Manuscript on parchment of 1) Robert of Bridlington, Catena on Romans, begins imperfectly at 1. 24; missing Romans 9.17-21 (and portions of 9.16, 22). 2) Robert of Bridlington, Catena on 1 Corinthians; missing 7.39-15.44. 3) Robert of Bridlington, Catena on 2 Corinthians; ends abruptly at 12.20.
Description:
In Latin., Script: Written in a neat gothic bookhand by three scribes. Scribe 1) ff. 1r-2v; 2) 3r-22v, 51r-71v; 3) ff. 22v-50v, 72r-96v., Large elegant initial, 26-line, in red penwork, on f. 72r; smaller similar initial, 16-line, in green with red highlights, also on f. 72r; simple decorative letters, 14- and 6-line, green and red respectively, on f. 51r. Quotations from Bible and marginal notes referring to authors cited, in red. Modern illuminated title page inserted as f. iii: "Catena Commentariorum S. S. Patrum, in Epistolis ad Romanos et Corinthios. M. S. Saeculi XIV"., and Binding: Nineteenth century. Russia leather, blind-tooled, over wooden boards; 4 metal bosses on each cover; leather thong.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Robert, of Bridlington, 1167.
Subject (Topic):
Catenae, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholasticism
Manuscript on paper of 1) Pseudo-Dionysius Areopagita, Epistolae, translated into Latin by Iohannes Sarracenus (?). 2) Commentary by Albertus Magnus (here ascribed to Thomas Aquinas) on art. 1. 3) Commentary on a poem on Book I of the Sentences of Peter the Lombard. 4) Commentary on a poem on Book II, Distinctiones 1-6 of the Sentences of Peter the Lombard
Description:
In Latin., Script: Art. 1-2 written by a single scribe in two variants of Humanistic script: art. 1 (the text) in Humanistica Textualis, art. 2 (the commentary) after some hesitation in a very similar form of Humanistica Cursiva. Art. 3-4 written by a single scribe in Gothica Hybrida Libraria under Humanistic influence, of greasy appearance; a larger size is used for the poetical parts., The majuscules in art. 1-2 are heightened in dark yellow. Headings in red. Red calligraphic initials throughout the manuscript by the same hand (3 lines in artt. 1-2, 2 lines in artt. 3-4). At the opening of art. 1 a 9-line blue Renaissance initial with white vinestem decoration without background. At the opening of art. 3 a red (?) 3-line initial with some flourishing., The book is excessively trimmed; especially in artt. 3-4 the lower margins are extremely narrow. The paper is badly damaged by the acidity of the ink., and Binding: Seventeenth century (?). Limp vellum. At the top of the front cover: "M.S." in ink. Spine with three raised bands. In the second compartment the title in ink "S. Dionis. Epistol@".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Dionysius, the Areopagite.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Manuscripts, Medieval, Scholasticism, and Theology, Doctrinal
Manuscript on parchment (goatskin) of John Waleys (John of Wales, Iohannes Gallensis), Communiloquium sive summa collationum ad omne genus hominum
Description:
In Latin., Script: Written by a single scribe in Southern Gothica Textualis Libraria which, however, differs from Rotunda by the absence of Textus Praescissus features. A few rubrics are added in Gothica Cursiva, e.g. ff. 63v and 64v. Instructions for the rubricator are written in thin Gothica Cursiva Currens in the lower margins, mostly lost due to trimming., Headings in red. Alternately red and blue paragraph marks. The decoration consists of (1) alternately red and blue flourished initials, 2 lines; (2) flourished litterae duplices, 3-5 lines, at the opening of the Distinctiones; they have marginal extensions ("J-staves") in pen and ink over the full height of the text area; (3) on f. 4r a damaged foliate initial on a gold, red and blue background, containing a hybrid, with floral extensions featuring a hybrid head and a hybrid. On f. 37r there is a coarse pen and ink drawing of a sword in the margin, probably related to a Hermogenes quotation in the text about murder., and Binding: Seventeenth century. Sprinkled brown leather over cardboard, the covers simply decorated with blind fillets. Spine with five raised bands and two gold-tooled red leather title-labels with the inscriptions "MS. VALLENS. COMMUNILOQ." and "TRACT. DE RE PUBLICA." Red edges. The spine was reinforced by means of two strips of parchment from an English archival document (ca. 1500) in which the names William Holborn, Robert Ball "nuper de Letheringham" and others appear.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John, of Wales, -approximately 1285. and Franciscans.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Preaching, and Scholasticism
Hugo, Argentinensis, approximately 1210-approximately 1270
Published / Created:
[ca. 1350]
Call Number:
Marston MS 118
Image Count:
250
Resource Type:
unspecified
Abstract:
Manuscript on parchment (poor quality) of Hugo Ripelin, Compendium theologicae veritatis. This text has been sometimes erroneously attributed to Albertus Magnus, Bonaventure or Thomas Aquinas
Description:
In Latin., Script: Written in small gothic bookhand, below top line. Marginal notes in anglicana scripts., Flourished initials, 14- to 5-line, primarily blue with red and/or parchment designs (including circles), mark beginning of each book. Many blue initials with modest red penwork designs, 5- to 2-line. Headings in red. Paragraph marks alternate red and blue. Guide letters for decorator., and Binding: Between 1800 and 1810, England. Brown, diced calf, gold-tooled. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugo, Argentinensis, approximately 1210-approximately 1270.
Ripelin, Hugo, approximately 1210-approximately 1270
Published / Created:
13th century
Call Number:
Beinecke MS 502
Image Count:
152
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Compendium theologicae veritatis by Hugo Ripelin. The manuscript also contains fragments of a tract by Praepositinus Cremonensis, theological notes, an ecclesiastical document, a table for finding the date of Easter, and a record of the Houses of the Teutonic Order in northeastern Europe
Description:
In Latin., Script: the main text is copied by two hands, both writing Gothica Textualis Libraria with similar features. The first wrote the Table and the entire text, except the last items in the Table and the final chapters of the text, from f. 68ra, line 17 onwards, which are copied by the second hand. German features are the undotted y and the shape of the con-abbreviation. Similar features are found in the table for finding the date of Easter, copied in a small Gothica Textualis Libraria, possibly by the same hand. The list of Houses of the Teutonic Order is approximately contemporary, in small Gothica Textualis Libraria under cursive influence (some ascenders are looped). Later additions in various hands. The main part of the text has red headings, paragraph marks and stroking of majuscules; 2-line alternately plain and flourished half inset initials, the latter with primitive penwork, 3-line flourished initials at the opening of the Books; at the opening of the additional chapters plain initials only., Hugo Ripelin's Compendium theologicae veritatis, with three final chapters not belonging to the work of Hugo Ripelin, nor found in the version of his work printed from 1470/1472 and attributed to Albertus Magnus. The manuscript also includes fragments of Praepositinus Cremonensis's Tractatus de officiis, as well as theological notes, an ecclesiastical document, a table for finding the date of Easter, and a record of the Houses of the Teutonic Order in northeastern Europe, with the dates of their foundation and of some other events, 1120 -1266., and Binding: quarter binding (circa 16th century): wooden boards with rounded edges and brown leather, the upper and lower parts of the spine strengthened by means of strips of blind-tooled white leather. The broken boards are repaired by means of leather strips and wooden strips. Remnants of one clasp.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ripelin, Hugo, approximately 1210-approximately 1270. and Dominicans.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Scholasticism
Manuscript on paper, with parchment bifolios at beginning and end of each gathering, of Albertus Magnus, De animalibus
Description:
In Latin., Watermarks: similar to Briquet Lettre P 8606 and 8625., Script: Written by a single scribe in a neat running script for the text and a more formal style for rubrics., First initial on f. 1r, 10-line, painted blue, on red and green ground, yellow highlights. Many small plain initials in red and/or blue. Major headings lacking; minor rubrics and red initial strokes throughout., and Binding: 15th-16th centuries. Sewn and wound on five slit, tawed straps laced into oak boards and pegged or nailed. Kermes pink, braided endbands attached to primary ones sewn on hempen (?) cores laced into boards. Covered in brown calf, blind-stamped in a diamond pattern filled in with roses, fleurs-de-lis, eagles, and lions (?). Traces of five round bosses on each board and of three nails to attach a chain at the head of the lower board. Tongue-turn-ins. Two clasps on the upper board and stubs of pink, tawed straps held to the lower with metal plates. Remains of a title on parchment on the upper board. Numerous place markers, some vermilion leather, some very small Turk's head knots of leather or tawed skin. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albertus, Magnus, Saint, 1193?-1280.
Subject (Topic):
Animals, Latin literature, Medieval and modern, Manuscripts, Medieval, and Scholasticism
Manuscript on parchment, composed of five distinct parts. Part I: 1) Vincent of Beauvais, De laudibus seu de gestis Beatae Virginis Mariae. 2) Petrus Comestor, Carmen in laudem beatae Virginis. 3) Vincent of Beauvais, De laudibus seu gestis Iohannis evangeliste. 4) Pictures of St. Barbara and Thomas Aquinas, and a medieval illuminated initial S (England [?], 15th century) pasted to blank pages. Part II: 5) Stephanus Parisiensis (?), unidentified text supporting the theology of Thomas Aquinas. 6) Augustine, De divinatione daemonum. Part III (paper): 7) Albertus Magnus, De sensu communi. 8) Albertus Magnus, De quinque potentiis anime interioribus. Part IV: 9) Fragment of an account of the Passion of Christ. Part V: Index
Description:
In Latin., Script: Part I (ff. 1-44): Written by a single scribe in small gothic bookhand, below top line. Part II (ff. 45-58): Written by two scribes, the one for art. 5, the other for art. 6, in small, tight gothic cursive scripts. Part III (ff. 59-64): Written by a single scribe in a small gothic text hand. Part IV (ff. 65-66): Written in round gothic bookhand. Part V (ff. 67-80): Written in a neat gothic bookhand., Part I: Blue initial, 6-line, with parchment designs and red penwork harping patterns on f. 1r. Plain initials, 4- to 3-line alternate red and blue. Headings, underlining, paragraph marks and chapter numbers, some initial strokes, in red. Guide letters for decorator in margins. Parts II and III: Spaces left for decorative initials remain unfilled. Part IV: One initial, 2-line, on f. 65v and remains of another on conjugate stub: red with crudely drawn penwork designs in black and red. Headings, paragraph marks and initial strokes in orange-tinged red. Part V: On ff. 68r-69r every other entry begins with a 1-line plain blue initial; second letter of each entry washed with yellow; citations of Arabic numerals in red. Guide letters for decorator., Folios 65-66, perhaps removed from a binding, are not conjugate: f. 66 is glued to the conjugate stub of f. 65., and Binding: 19th-20th centuries, England. Semi-limp vellum case with a gold-tooled title. Bound by Pierson. On spine: "Miscellanea Theologica. Stephanus Parisiensis. S. Augustinus. Albertus Magnus etc. Mss XIVe S".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jesus Christ, John, the Apostle, Saint., Mary, Blessed Virgin, Saint, Thomas, Aquinas, Saint, 1225?-1274., and Vincent, of Beauvais, -1264.
Subject (Topic):
Passion, Devotion to., Christian hagiography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholasticism
Manuscript on parchment, composed of two separate and incomplete segments. Part I: Isidore, De summo bono. Part II: John of Wales, Communiloquium (Summa de regimine vitae humanae).
Description:
In Latin., Script: Part I (ff. 1-40): Written in small gothic bookhand. Part II (ff. 41-168): Written in small gothic bookhand; later 15th-century hand added appropriate pars and distich numbers as running headlines; scattered marginalia throughout, some in Anglicana script., Part I: Initials, 4- to 2-line, alternate blue with red penwork designs and red with blue penwork designs. Paragraph marks alternate red and blue. Spaces left for rubrics. Part II: Decoration similar in style and scope to Part I. Part II of the manuscript was well used in the 15th century, for there are several series of numbers in the margins that appear to be chapter or indexing references, in addition to the running headlines., and Binding: Twentieth century. Bound in tan suede (?) with early, printed board pastedowns.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Manuscripts, Medieval, Scholasticism, and Theology
In Latin., Script: Written in English bookscript., Four initials in red and blue with penwork; red paragraph marks., and These 2 leaves appear to have been taken from a binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Grosseteste, Robert, 1175?-1253.
Subject (Topic):
Didactic literature, Latin, Manuscripts, Medieval, and Scholasticism
Manuscript on sheepskin of Nicolaus de Byard (ca. 1250), Distinctiones, with alphabetical index
Description:
In Latin., Script: copied by several similar hands in small, highly abbreviated Northern Gothica Textualis Libraria (Semitextualis)., Decoration: initials in red and blue, some with ornamentations and extensions in red and blue tracery. Guide letters in the margins., and Binding: 19th century English blue leather with artificial cross grain over pasteboard. Gold-tooled inscriptions in the compartments of the spine. The damaged state of the final leaf of the manuscript shows that the original binding probably was chained at a staple fixed to the lower edge of the rear board.
