Leaf 6. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A press-gang at work in a London street, at the end of which appears the dome of St. Paul's. A sailor (center) strides towards the spectator, a club in his right. hand, dragging along a lean tailor, who holds up his hands in dismay. An infuriated woman (left) has seized the sailor by his hair and the right ear while she pummels him with her knee. Another sailor behind has seized her wrist and raises a club to strike her. A third sailor (right) holds the tailor by the left arm. A naval officer (right) walks beside the party with a drawn cutlass. Behind are other sailors. A woman (left) wearing stays or 'jumps' raises a mop in both hands to smite a sailor; an infant clutches her petticoats. A group of spectators (left) includes a woman carrying a baby. A dog barks at the fray."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Restrike. For original issue of the plate, see no. 5609 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 29., and On leaf 6 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publish'd Octr. 15th, 1779, by W. Humphrey, No. 227 Strand and Field & Tuer
Outside a pretty well-kept cottage a young woman kneels pleading before a farmer in a smock holding his hand as she jestures to a sailor. The sailor in response jestures to her. In the distance is a ship on the water. A bird hangs in a cage just outside the door; chickens eat from a bowl while a plough sits in the foreground on the right
Alternative Title:
Jolly carpenter
Description:
Title etched below image., Sheet trimmed within plate mark., Numbered '306' in lower left of plate., Four numbered columns of verse below title: I that once was a ploughman, a sailor am now ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Buildings: cottages -- Young women.
Publisher:
Published 24th Octr. 1793 by Robt. Sayer & Co., Fleet Street, London
Subject (Topic):
Birdcages, Carpenters, Chickens, Dwellings, Plows, Sailors, British, and Ships
"Two men full length, one holding a long stick, with a monkey on his shoulder and smoking a pipe."--British Museum online catalogue, description of an earlier state
Alternative Title:
Macaroni brothers
Description:
Title from item., Later state, with publication line added. For an earlier state lacking imprint statement, published approximately 1770 by Matthias Darly, see British Museum online catalogue, registration no.: 1948,0214.471., and Temporary local subject terms: Hats: bicorne hat -- Naval uniforms: sailor's uniform.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street, & J. Smith, No. 35 Cheapside, as the act directs
Subject (Topic):
Dandies, British, Monkeys, Pipes (Smoking), Sailors, and Staffs (Sticks)
Title from item., Plate numbered '3' in upper right corner., Publication date based on date of the Sayer and Smith edition published: July 25, 1772., and Temporary local subject terms: Bicorne hat -- Naval uniforms: sailor's uniform.
Publisher:
publisher not identified
Subject (Topic):
Dandies, British, Hats, Monkeys, Pipes (Smoking), Sailors, and Staffs (Sticks)
Title from text below image., Illustration from an unidentified edition of: Heads of the people, or, Portraits of the English. Editions of this work were illustrated by Kenny Meadows and published ca. 1840., and Text below title: The sweet little cherub that sits up aloft. Dibdin.
"The Duke of Clarence, in admiral's uniform, stands with his back to the sea, gazing upwards and to the left with a malignant stare; his right fist is clenched; in his left hand he clutches papers docketed 'Calu[mnie]s'. He declaims (adapting Satan's address to the sun, 'Paradise Lost', iv, cf. British Museum Satires No. 13896, &c.): "O thou that with surpassing Glory shine, "And in whose train the stars attendant wait, Of thee I speak, but with no friendly Voice, And add thy name O Cinthia to tell thee How I hate thy brightness!!!" He apostrophizes the moon, a disk in the sky enclosing a bust portrait of the Queen, on a dark ground patterned with large five-pointed stars which are partly covered by cloud (hiding 'their diminished heads'). In the sea behind is a man-of-war in full sail, the 'Queen Caroline' (left), firing a stern-shot at the Duke; she flies a large flag on which are the Royal Arms, with the motto: 'Honi. soit qui mal y pense', and two pennants: 'Vox Populi' and 'Victoria'. A ship's boat, the 'True Blue' (right), is rowed by sailors; the helmsman stands up to wave his hat and shout towards the Duke's back "The Queen for Ever!!!" One asks: "Jack is that a Sailor!" Another answers: "Da--n me if I know there's no English true blue about him!" Below the title: 'Our Duke and no Duke, what with looking so blue In his coat and his learning, and chastisement too; His tricks on such Ultra-top-gallant mast pinnacles, -- Pestering lieutenants and poking at binnacles; -- Ultra opinions, and ultra suggestions, Cross quips, and cross quiddits, and very cross questions; His going so far beyond all other sailors, In cutting up true-blues, to brush up with tailors; And doing what never was yet done by seamen, By crossing the line of all feeling tow-rds women; Has played such a part to discolour the Queen, That the wags have entitled him Ultra-Marine.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 37 of: George Humphrey shop album.
Publisher:
Pubd. by J. Johnston, 98 Cheapside
Subject (Name):
William IV, King of Great Britain, 1765-1837, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Admirals, Military uniforms, Stars, Ships, Flags, and Sailors
"The Duke of Clarence, in admiral's uniform, stands with his back to the sea, gazing upwards and to the left with a malignant stare; his right fist is clenched; in his left hand he clutches papers docketed 'Calu[mnie]s'. He declaims (adapting Satan's address to the sun, 'Paradise Lost', iv, cf. British Museum Satires No. 13896, &c.): "O thou that with surpassing Glory shine, "And in whose train the stars attendant wait, Of thee I speak, but with no friendly Voice, And add thy name O Cinthia to tell thee How I hate thy brightness!!!" He apostrophizes the moon, a disk in the sky enclosing a bust portrait of the Queen, on a dark ground patterned with large five-pointed stars which are partly covered by cloud (hiding 'their diminished heads'). In the sea behind is a man-of-war in full sail, the 'Queen Caroline' (left), firing a stern-shot at the Duke; she flies a large flag on which are the Royal Arms, with the motto: 'Honi. soit qui mal y pense', and two pennants: 'Vox Populi' and 'Victoria'. A ship's boat, the 'True Blue' (right), is rowed by sailors; the helmsman stands up to wave his hat and shout towards the Duke's back "The Queen for Ever!!!" One asks: "Jack is that a Sailor!" Another answers: "Da--n me if I know there's no English true blue about him!" Below the title: 'Our Duke and no Duke, what with looking so blue In his coat and his learning, and chastisement too; His tricks on such Ultra-top-gallant mast pinnacles, -- Pestering lieutenants and poking at binnacles; -- Ultra opinions, and ultra suggestions, Cross quips, and cross quiddits, and very cross questions; His going so far beyond all other sailors, In cutting up true-blues, to brush up with tailors; And doing what never was yet done by seamen, By crossing the line of all feeling tow-rds women; Has played such a part to discolour the Queen, That the wags have entitled him Ultra-Marine.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; plate mark 35 x 24.8 cm, on sheet 35.5 x 25.2 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 94 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Clarence" identified in ink at bottom of sheet. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J. Johnston, 98 Cheapside
Subject (Name):
William IV, King of Great Britain, 1765-1837, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Admirals, Military uniforms, Stars, Ships, Flags, and Sailors
"Codrington, wearing the star of the Bath, sits on a gun-carriage on the deck of his ship, looking sternly up at an old scarred and pigtailed sailor who addresses him with an expression of consternation: Please your Honor's Glory there's something wrong in the wind, for they've clapt a Marine at the Helme of Old England, and He and the other lob lollies have made Sombody (God bless Him) to call our Glorious Victory an UNTOWARD EVENT And when they where told to belay their jawing tackel they shifted the wind and began to blow another way. Codrington answers Aye Aye Jack they or we must be fools. In his right hand is his sword, the point resting on the deck, the blade inscribed with Nelson's Trafalgar signal: England expects every Man to do his duty. He holds a document: Treaty of London. His back is to the sea where a rocky promontory (right) forms Wellington's profile, looking towards Codrington, a row of tiny gun-emplacements forming a grim smile (cf. BM Satires No. 15691); on the rock is a flag at half-mast, topped by a spurred Wellington boot, upside down."--British Museum online catalogue
Alternative Title:
Royal speech
Description:
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Publication date from British Museum catalogue., Sheet trimmed to plate mark., and Numbered in ms. at top of sheet: 221.
Publisher:
Pub. by T. McLean Haymarket
Subject (Name):
Codrington, Edward, Sir, 1770-1851 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Volume 2, page 94. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A pretty fisherwoman (?) kneeling by a basket is approached by a sailor to right, and a soldier bending over her, a younger sailor looming behind the latter taps him on the shoulder."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Sheet trimmed to plate mark., One of a set of six plates by Shepheard after Bunbury that were first published by Thomas Macklin., For a mention of the reissued set of plates published 1 January 1809 by J. Deeley, see no. 11456 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Mounted on page 94 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Jany. 10th, 1796, by Thos. Macklin, Poets Gallery, Fleet Street
A sailor in uniform stands before a maid on a city street. She looks with suprises at the letter in her hand which apparently just handed to her. Behind them is a hackney coach and Title etched below image
Description:
Sheet trimmed to plate mark., Quote from a story of the same title from The adventures of a hackney coach below title: What cheer, what cheer, Nan ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. July 1792 by S.W. Fores, N. 3 Piccadilly
Subject (Topic):
Carriages & coaches, Sailors, British, Servants, Staffs (Sticks), Streets, and Women
