An emblematic scene with an oval portrait of Samuel Butler (looking left) mounted on a pedestal on which is carved a relief showing a satyr whipping figures of Rebellion, Hypocrisy, and Ignorance dressed as puritans, while he drives a chariot drawn by Hudibras and Ralpho; in the foreground, on the rightt, a satyr holds up a volume of Butler's poem as a guide for the carver (a boy dressed only in an apron), and on the left a young satyr holds up a mirror to a figure of Britannia
Alternative Title:
Hudibras frontispiece and explanation
Description:
Title engraved below image., After Hogarth., Caption on either side of title: "The basso releivo, on the pedestal, represents the general design, of Mr. Butler, in his incomparable poem, of Hudibras. Viz. Butler's genious in a car lashing around Mount Parnassus in the persons of Hudibras & Ralpho, Rebellion, Hypocrisy and Ignorance the reigning vices of his time.", Copy in reverse of no. 504 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 82.
Publisher:
publisher not identified
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680, and Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Britannia (Symbolic character), Religion, Satyrs (Greek mythology), Parnassus, Mount (Greece), Tombs & sepulchral monuments, and Vice
Copy of the bookplate design for George Lambert. The arms and crest are those of Lambert of Banstead (Surrey): gules three narcissus flowers argent; a mount vert wtih a centaur passant, regardant, girt with laurel wreath and holding bow and arrow gules. Supporters are: Music and Painting
Alternative Title:
Bookplate for George Lambert
Description:
Title from text in image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 115., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R. Hogarth's graphic works (2nd ed.), no. 47., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 118.
Copy of the bookplate design for George Lambert. The arms and crest are those of Lambert of Banstead (Surrey): gules three narcissus flowers argent; a mount vert wtih a centaur passant, regardant, girt with laurel wreath and holding bow and arrow gules. Supporters are: Music and Painting
Alternative Title:
Bookplate for George Lambert
Description:
Title from text in image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 115., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R. Hogarth's graphic works (2nd ed.), no. 47., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 118., Printmaker's name erased from this impression: A.M.I. fe: erased., and On page 3 in volume 1. Plate mark 100 x 970 mm.
"Three opera dancers, holding a garland of roses, are dressed alike in short transparent petticoats partly covered by a shorter apron. The centre dancer holds out her left leg horizontally . Mme Rose [Parisot] is in back view, her sharp features in profile to the right. On each side of the stage is a column on the plinth of which stands a figure: (left) a satyr holding a mask; (right) a woman wearing a clumsy undergarment, in the attitude of the Venus dei Medici. In front of the stage are the musical instruments of the orchestra, including a violin on which is a cap perhaps intended for a bonnet-rouge. ..."--British Museum online catalogue
Alternative Title:
Dance a l'eveque
Description:
Title etched below image, in lower left., Printmaker from British Museum catalogue., Four lines of verse in two columns below image: 'Tis hard for such new fangled orthodox rules, that our opera-troop should be blam'd ..., Sheet trimmed within plate mark., and Temporary local subject terms: Theatre: stage -- Opera: dancers -- Musical instruments -- Stage lighting -- Devil -- Dancing -- Newspapers: reference to Morning Herald.
Publisher:
Pubd. March 14th, 1798, by H. Humphrey, St. Jamess [sic] Street
Title from image., Publication place and date inferred from those of the periodical for which this plate was engraved., One line of text below image: He walked with Bute but was not., Plate from: The London museum of politics, miscellanies, and literature. London : printed for J. Miller, v. 1 (1770), page 329., Temporary local subject terms: Petitions: Reference to the City of London Petition, March 14, 1770 -- Mythology -- Male dress: alderman's robes -- Scrolls -- Baron's coronet., and Mounted to 33 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
Ladbroke, Robert, Sir, 1713-1773 and Bute, John Stuart, Earl of, 1713-1792.
Copy of the first state of William Hogarth's subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and one, along with a satyr, lifting the shift of a sculpture of many-breasted Diana of Ephesus. Enscribed on either side of Diana: "Antiquam exquirite matrem. Vir."
Description:
Title etched below image., Verse in Latin from Horace's Ars poetica below image: " ... necesse est. Indiciis monstrare recentibus abdita rerum, dabiturque Licentia sumpta pudenter. Hor.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R. Hogarth's graphic works (3rd ed.) no. 120., and On page 57 in volume 1. With note in Steeven's hand above print: Copy.
Publisher:
Publish'd April 23d, 1782 Rd. Livesay at Mrs. Hogarths Leicester Fields
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
Title from item., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 4 (1770), page 230., Temporary local subject terms: Petition of the City of Westminster -- Furniture -- Mythology: satyr., and Mounted to 32 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norton, Fletcher, 1716-1789, and Mansfield, William Murray, Earl of, 1705-1793
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a lamp in the Tribune at Strawberry Hill; in the shape of a satyr's head, vines in the hair, facing right with an open mouth
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 172 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Art collections, Satyrs (Greek mythology), and Lamps
Subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and the other resting an outline portrait against a sculpture of many-breasted Diana of Ephesus
Description:
Title, printmaker, state, and date from Paulson., Verse in Latin from Horace's Ars poetica below image: " ... necesse est. Indiciis monstrare recentibus abdita rerum, dabiturque Licentia sumpta pudenter. Hor.", Lettered below the verse with subscription receipt: "Rec'd [blank] of [blank] a half a guinea being [the] first payment for two six prints of a Harlot's progress which I promise to deliver when finish'd, on one half guinea more.", Pencilled notes in Steevens' hand. Above a group of three: Boys Peeping at Nature, a Receipt for the Harlot's Progress. See Mr. Nichols's Book, 3d Edit. p. 188. 319. On mount sheet, below print: Very scarce,, and On page 57 in volume 1. Plate cropped below design to: 103 x 125 mm, mounted to 139 x 140 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
Subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and the other resting an outline portrait against a sculpture of many-breasted Diana of Ephesus
Description:
Title, printmaker, state, and date from Paulson., Verse in Latin from Horace's Ars poetica below image: " ... necesse est. Indiciis monstrare recentibus abdita rerum, dabiturque Licentia sumpta pudenter. Hor.", Lettered below the verse with subscription receipt: "Rec'd [blank] of [blank] a half a guinea being [the] first payment for two six prints of a Harlot's progress which I promise to deliver when finish'd, on one half guinea more.", and With ms. annotations in William Hogarth's hand indicating the receipt of a half guinea from Ebenezer Forrest, with Hogarth's signature and seal. Mounted on a sheet with a fragment of a letter from Giles Hussey addressed to "Frs. [Francis] Webb Esqr. at Sir Isaac Heard's, College of Arms, London" and stamped with a redirect to Shaftsbury. The letter can be dated to the period 1786-1788, after Isaac Heard was knighted (in 1786) and before Hussey died (in 1788).
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
