"Dock scene, a sign on the wall reads 'Bell Wharf': a man in a black coat and hat stands writing, resting the paper on a crate, looking to right at a young man with a neck-tie, who stands beside a man carrying a sack, giving an account, hat in hand, while gesturing to another man who brings a barrel up the steps and talks to a man in a rowing boat, alongside to right, with wife and two children to left."--British Museum online catalogue, description of another print engraved after the same painting
Alternative Title:
Industry and economy
Description:
Title from text below image., Sheet trimmed within plate mark., and Eight lines of verse beneath image, four on either side of title: These are the cares that give a zest to life, source of no social, no domestic trife ...
Publisher:
publisher not identified
Subject (Topic):
Commerce, Piers & wharves, Barrels, Rowboats, and Dogs
"Dock scene, a sign on the wall reads 'Bell Wharf': a man in a black coat and hat stands writing, resting the paper on a crate, looking to right at a young man with a neck-tie, who stands beside a man carrying a sack, giving an account, hat in hand, while gesturing to another man who brings a barrel up the steps and talks to a man in a rowing boat, alongside to right, with wife and two children to left."--British Museum online catalogue, description of another print engraved after the same painting
Alternative Title:
Industry and economy
Description:
Title from text below image., Sheet trimmed within plate mark., Eight lines of verse beneath image, four on either side of title: These are the cares that give a zest to life, source of no social, no domestic trife ..., 1 print : stipple engraving with etching ; sheet 67.8 x 53.5 cm., and Trimmed within plate mark. Printed on wove paper.
Publisher:
publisher not identified
Subject (Topic):
Commerce, Piers & wharves, Barrels, Rowboats, and Dogs
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the sea from the beach, with men on the shore and boats in the water
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"King and Queen on two giants' shoulders crossing the Thames; common people in small boats bothered by the waves sended up by the giants."--British Museum online catalogue
Alternative Title:
Royalty and loyalty making gigantic strides
Description:
Title from item., Initials of printmaker Charles Jameson Grant in bottom center portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "99" in brown ink in upper left portion of design., and No. 99.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849
Subject (Topic):
Giants (Fictitious characters), Wading, Rowboats, and Steamboats
"Caricature in two scenes, one with Queen Caroline receiving loyal addresses, the other with a grave-digger presenting a text to George IV sailing on his ship with Lady Conyngham."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 3 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Geo. IV" correctly identified in ink below image, with the female figure on the far right incorrectly identified as another depiction of "Caroline"; date "Oct. 1820" written in ink in lower right corner.
Publisher:
Pub. October 1820 by T. Dolby, 299 Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Adultery, Mistresses, Kneeling, Yachts, Rowboats, Gravedigging, Pickaxes, Flags, and Public opinion
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A southern view Greater Yarmouth with sailing ships in the distance and rowboat on the near shore
Alternative Title:
South view of Great Yarmouth
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
"A young man hands a pretty young woman into a wherry which a young waterman, who is apparently standing in the water on the further side of the boat, holds against the landing-place. She raises her petticoats, the waterman stares at her legs."--British Museum online catalogue
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., One of a series of "Drolls.", and One line of text below title: Be cautious my love, don't expose your leg.
Perjur'd ship-carpenter and Perjured ship-carpenter
Description:
Verse begins: "In Gosport of late there a damsel did dwell,"., In four columns, with title and illustration above the first two; imprint at the foot of the fourth column, below a single rule; the columns are not divided by rules., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 54. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
