Manuscript on paper (sturdy; various unidentified watermarks) of Virgil, Aeneis. Some lines lacking; most were presumably on leaves that became detached and have fallen out. Prefaced to each book are ten or eleven lines in verse. The text of Vergil is accompanied on ff. 1r-5v by marginal and interlinear glosses, the greater portion of which are derived from or an adaptation of Servius. The commentary does, however, include notes (some in Greek) independent of Servius
Description:
In Latin., Script: Part I (ff. 1-6): Written in humanistic cursive by a single scribe; apparently added later to replace lost leaves. Part II (ff. 7-57): Written in fere-humanistic script by one scribe. Spaces left for initials. A large gap in the text occurs between Parts II and III (6.587 to 7.744). Part III (ff. 58-112): Written by a single scribe in a script similar to that in Part II., Spaces left for initials., Many pages unattached due to the brittle binding., and Binding: 16th-17th centuries (?). Sewn on three slit leather straps. There is no indication of an earlier sewing, but the book was extensively mended before it was sewn. Tawed cores of plain wound endbands laid in grooves. Beech boards with rectangular channels on the outside in which the straps are nailed. The spine is lined with brown leather and the book covered in dark brown sheepskin faintly blind-tooled with a central diamond made up of arches with small ornaments scattered in and around it. Tongue turn-ins. There are two catches on the lower board and traces of red and cream silk ribbons nailed to the upper one with star-headed nails. The title is painted in red on the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Servius, active 4th century. and Virgil.
Subject (Topic):
Epic poetry, Latin, Manuscripts, Medieval, and Scholia
Manuscript on parchment (trimmed) of 1) Unidentified preface. 2) Sallust, Bellum Catilinae. 3) Unidentified scholia on Sallust, Bellum Catilinae. Although the commentary of Beinecke MS 358 belongs to the medieval school tradition rather than to the Renaissance tradition, neither the text of this article or of art. 5 below resembles closely any medieval texts currently known. 4) Sallust, Bellum Iugurthinum. 5) Unidentified scholia on Sallust, Bellum Iugurthinum
Description:
In Latin., Script: Written in batarde, with scholia in a smaller version of the same hand., One miniature, 12-line, f. 74v, a T-O mappa mundi, in a red and gold frame, slightly waterstained at the edges. One 4-line initial, f. 3r (pink), and one 3-line initial, f. 57r (blue), both with white highlights, filled with red and blue ivy on gold against a gold ground. Twenty 2-line initials, gold, filled with pink and blue against pink and/or blue grounds, square or irregular, with white filigree. Capitals stroked in yellow, red or blue between ff. 1r and 26v; in yellow for the remainder of the text. Borders were perhaps added later (between 1425 and 1450) on folios with initials only; between ff. 1r and 57r, flowering vines, gold, green and blue with gold dots in lines above, below or in written space; blue and gold acanthus mixed with flowering vines, red, pink, blue, and green with gold ivy in line above written space and in inner margin within rulings for scholia; on a few folios, outer vertical bounding line reinforced in red with small acanthus terminals. Between ff. 57v and 162v pink, blue and/or green acanthus, with flowering vines, pink, blue and green, with gold ivy and dots, disposed as above; on f. 85v vertical bounding line repainted as a green stem with lopped off stalks. Lemmata underlined in red., and Binding: 18th-19th centuries. Limp vellum case with title in ink. Rodent damage.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catiline, approximately 108 B.C.-62 B.C. and Sallust, 86 B.C.-34 B.C.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Jugurthine War, 111-105 B.C., Latin literature, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Lucan, Bellum civile, with scholia. Preceded by Epitaphium Lucani, 4 lines only
Description:
In Latin., Script: Main text written above and below top line in a small early gothic bookhand by two scribes. Scribe 1) ff. 1r-37r; Scribe 2) ff. 37v-91v. First letter of each verse written to left of text between double rulings or on middle of three rulings; right-hand margin justified. Scholia, primarily at beginning of codex, written in a contemporary hand., Decorative initials, red or blue, 12- to 4-line, with simple designs in opposite color, for each book. Rubrics added sporadically. Plan of Brindisi appears in the margin of f. 15v (II.610) to illustrate Caesar's siege of the city; on f. 47v is a schematic circular drawing of Paulus in the center, surrounded by Pelion, Ossa, Otrix, Pindus and Olympus., Rubbing, staining, trimming of leaves, and worm holes result in some loss of text and scholia., and Binding: Nineteenth century. Light brown pigskin, blind-tooled, with brass fastenings.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Lucan, 39-65.
Subject (Topic):
Historical poetry, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, and History
Manuscript on parchment of 1) Pseudo-Pythagoras, Carmina aurea. 2) Hierocles, Commentary on Pythagoras
Description:
In Greek., Script: Written by a single copyist whose writing becomes more compact and more abbreviated in the latter portion of the codex., Initials for headings and text are lacking., and Binding: Nineteenth century. Dark blue goatskin, gold-tooled and with the arms of Henry Drury. Bound by C. Lewis (worked 1800-40).
Manuscript on paper in three distinct parts. Part I (ff. 1-78): 1) Euclid, Catoptrica. 2) Euclid, Phaenomena. 3) Euclid, Opticarum recensio Theonis. 4) Euclid, Data. Part II (ff. 79-102): 5) Euclid, Data, incomplete at beginning and end. Part III (ff. 103-142): 6) Theodore Metochites, Introductio in Ptolemaei compositionem mathematicam
Description:
In Greek., Watermarks: Part I: Harlfinger Ancre 51 (1540, 1541 A. D.). Part II: similar to those in Part I. Part III: Harlfinger Lettres 66., Script: Each part written by a different scribe, all in Greek minuscule. Part I by Valeriano da Forli, who also wrote marginal notes in red and labelled the diagrams., Part I: Headpiece, 3- and 2-line initials with stylized floral motifs and headings in red. Diagrams in margins of geometrical figures drawn with compass. Part II: Headings in red. Diagrams drawn with compass and ruler, labelled in red, and fitted into written space. Part III: 2- to 1-line initials with stylized floral motifs and headings in pale red., Waterstains throughout. On f. 57r, spills, dirt and pen trials; several words effaced or obscured. Discoloration on ff. 1r and 78v suggests that this part was once separate., and Binding: Nineteenth century. Vellum case with a gold-tooled title.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Euclid.
Subject (Topic):
Charts, diagrams, etc, Manuscripts, Medieval, Mathematics, Medieval, and Scholia
Manuscript on parchment (badly damaged by moist; repaired using brownish paper) of 1) Boethius (c. 480-c. 524), Commentaria in Ciceronis Topica. 2-3) Chalcidius (400-410), Commentum in Platonis Timaeum
Description:
In Latin., Script: Copied by two hands in Praegothica: A copied art. 1, B copied artt. 2-3., A 5-line plain Romanesque initial in green at the beginning of art. 1 and a 2-line plain initial in blue on f. 1rb, both with a guide-letter in the margin. Space reserved for a 3- or 4-line initial on f. 3vb at the opening of chapter 49 (see art. 2). Two musical diagrams in pen and ink (see art. 2)., Ff. 2r-3v: due to the severe damage to the inner lower part of the leaves, four large sections of text are missing, including part of the triangular diagram of musical proportions on f. 2v. On f. 4, losses of text due to the defective state of the inner margin and several holes in the parchment., and With the fragments are kept the modern paper flyleaves, one cardboard board and some minor fragments of a binding of considerable dimensions (flyleaves 340 x 215 mm.). On one of the flyleaves the following pencil notes: "Fragment Boetius de musica"; "Phillipps sale May 1913" and "Ms. Ph(illipps) 20690".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524., Calcidius., Cicero, Marcus Tullius., and Plato.
Manuscript on paper (polished) of Gasparino Barzizza, Commentary on Epistolae morales ad Lucilium, 65-124 only
Description:
In Latin., Watermarks: similar to Briquet Tour 15909 and Piccard Turm II.617., Script: Written in gothic cursive with humanistic features by a single scribe, above top line., Illuminated initial, f. 1r, 8-line, blue with white highlights and burnished gold on gold ground with stylized foliage in green and dark red with yellow highlights. Terminals ending in foliage serifs, red, green with yellow highlights, and gold balls with hairline extensions. Numerous pen and ink initials, 3-line, alternate red and bright blue with penwork designs of the other color extending along margin., and Binding: Fifteenth century, Italy. Parchment stays are adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps laid in channels on the outside of beech boards. The endbands, which are wanting, were sewn on tawed skin cores laid in grooves and nailed or held in place by the bosses; they were tied down through a tawed skin spine lining. Covered in sheepskin, originally brick red, with the surface now badly rubbed and shedding. Corner tongues. Blind-tooled with an X in concentric frames. Four leaf-shaped catches with three flowers on each on the lower board, one wanting; the upper board cut in for two kermes pink straps attached with star-headed nails. Five flower-shaped bosses on each board and the trace of a chain attachment at the tail of the lower one.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Barzizza, Gasparino, ca. 1360-1431. and Seneca, Lucius Annaeus, ca. 4 B.C.-65 A.D.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval, and Scholia
Manuscript on paper of Albertus Magnus, Commentary on Book 4 of the Sentences of Peter Lombard
Description:
In Latin., Watermarks: similar to Briquet Ancre 381, Balance 2427, Tete de boeuf 15102., Script: Gothic cursive script of three hands. Scribe 1) ff. 1r-156v; Scribe 2) ff. 157r-274r; Scribe 3, Laurence of Mechlin, wrote ff. 274r-317r and dated the codex 1452., Plain initials in red and rubrics throughout., and Binding: Fifteenth century. Original sewing on five slit, tawed straps laced into wooden boards. Endband cores laid in grooves. Covered with white, tawed skin, blind-tooled with a St. Andrew's cross within panel borders. The covering leather is sewn around the endbands, from spine to edges, with a back-stitch. Traces of round bosses, probably brass, and of two strap and pin fastenings, the pins on the upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albertus, Magnus, Saint, 1193?-1280. and Peter Lombard, Bishop of Paris, approximately 1100-1160.
Manuscript on parchment (thick, mottled) of Nicolas Trevet, Commentarius in Boethium
Description:
In Latin., Script: Written in neat round gothic by one scribe who also made corrections to the text., Large initial, f. 1r, in red, with black penwork designs (worn). Plain initials and paragraph marks, in red, throughout. Spaces left for rubrics., Several folios, including first and last, are illegible in sections due to rubbing., and Binding: Nineteenth century. Brown, hard-grained goatskin, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524. and Trivet, Nicholas, 1258?-1328.
Subject (Topic):
Manuscripts, Medieval, Philosophy, Medieval, and Scholia
Manuscript on parchment (warped) of Victorinus, Commentarius in Ciceronis De inventione (Explanationes in Ciceronis Rhetoricam). With an Anonymous commentary on Cicero, De inventione I.24-28.
Description:
In Latin., Script: Written by multiple scribes in cramped early gothic bookhand, above top line. Marginalia by several contemporary and later hands., Seven illuminated initials are later addition (Italy, 1450-1500): 4- to 3-line, gold on blue, red and green ground with white filigree. Black inkspray with gold leaves and balls extending into margins; f. 1r with blue and red flowers. Guide letters for decorator in margins., and Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same bindery for the Guarnieri-Balleani family (Iesi) as MS 450 and Marston MSS 72, 181, 182, and 212.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius. and Victorinus, Marius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin essays, Manuscripts, Medieval, and Scholia
