"The managers of the impeachment of Hastings advance (left to right), led by Cornwall the Speaker who, raising his hat, holds out a roll, 'Articles of Impeachment', to Thurlow. Only the point of the Chancellor's hat and his hands, one holding the bag of the Great Seal, are visible on the extreme right. Burke, frowning fiercely, is next Cornwall. Immediately behind him is Francis, his left hand on Burke's shoulder, fixing Thurlow with a baleful glare; under his right arm is a large rolled document inscribed 'Evidence of Accusation'. Next are Fox and Sheridan facing each other, Sheridan in back view. Behind are Sir James Erskine with an imbecile expression (cf. British Museum Satires No. 7151), and John Anstruther (M.P. for Fifeshire boroughs) whose back is turned to Erskine. On the extreme left is Windham facing Andrew St. John. Behind them, seemingly taller than the others, and wearing a hat, is Courtenay."--British Museum online catalogue
Description:
Title etched at top of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., Text below image: And after five days the High Priest descended with the elders and a certain orator named Tertullus who informed the Governor against Paul, and when he was called forth Tertullus began to accuse him saying &ca. Acts of the Apostles, Cap. XXIV., and Mounted to 37 x 56 cm.
Publisher:
publisher not identified
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Hastings, Warren, 1732-1818, Cornwall, Charles Wolfran, 1735-1789, Thurlow, Edward Thurlow, Baron, 1731-1806, Burke, Edmund, 1729-1797, Francis, Philip, 1740-1818, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Anstruther, John, Sir, 1753-1811, Windham, William, 1750-1810, and St. John of Bletso, St. Andrew, Baron, 1759-1817
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 39.1 x 27.6 cm, on sheet 40.8 x 28.5 cm., and Mounted on leaf 46 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image. and Signed with the monogram of James Sayers.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 63.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
Twelve lines of verse in three columns below title: Such assemblies, you might swear, Meet when butchers bait a bear ..., Later state by a different publisher of No. 7132 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. Traces of the earlier imprint burnished from plate below image on left., Temporary local subject terms: Naval uniforms -- Repeal of the shop tax., 1 print : etching with stipple on laid paper, hand-colored ; sheet 33.1 x 46.1 cm., and Sheet trimmed within plate mark on top edge.
Publisher:
Publish'd June 27th, 1787, by S. Fores, satirist, No. 3 Piccadily [sic]
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Howe, Richard Howe, Earl, 1726-1799, Burke, Edmund, 1729-1797, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Twelve lines of verse in three columns below title: Such assemblies, you might swear, Meet when butchers bait a bear ..., Later state by a different publisher of No. 7132 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. Traces of the earlier imprint burnished from plate below image on left., and Temporary local subject terms: Naval uniforms -- Repeal of the shop tax.
Publisher:
Publish'd June 27th, 1787, by S. Fores, satirist, No. 3 Piccadily [sic]
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Howe, Richard Howe, Earl, 1726-1799, Burke, Edmund, 1729-1797, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
"Heading to printed verses: 'A Ballad, Occasioned by a Certain Earl's styling himself a Sans Culotte Citizen in the House of Lords.' Stanhope, wearing a bonnet-rouge inscribed 'Liberty', tramples on a scroll inscribed 'A Deo et Rege', beside which lies his (overturned) earl's coronet. He capers bare-legged, his breeches flutter to the ground from his left hand. In his right is a tricolour flag inscribed 'Vive l Egalite'; the flagstaff is surmounted by an ass's head, which looks down at Stanhope, who looks ecstatically up at it, his head turned in profile to the left. Above the design: "---off, off, ye lendings." Stanhope, his coronet, breeches, and flag, are in full light, the rest of the design is in shadow, clouds forming a background. On the left three members of the House of Lords flee, their backs towards him: the Lord Chancellor (Loughborough), in hat, wig, and robes, as the Speaker of the Lords, carrying a document: 'Vote of the House of Lords One Dissentient Stan[hope]'. Next him is a judge carrying 'Magna Charta'; the third is a bishop with a 'Bible' under his arm. On the right four ladies, one elderly, the others young (presumably his wife and daughters), hasten in alarm away from Stanhope. ..."--British Museum online catalogue
Alternative Title:
Noble sansculotte
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., On sheet with letterpress broadside with caption title: A ballad occasioned by a certain Earl's styling himself a sans culotte citizen in the House of Lords., One line of text etched above image: "-off, off, [the] lendings.", At bottom of sheet, in letterpress: (Entered at Stationers Hall)., and Temporary local subject terms: Cap of Liberty -- Insignia: earl's coronet -- Judges -- Clergy: bishops -- Allusion to sansculottes -- Toys: hobby horses -- Male costume: sansculottes -- Bonnet rouge.
Publisher:
Pubd. May 3d, 1794, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816 and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Title etched at top of image., Printmaker and publication date from the Catalogue of prints and drawings in the British Museum., Sheet partially trimmed within plate mark., Cf. No. 4140 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Repeal of the Stamp Act, 1766 -- Warehouses -- Merchant ships -- Skulls: skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Clergy: bishops -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Tombs -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- Dogs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem.
Publisher:
publisher not identified
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
"A smaller copy of a satire on the repeal of the Stamp Act and the administration of George Grenville (First Lord of the Treasury, April 1763-July 1765)."--British Museum online catalogue
Description:
Title etched at top of image., Publication date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark., Reduced copy of The repeal by Benjamin Wilson, with several alterations and a key to persons numbered within image added below the design., "Price only six pence"--Following imprint., Temporary local subject terms: Merchant ships -- Skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem., and Design attributed to Wilson and subjects identified in contemporary hand below print on mounting sheet. Mounted to 38 x 51 cm.
Publisher:
publisher not identified
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
Title etched at top of image., Sheet trimmed within plate mark., Plate numbered '90'., Reduced copy with some changes to design of no. 4140 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Acts: repeal of the Stamp Act, 1766 -- Funerals -- Tombs -- Coffins: child's coffin -- Clergy: bishops -- Parsons -- Reference to Anti-Sejanus -- Lawyers -- Banners: black flags with stamps on them -- Flags: Union Jack -- Rebellions: skulls of executed Jacobite rebels -- Bible: burial service -- Reference to the American colonies -- Rivers: bank of Thames -- Boats: lighters -- Ships: merchant ships -- Reference to votes for and against repeal in the Parliament -- Buildings: warehouses -- Trade: American trade -- Dogs -- Appeals: Scotch appeal -- Cargoes: bales and boxes -- Catches: funeral anthem -- Male dress: mourning hat (weeper) -- Mottoes: semper eadem -- Reference to the 2nd Marquess of Rockingham -- Reference to Henry Seymour Conway -- Reference to the 3rd Duke of Grafton -- Reference to the 2nd Earl Halifax --Reference to Lord Chatham's statue in Charleston, South Carolina., Watermark: Arms of England ; countermark G R., and Mounted to 33 x 46 cm.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, and Sandwich, John Montagu, Earl of, 1718-1792
