"The patriots (known as 'Bataves', who had emigrated in 1787 after their defeat by the Anglo-Prussian alliance, see BMSat 7178, &c.) approach the committee (apparently two French Représentants en Mission) with requests for money and clothes. Four men stand obsequiously on the right, two with papers inscribed 'Request'. From the pocket of one (right), dressed as a soldier, projects a carriage-lamp (which he is alleged in the text to have stolen). One Frenchman (wearing a scarf inscribed 'Representant'), holding a pair of breeches, puts money into an outstretched palm. The other haughtily watches the suppliants. On the left an old Jew measures a patriot wearing sabots, his coat inscribed 'N° 25', for a suit of clothes. Behind him is a wall from which projects a sign: 'Nathan Levi Uitdraager en Kleermaaker' [broker and tailor]. On the wall are four pegs, from one hangs a 'Capts Pack': coat, boots, and sword, from another a 'Lts Pack': coat and sword. Between them hangs a small empty bag of 'Courage Militais' [sic], and on the right a mask. Behind the suppliants is a door (right) above which is a notice surmounted by a cap of liberty: 'Nederlandsche \ Societeÿt \ Vry Wÿn en Moll' [Wine and beer gratis]. On the door: 'gebranndte Waateren te koop' [brandy for sale]. Text, 'Proverbs', xiii. 21."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "12" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: refugee committee -- Frenchmen -- Lamps: carriage lamps -- Jews -- Trades: tailors -- Brokers -- Military uniforms: Dutch uniforms -- Cap of liberty., and Letterpress explanation lacking.
"The patriots (known as 'Bataves', who had emigrated in 1787 after their defeat by the Anglo-Prussian alliance, see BMSat 7178, &c.) approach the committee (apparently two French Représentants en Mission) with requests for money and clothes. Four men stand obsequiously on the right, two with papers inscribed 'Request'. From the pocket of one (right), dressed as a soldier, projects a carriage-lamp (which he is alleged in the text to have stolen). One Frenchman (wearing a scarf inscribed 'Representant'), holding a pair of breeches, puts money into an outstretched palm. The other haughtily watches the suppliants. On the left an old Jew measures a patriot wearing sabots, his coat inscribed 'N° 25', for a suit of clothes. Behind him is a wall from which projects a sign: 'Nathan Levi Uitdraager en Kleermaaker' [broker and tailor]. On the wall are four pegs, from one hangs a 'Capts Pack': coat, boots, and sword, from another a 'Lts Pack': coat and sword. Between them hangs a small empty bag of 'Courage Militais' [sic], and on the right a mask. Behind the suppliants is a door (right) above which is a notice surmounted by a cap of liberty: 'Nederlandsche \ Societeÿt \ Vry Wÿn en Moll' [Wine and beer gratis]. On the door: 'gebranndte Waateren te koop' [brandy for sale]. Text, 'Proverbs', xiii. 21."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "12" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: refugee committee -- Frenchmen -- Lamps: carriage lamps -- Jews -- Trades: tailors -- Brokers -- Military uniforms: Dutch uniforms -- Cap of liberty., 1 print : etching in red ink on wove paper ; plate mark 27.4 x 21.8 cm, on sheet 29.2 x 23.5 cm., and Mounted on leaf 52 of volume 12 of 12, with letterpress explanation opposite.
"A lamp-lighter (left) stands dejectedly on his ladder which rests against a stone obelisk supporting a lamp whose glass is broken. The light has been extinguished by a blast from the head of a cherub emerging from clouds (right). A man wearing a cocked hat standing by the lamp-post tries in vain to get a spark from a flint. A stout citizen bends over a cup held by an old woman seated on the right, he stirs it and blows upon it, evidently trying to kindle a light. A dog befouls the obelisk. '. . . Ce Committé se donne bien dela peine pour allumer la grande lanterne. Mais - le vent siffie - les verres sont cassé - comment les raccomoder ? - ' Text, 'Job', xviii. 5."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "9" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: committee of public instruction -- Lamp-lighters -- Lighting: lamps -- Dutchmen., and Letterpress explanation lacking.
"A lamp-lighter (left) stands dejectedly on his ladder which rests against a stone obelisk supporting a lamp whose glass is broken. The light has been extinguished by a blast from the head of a cherub emerging from clouds (right). A man wearing a cocked hat standing by the lamp-post tries in vain to get a spark from a flint. A stout citizen bends over a cup held by an old woman seated on the right, he stirs it and blows upon it, evidently trying to kindle a light. A dog befouls the obelisk. '. . . Ce Committé se donne bien dela peine pour allumer la grande lanterne. Mais - le vent siffie - les verres sont cassé - comment les raccomoder ? - ' Text, 'Job', xviii. 5."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "9" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: committee of public instruction -- Lamp-lighters -- Lighting: lamps -- Dutchmen., 1 print : etching & aquatint in red ink on wove paper ; plate mark 27.5 x 21.9 cm, on sheet 29.3 x 23.8 cm., and Mounted on leaf 49 of volume 12 of 12, with letterpress explanation opposite.
"An old woman of repulsive and disreputable appearance sits full-face surrounded by quack doctors. Her cap is inscribed 'Rep: Bat' (Batavian Republic), her petticoat is decorated with the seven [The artist has arranged the arrows in groups of five, not seven] arrows of the United Provinces. Her feet are in a tub of water. One doctor (left) holds her arm, the blood from which gushes into a bowl on her lap. Another (right) applies a cupping-glass to her left shoulder. A man (right) stands primly in profile to the left holding his cane; from his pocket protrudes a book: 'Traité sur la Reconaissance'. (He is 'Citoyen L' who owes everything to the ex-Stadholder.) Two military officers also watch the treatment, one (left) has a clyster-pipe under his arm. Standing behind, and on a higher level, is the zany (cf. BMSat 6398, &c), holding up a club wreathed with a serpent in his right hand, a bottle inscribed 'Tinct. Univer.' in the left. On the ground is a prescription inscribed 'R. P M: Mere' [i.e. Merc]. Text, 'Jeremiah', li. 9."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "15" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: health committee -- Quacks -- Quacks' zanies -- Military uniforms: French uniforms -- Medical instruments: clyster pipes -- Medical procedures: bleeding -- Emblems: Caduceus -- Medicine: mercury -- Water tubs -- Allusion to the Batavian Republic., and Letterpress explanation lacking.
"An old woman of repulsive and disreputable appearance sits full-face surrounded by quack doctors. Her cap is inscribed 'Rep: Bat' (Batavian Republic), her petticoat is decorated with the seven [The artist has arranged the arrows in groups of five, not seven] arrows of the United Provinces. Her feet are in a tub of water. One doctor (left) holds her arm, the blood from which gushes into a bowl on her lap. Another (right) applies a cupping-glass to her left shoulder. A man (right) stands primly in profile to the left holding his cane; from his pocket protrudes a book: 'Traité sur la Reconaissance'. (He is 'Citoyen L' who owes everything to the ex-Stadholder.) Two military officers also watch the treatment, one (left) has a clyster-pipe under his arm. Standing behind, and on a higher level, is the zany (cf. BMSat 6398, &c), holding up a club wreathed with a serpent in his right hand, a bottle inscribed 'Tinct. Univer.' in the left. On the ground is a prescription inscribed 'R. P M: Mere' [i.e. Merc]. Text, 'Jeremiah', li. 9."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "15" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: health committee -- Quacks -- Quacks' zanies -- Military uniforms: French uniforms -- Medical instruments: clyster pipes -- Medical procedures: bleeding -- Emblems: Caduceus -- Medicine: mercury -- Water tubs -- Allusion to the Batavian Republic., 1 print : etching in red ink on wove paper ; plate mark 27.5 x 21.9 cm, on sheet 29.3 x 23.7 cm., and Mounted on leaf 55 of volume 12 of 12, with letterpress explanation opposite.
"Two French commissaries stand (left), each with a book under his arm, holding out their demands for assignments on the exchequer; one has a paper inscribed 'Payer'. Their president, as in BMSat 8849, shrugging his shoulders, answers 'Impossible!' Another man seated on a bale (right) counts on his fingers; before him are figures giving a total of 'o'. A third holds up a paper: '2 /2 /3/', looking at it through an eye-glass. On the wall is a 'Tafel van Multiplicatie' and beside it shelves in which are books and bundles of papers, one inscribed 'Pretentions des Trouppes Suisses'. A shelf is inscribed 'Insolvable'. Text, 'Ecclesiasticus, Jesus Sirach', xli. 24."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "5" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Frenchmen -- Dutchmen -- Committees: finance committee -- Holland: civil discord., and Letterpress explanation lacking.
"Two French commissaries stand (left), each with a book under his arm, holding out their demands for assignments on the exchequer; one has a paper inscribed 'Payer'. Their president, as in BMSat 8849, shrugging his shoulders, answers 'Impossible!' Another man seated on a bale (right) counts on his fingers; before him are figures giving a total of 'o'. A third holds up a paper: '2 /2 /3/', looking at it through an eye-glass. On the wall is a 'Tafel van Multiplicatie' and beside it shelves in which are books and bundles of papers, one inscribed 'Pretentions des Trouppes Suisses'. A shelf is inscribed 'Insolvable'. Text, 'Ecclesiasticus, Jesus Sirach', xli. 24."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "5" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Frenchmen -- Dutchmen -- Committees: finance committee -- Holland: civil discord., 1 print : etching in red ink on wove paper ; plate mark 27.4 x 21.9 cm, on sheet 29.7 x 23.8 cm., and Mounted on leaf 45 of volume 12 of 12, with letterpress explanation opposite.
"John Bull stands with a whip, jovially watching the baking of ships for France in a 'Dutch Oven' (right). A fat Dutchman, an empty pipe in his mouth, pushes into the oven on a shovel a batch of ships, saying, "Donder & Blaxan to Dis Fraternization instead of smoaking mine Pipes & sacking De Gold, Dis french Broders make me build Ships Dat Mynheer Jan Bull may have De Fun to take dem." A ragged Frenchman kneels behind him holding out another batch of ships on a tray, saying, "Sacredieu Citoyens make a Haste wit one autre Fleet, den we will shew you how to make one grande Invasion." Beside the oven (right) a French peasant, more ragged and abject, approaches with a heavy receptacle inscribed: 'Ruination, Botheration, Confiscation, Requisition, Plunderation, Limitation, Execution, Constitution, Fraternization, Naturalization, Expedition, Abolition, Cutthroatation & Damnation'. Behind the Dutchman a Spaniard supports on his head a tray of cannon, saying, "How! That Nelson wit one Arm & Eye, can take our Ships by Dozens then vat shall we do against the autres, wid two Arms and Eyes, dey will have two dozen at a Time". John Bull answers, a hand on his fat paunch, "What? you could not find that out before you stupid Dupes, but since you began the fun you shall keep on - So work away Damn ye else Jack Tar will soon be idle". Behind (left) a grinning Jack Tar capers, with a large tray of ships on his head, saying, "Push on keep moving [cf. BMSat 9010] I'll soon come for another Cargo for Old England for ever Huzza."--British Museum online catalogue
Alternative Title:
High fun for John Bull and Republicans put to their last shift
Description:
Title etched below image., "No. 19" etched in upper left corner., Sheet trimmed within plate mark., and Mounted on leaf 54 of volume 6 of 14 volumes.
Publisher:
Published Novr. 12, 1798 by R. Akerman, N. 101 Strand
"Bond Street, the pavement receding diagonally from left to right, is thronged with fashionable pedestrians. In the foreground five fashionably dressed men advance, forming a phalanx which pushes on to the cobbled roadway a lady, dressed rather for the ball-room than the street, to whose arm clings a little girl; both are in back view. The men smile or leer. The lady's neck diminishes to a point, tresses of hair hang from her turban (cf. BMSat 8755), which is trimmed by a gigantic erect feather. Her over-dress hangs from her shoulders and swells into folds which sweep the ground. She holds a fan. (Small copy in Grego.) Behind (right) three ladies walk arm-in-arm in the roadway: a fat woman in a riding-habit, looking through an opera-glass, and two younger women, one with her face covered by a transparent veil reaching nearly to the (knees, the other looking demurely down. Among the crowd in the background a man arm-in-arm with a military officer in back view (? Lord Moira) resembles Fox."--British Museum online catalogue
Alternative Title:
Politesse du grande monde
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 27th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Clothing & dress, Crowds, Etiquette, Show windows, and Window displays
