"Satire: a balance with George IV and his ministers with green bags on one pan being outweighed by Queen Caroline alone on the other, with John Bull cheering in the centre and soldiers toasting her at the right."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 24.9 x 35 cm, on sheet 25.2 x 35.3 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 14 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With ink annotations in lower margin identifying figures in the image: Wilberforce, Sidmouth, Eldon, Liverpool, Londondery [sic], Caroline. Additionally annotated with the date "June 1820" in lower right.
Publisher:
Pubd. June 1820 by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Wood, Matthew, Sir, 1768-1843., Sidmouth, Henry Addington, Viscount, 1757-1844, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wilberforce, William, 1759-1833, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
John Bull (Symbolic character), Politicians, Scales, Bags, Soldiers, and Toasting
"A young woman stands upon a high stool, her skirts raised to show her posteriors to three men (half length) behind her. She bends forward, pointing to Charles Fox who stands with his hands handcuffed in a booth or box behind a bar. Fox has an enormous head and an expression of terrified dismay at the denunciation. Behind him is a man in profile holding a constable's staff. The three men are evidently Bow Street Justices (Sir Sampson Wright, Addington, and Bond); the principal magistrate (Wright) wears a hat and spectacles and is much caricatured (cf. British Museum Satires Nos. 6119-21). Above their heads are the evenly balanced scales of Justice. In front of the woman stands a clerk (half length) meditatively biting his pen."--British Museum online catalogue
Alternative Title:
Scene in Bow Street
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Temporary local Medical Library subject terms: Bond -- Crime., and 1 print : etching, hand-colored ; plate mark 247 x 351 mm.
Publisher:
Pubd. May 20th, 1790, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Addington, William, Sir, -1811, Wright, Sampson, Sir, -1793, and Williams, Renwick.
"The candidates for Middlesex and their supporters race (right to left) to Brentford. The foremost rider is Wilkes on a horse wearing a royal crown (indicating George III); he holds up the cap of 'Liberty' on its staff. Half a length behind, and nearer the spectator, is Mainwaring, holding up a sword whose blade is inscribed 'Justice'. His horse's human head is blindfolded, in its mouth is a pair of scales; in one balance is 'Byng Dunston', in the other and heavier, 'Wilkes Manwaring'. The horse probably represents Justice, its rider was a well-known Middlesex Justice and chairman of the Middlesex Sessions. Behind Wilkes, his horse's head hidden, is a rider not identified, he has lost his stirrups and clutches his saddle with both hands. Behind these three and in the centre of the design is George Byng, the friend of Fox and the Prince of Wales, M.P. for Middlesex since 1780. He rides a pair of horses (representing the Coalition), standing with one foot on the saddle of each; the near horse has the head of Fox, the other that of North; the tail of the near horse is a fox's brush inscribed 'Grace'. The fore legs of the pair touch a paper inscribed 'Test'. Byng's whip is inscribed 'Coalition' and he is saying, "Spur them up behind Doctor, or I shall lose the race", addressing Hall, the Westminster apothecary, who rides like a hobby horse a pair of crutches tied with a ribbon; in place of a hat he wears a mortar inscribed 'All [sic] Blue and Buff'; he holds up his pestle as if it were a whip. Behind Byng, Jeffery Dunstan rides an ass with long ears and the head of Sam House; he looks round to address the Duchess of Devonshire who is the last of the cavalcade. The Duchess (right) rides astride, her bunched-up skirt showing spurred half-boots. Her horse has the head of the Earl of Surrey; she says, "Byng for ever - and may the Hearty Cock ever stand stout in our sarvice". Dunstan says, "Well said my Dutchess - Charly's Whipper-in for ever. Huzza". The Duchess wears a heavily trimmed hat in which is a large election favour and four fox's tails, each inscribed 'Byng'. On the extreme left is a sign-post pointing 'To Brentford'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted to 27 x 36 cm.
Publisher:
Pubd. as the act directs, by J. Brown, Rathbone Place
Subject (Geographic):
Great Britain, Middlesex (England), and England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Mainwaring, William, 1735-1821, Byng, George, ca. 1735-1789, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Hall, Edward, active 1784-1793, House, Samuel, -1785, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Norfolk, Charles Howard, Duke of, 1746-1815, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Elections, Crutches, Donkeys, Hobby horses, Horse racing, Horses, Justice, Liberty cap, Pharmacists, Political elections, Scales, Symbols, and Traffic signs & signals
publish'd according to act of Parliament 25 March 1740 [that is 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 33. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the jockeying for position of the European powers in early 1740. A race-course on the sea-shore with a variety of animals and riders representing different countries: first comes Cardinal Fleury (France) falling from his fox which has stumbled at the winning post on "[Baron] Sinclair's papers". Behind the fox stands the devil holding a sheet of paper with a picture of five ships, lettered "Baltic Sea", an allusion to the French failure to form an alliance in that region. The devil pulls down one of the scales hanging from the umpire stand; the heavier scale represents the Imperial allies with swords, coins, a picture of the Imperial eagle and a note reading "ballance of power", while the lighter one holds objects connected with France and Spain, a cardinal's hat, mask, fox, and notes of "50,000 livers" and "10,000 pistoles" as well as a paper lettered "Mediation". On the umpire stand, America is in conversation with Africa while Europe embraces Asia for the sake of "Protection [of]Trade". Further to the left stands Captain Jenkins holding out his severed ear. Behind Fleury's fox runs the Spanish wolf, its rider unseated by the British lion's lashing tail, lettered "No Search Free Trade". The Russian bear, ridden by a man with a scimitar, follows; the bear kicks its hind legs at the Turkish elephant that is draped with a cloth lettered "Belgrade" in reference to the recent ceding of that city to Turkey. The sultan stands behind the elephant, offering a bag of money to a Frenchman wearing a bag-wig; a monkey also wearing a bag-wig, representing France, crouches in front of the bear. A Dutchman, smoking a pipe, stands beside a distance post having abandoned the race; his boar is laden with trade goods. Behind, on the left, the devil and a fool lead a group of Roman Catholic bishops, roped together, towards a closed building labelled "Conclave" where they will elect a successor to Pope Clement XII. In front of them seven men representing the European powers are seated at a round table with papers lettered "Alliance" and "Sinclair"; Cardinal Fleury turns aside towards another devil asking, "Extricute me now & I'm yours for ever". Further forward, a British herald, supported by classical female soldiers, blows a trumpet; beside them Fleury raises the front of his robe attempting to catch billowing smoke, lettered "Universal Monarchy". In the foreground, Time sits on his hour-glass holding a paper with a picture of a wolf dressed as a cardinal; rats chew at the bottom of the sheet; Fortune looses her grasp of Theodore of Corsica who throws his orb after his crown as it flies off on outspread wings; a British bulldog savages a Spanish wolf while a French fox runs off behind a bush; Captain Coram shows the plan of the Foundling Hospital to a woman and child seated on the ground; a Catholic ecclesiastic wrings his hands saying, "Ye have taking away my Gods, what have I more"; a man bends down to lift a chest full of "10000 pieces of Eight"; Emperor Charles VI rides on an eagle towards the finishing post, holding a shield with the British coat of arms in front of him while a shield with the fleur-de-lis falls to the ground; he is preceded by Charles Albert of Bavaria, fully armed on horseback, and carrying a shield with the motto, "Never conquered"; in front of him, a French ambassador kneels pleading with the British lion who tramples on a shield with the fleur-de-lis and prepares to fire a cannon. At lower right, Britannia pushes aside France (a woman in classical dress with a helmet, and a cock at her side holding out a paper lettered "Mediation") and points to a map showing the island of Cuba offered by a British herald and a sailor. In the background, to left, is the bay of Cadiz in which the Spanish fleet is shut up, British ships sail freely on the sea; a nymph holding a pennant lettered, "Quatuor Maria Vindico" (I claim the four seas), rides a dolphin; beyond are the island of Cuba and distant mountains. Lettering beneath on either side of a medal of a fighting cock which is itself lettereed "Aut Mors Aut Victoria" (Death or Victory)."--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 2449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 33 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
Print shows King George IV fallen to the floor, he clutches his stomach, near him are a "Plan for Divorce," a decanter and cup, cards and dice. In the background sits his estranged wife Caroline about to be crowned by Justice while surrounded by her loyal supporters
Alternative Title:
Grand Lama sick of the horn cholic
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 27 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," "Londondery [sic]," and "Eldon" identified in ink below image; date "1 Dec. 1820" written in lower right corner.
Publisher:
Published Decr. 1st, 1820, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Divorce, Sick persons, Medical equipment & supplies, Gambling, Bottles, Crowns, Justice, and Scales
"A fantastic scene takes place in a cobbled street between two buildings: a large house (left) with the words 'London / Coffee / House' in huge letters above the ground, first, and second floors respectively; and (right) 'The London Tea House' on a façade above the shop-front of the 'Genuine Tea Company' [at 23 Ludgate Hill]. From a centre first-floor window of the latter steps a winged figure resembling Fame, blowing a trumpet from which issue the words 'No Adulteration'. A Chinese, resembling the figures on the trade-cards of tea-dealers, who seems to have walked out of the shop, holds a firebrand inscribed 'Pro Bono Publico' to an open tea-chest inscribed 'Chinese Gunpowder', the contents of which are exploding in flashes inscribed 'Genuine Tea' and terminating in black clouds, so as to tilt over a huge kettle inscribed 'Steam Engine' (which fills the greater part of the design and against which also Fame directs her blast), from which rise clouds of steam surrounding many little men who look out of the (lidless) kettle. The spout is inscribed 'Exchequer' and from it men (tea-dealers) are being poured head first into a china tea-pot (left) on which is a Chinese pattern: a tree with two branches, one inscribed 'To the Ks Bench', the other (in reversed characters) 'To Newgate'. One exclaims: "There was No Tea in the composition!!!!! yet they fined me £2320!!!" Another: "It's never too late to mend." Round the tea-pot lie bundles inscribed respectively: 'Clover & Ash'; 'Sloe leaves'; 'Verdigrease'; 'Potatoe Parings'; 'Dutch Pink'; 'Elder leaves'. Behind the spout is the word 'Bohea'. Other tea-dealers are falling from the kettle; one says: ""I wish to retrieve my Character" / "and I think that it is fair we / should All be Tarred" / with the same Mop.!!" vide report of the Meeting." Another: "We have been togathe [sic] & we'll go togather." In the centre of the tea-dealers emerging from the kettle is one represented by a chair with human head and arms, showing he is their Chairman (one Bedwells) and that a meeting of tea-dealers is represented: he holds out a paper: 'Tea paper Resolved--00000 Resolved--00000'. He says: "Gentlen, Unless we can make our Tea, a little better, depend upon it, we shall all go to pot! I am quite affected by it already-- but I hope I shall go to Bed-well." Beside him is a canister inscribed 'Ludgate Hill Gas'; on this sits a bird, chirping up at him. One of his audience says: "Aye, aye, we shall all be Dished"; another asks: "who calls, me a-ber-y." A man answers: ""I, said the Sparrow" vide Cock Robin." A man with an axe for head (? Axford): "I wish to Ax, if anybody can afford to sell cheaper?" The other speakers appear also to indicate their names: "Sharps the word"; "I'll be Secretary, for I'm the Man for a Brown Study"; "who talks about sloes & black Berries"; "Come down with your Dust: I'm Treasurer"; "This is a bad Day for us--O, it will play the devil with us this Winter"; "Let's Marshall ourselves against this new Tea Compy"; "I lament this exposure, it makes me as melancholy as a Gibbs [the s scored through] Cat." Some look from the right of the kettle towards the new shop: one (? Shaw) says: "who cares a Button?--'Shaw!"; others: "Let's throw as much dirt at Concern [sic] as we can"; "Take care you don't splash your self"; "That's right! [? Wright] pelt away, never mind dirtying ourselves." Other speeches rising in the steam are: "Mr Chair man I consider this a Second Gunpowder plot it is evidently so as they opened on the 5th of November"; "Suppose we meet in Holborn"; "Although the Names of certain persons have been suppressed in the public prints there is no doubt but the Commissioners of Excise will give facility to the exposure of every delinquent coming under thier notice--see report of the Meeting." A little boy stands below looking up at the kettle; he says: "My eye! how the scum bubbles up to the top!" On the ground (right) sits a street-seller with a large bundle of papers under her arm inscribed 'Resolutions of the T. Trade--&c &c.' Beside her are other papers: 'Resolutions, &c.' and 'Tea Paper'. She holds out a straw, saying, "Who'll buy my ha'porth of Straw?-- for my part, if I could get good Tea I should not care a straw who I bought it of!" Customers enter the shop of the 'Genuine Tea Company'. One lady on the pavement meets another, saying, "I am going to mak a purchase of this New tea Company." Her friend answers: "I have just been we may now I think ask each other to a Cup of Tea!" A grotesque dandy, in short loose trousers over high boots, inspects the shop through a glass, saying, "Excellent! establishment pon honor!!", while an old woman in a red cloak hurries in at the door, saying, "Now for a Good Cup of Tea once more." A dog of dachshund type with 'Tim' on its collar barks at this group."--British Museum online catalogue
Alternative Title:
Tea trade in hot water! and Pretty kettle of fish!!!
Description:
Title etched below image., One line of quoted text above image: "The nefarious & abominable practice of mixing teas with various cheap ingredients of the most poisonous qualities, has already been sufficiently exposed; "!!!--" because their practices are calculated to produce disease, if not death" - vide Observer, Novr. 8th, 1818., and Sheet trimmed within plate mark.
Publisher:
Pubd. Novr. 14th, 1818, by G. Humphrey, 27 St. James's Street
Title etched below image., Dated from Thurlow's impending dismissal and the introduction of Fox's Libel Bill., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to John Horne Tooke, 1736-1812 -- Allusion to Honoré-Gabriel-Riquetti, comte de Mirabeau, 1749-1791 -- Allusion to Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, marquis de La Fayette -- Travestied slogans: God save the King -- Horace Walpole refers to subject in print, YW 34. 141-142, n. 5 -- Nicknames: "Sherry" for Richard Brinsley Sheridan -- "Renard" for Charles James Fox -- Allusion to National Assembly -- Literature: Allusion to Reflections on the French Revolution by Edmund Burke -- Allusion to The rights of man by Thomas Paine -- Bible quotation: "Mene, mene, tekel, upharsin," Daniel v. 25 -- Hand of Providence -- Royal money as weight -- Great Seal -- Revolutionary societies -- Thurlow's impending dismissal -- Bills: Libel Bill -- Parliamentary reform -- Allusion to French Revolution -- Travesties: French Revolutionary playbill -- Expressions of speech: George III's "What, what, what" -- French Revolutionary cockades -- Winged head of cherub -- Balance -- Whigs -- Tories -- Double entendres -- Allusion to Regency crisis -- Clergy: Allusion to leveling -- Jacobins -- Symbols: Scale of merit -- Pitt's usurpation of prerogative., Watermark: L.V.G., and Numbered in pencil in upper right corner of sheet: 449.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Sheridan, Richard Brinsley, 1751-1816
"The beam of a pair of scales supported on a post, from each end of which, instead of a scale, dangles a man as if from a gibbet. On the centre of the beam is perched an owl wearing a ribbon and star, inscribed "Center of Gravity". On the lighter side (left) hangs a man over whose eyes a fool's cap has been drawn, through which protrude ass's ears. In his right hand is a "Plan for enlarging Newgate", in his left a copy of the 'General Advertiser'. On the right hangs a man in parson's gown and bands, his eyes covered by a turban-shaped cap; in his left hand is a copy of the 'Morning Post', in his right a newsboy's horn, from which issues a blast inscribed "Blast ye", directed against the other body hanging from the gibbet. On his breast is a playing-card, the knave of clubs. Over his head are falling a castle, two churches, and two mitres. He is Bate, editor of the 'Morning Post', noted as a bruiser, see BMSat 5550, &c. On the ground stand two figures pointing to the gibbet: Justice (left) leans on her sword, holding her scales, above her head is engraved: "Grave wisdom takes the centre of the Beam, And leaves to Knave & Fool, the wide extream." The owl perhaps represents North, often accused of unseemly levity, and his attitude towards Ministerial journalists. The Devil (r.) stands holding a coffin on which is a skull and cross-bones surmounting a freely sketched inscription suggesting the words "Here lies P[arson] B[ate]" and two reversed mitres. He points grinning to Bate; above his head is inscribed, "Here I wait; To take my B------.""--British Museum online catalogue
Description:
Title from item. and Trimmed to design.
Publisher:
Publish'd May 8, 1780, by W. Renigald
Subject (Geographic):
England and London
Subject (Name):
Cooke, William, active 1776-1780., Dudley, H. Bate Sir, 1745-1824. (Henry Bate),, and North, Frederick, Lord, 1732-1792.
Title from item., Publication date from an unverified card catalog record., Possibly from the same series as: Paddy O'Blarney. [London : Laurie & Whittle, 1796]., Sheet trimmed within plate mark at bottom resulting in loss of imprint., Temporary local subject terms: Female costume, 1790 -- Cherry venders -- Door knockers., and Window mounted to 37 x 30 cm.
