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "132" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 130., Temporary local subject terms: Alphabet -- School children., and Leaf 68 in volume 2.
"William V of Orange, a naked fat Cupid, lies on his back asleep on a low plateau of grass sprinkled with flowers. He clasps a spade in his folded hands; his shoulders rest against two large money-bags, padlocked and inscribed '24,000,000 Ducats'. He has been planting orange-trees, and these surround him, of varying sizes, in pots and in tubs; the oranges are the heads of infants, all with his own features. Dream-figures float towards him on clouds, all women in an advanced state of pregnancy. Behind him (left) floats a milk-woman, her yoke across her shoulders, her pail on her head. Next advances, full-face, a fat Billingsgate woman, her basket of fish on her head. These two appear to be shouting at the sleeping Cupid. From the right approaches a housemaid carrying a mop; behind her three haymakers, holding rake or pitchfork, approach together, followed by serried ranks of country women all wearing straw hats."--British Museum online catalogue
Alternative Title:
Dutch Cupid reposing after the fatigues of planting
Description:
Title etched below image., Sheet trimmed to plate mark., and Temporary local subject terms: Gardens -- Potted orange trees -- Reference to Hampton Court -- Money: bags of money -- Women: Billingsgate fish wife -- Milk-woman -- Housemaid -- Haymakers -- Country women -- Pregnancy -- Cupid.
Publisher:
Pubd. Septr. 16th, 1796, by H. Humphrey, New Bond Street
"Lord Lonsdale with the head of a wolf sits in his carriage, from which the horses have been taken, and is drawn (left to right) by men past a row of two-storied cottages which are falling to pieces. He wears an earl's coronet, and a military coat with a shirt frill; from his rapacious mouth issue the words 'Dear Gentlemen this is too much, now you really distress me'. A large earl's coronet is on the carriage door. A hind wheel rolls over an open book, 'Peter Pindar'. A stout fierce-looking man wearing a legal wig sits on the box, raising a whip whose lashes are three scrolls inscribed (in legal blackletter), 'Littledale versus Lonsdale', 'Indemnifications', and 'Sham Trials'. He holds a bunch of reins attached to the necks of the men dragging the carriage, on whose faces are fixed, propitiatory grins. From his pockets issue a volume inscribed 'Blackstone', and a paper: 'Bills unpaid'; he is Lonsdale's 'clerk and attorney', see BMSat 8156. Two of the men whom he drives say: "No Ropes equal to mine, at a dead pull and A glorious night for my Brewery". Another man is in rags. In front of the procession and on the extreme right walk two couples holding hands. These carry three banners, inscribed: 'The good Samaritan', 'The Lion The Lamb', and: 'The Blues are bound in Adamantine Chains But Freedom round each Yellow Mansion reigns.' One of the men says slyly to the woman he walks with: 'And makes the Farmers Wives & Daughters Game' This is a quotation from Peter Pindar's 'Commiserating Epistle to Lord Lonsdale', see BMSat 8003. The context is: 'Yet why should Hares, and Partridges, and Grouse, Alone be ravish'd from the Farmer's house ? - Go, Lonsdale, get an Act to raise thy fame, And make . . .' Behind the carriage (left) is a cheering crowd; they wave their hats frantically shouting, "Liberty, Huzza, Huzza." The man in the foreground is a sailor with a bludgeon. Over the door of one of the ruined cottages is a placard: 'To lett convenient lodgings.'"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on lower edge., and Matted to 56 x 71 cm.
Publisher:
Pubd. Jany. 20th, 1792, by H. Humphrey, N. 18 Old Bond Street
