Manuscript on parchment of Persius, Satirae 1.22-6, with argumenta added in the 15th century
Description:
In Latin., Script: copied by one hand writing Italian Gothica Hybrida Libraria, with a preference for round r and d with relatively short shaft., Paragraph marks in red. All the majuscules, those at the opening of the verses and the others, are heightened with dark yellow. The Satires open with a 2-line flourished initial (a 3-line flourished initial for Satire 6) with marginal extensions, alternately in red with purple penwork and blue with red penwork., and Binding: 20th-21st century. Plain brown leather over cardboard. Yellowish paper endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Persius.
Subject (Topic):
Manuscripts, Medieval, Scholia, and Verse satire, Latin
Manuscript on paper of 1) Juvenal, Satirae I-XVI (with XVI preceding XV). With the argumenta of Guarino of Verona added at the beginning of each satire. 2) Persius, Prologue followed by Satirae I-VI. 3) Notes on the moon in the twelve signs of the zodiac
Description:
In Latin., Watermarks: similar to Briquet Lettre R.8941 and Harlfinger Fleche 12., Written in humanistic script by three scribes. The principal scribe, Franciscus Seroddi Centinomius Phylaretus, wrote ff. 1r-72v and 79r-84v; he signed the manuscript on ff. 72v and 84v. Scribe 2 wrote ff. 74r-78v and Scribe 3 the notes on ff. 85r-87v. Marginal and interlinear glosses in several contemporary hands., Argumenta of Guarino of Verona in red rustic capitals preceding each title; spaces for decorative initials never filled., and Binding: Sixteenth century (?). Vellum stays. Original sewing on three slit, tawed straps. Primary, plain and secondary, beaded endbands on twisted, tawed cores, laid in grooves and pegged or nailed. Spine lined with tawed skin, mostly lacking. Straps laced and pegged or nailed into beech boards covered in (originally) brick-red leather, blind-tooled with an inscription in a border around an inner panel of overlapping circles interspersed with dots. Four flower-shaped bosses on each board and two catches on the lower one. Two bosses and clasp straps wanting.
Manuscript on paper (watermarks: trimmed and buried in gutter) of Juvenal, Satirae I-IV, in the English translation of Jo Billinge and Sir Thomas Hewitt. The text of the translation is accompanied by Latin footnotes, some drawn from the scholia uetustiora
Description:
In English., Written by a single scribe in a neat running hand., and Binding: Nineteenth century. Blind-tooled calf.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Juvenal.
Subject (Topic):
Latin literature, Manuscripts, Medieval, Satire, Latin, and Scholia
Manuscript on paper of 1) Juvenal, Satirae I-XVI. 2) Unidentified commentary on the sixteen satires of Juvenal. This extensive commentary, written in the same hand as the text, draws upon some of the earlier scholia as well as works of later scholars. 3) Miscellaneous passages on the nature of tragedy, satire, comedy, plus a short life of Juvenal
Description:
In Latin., Watermarks similar to Briquet Tete de boeuf 14874., Script: Written by a single scribe in a well spaced informal batarde for the main text and in a very small cramped batarde for surrounding notes., Crude illuminated initial, 9-line, on f. 1r; red initials, 3-line, at beginning of remaining satires. First letter of each verse stroked in red (ff. 13r-61r); some lines underlined in red., and Binding: Twentieth century. Cloth boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Juvenal.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Satire, Latin, and Scholia
Manuscript on parchment (shiny) of Juvenal, Satirae I-XVI. Many lacunae in text, but missing passages often added in by 15th-century hands
Description:
In Latin., Script: Written by a single scribe in a small bookhand; interlinear glosses and scholia by same scribe in a cramped and abbreviated script, ff. 2 and 4 in two sizes of humanistic bookhand., Red initial, 4-line, infilled with modest arabesque motifs; spaces left for other initials at beginning of each satire; rubrication for scholia on ff. 2. Simple drawing of racecourse in circus appears on f. 9r., and Binding: 18th-19th centuries (?). Brick-red goatskin, blind-tooled.
Manuscript on paper (polished) of Scholia on Hesiod, Works; the text breaks off abruptly at the end of the commentary for line 755, where Scribe 2 has finished the final 12 lines begun by Scribe 1.
Description:
In Greek., Watermarks: Briquet Ancre 592 and similar to Briquet Arbalete 744, Tete de boeuf 14867 and Harlfinger Ancre 83., Script: Written in two distinct hands. Scribe 1 was responsible for the commentary and left ample space to supply the text of Hesiod; he did not complete his task. Scribe 2 supplied the first two verses of each Hesiod passage under discussion, wrote the final twelve lines of commentary contained in the codex (ff. 68v-69r), and added the heading and initials in red. All the additions of Scribe 2 are in a darker ink and bolder style of writing; he is the same scribe as that in MS 257, and as Scribe 3 in MS 290 and Scribe 1 in MS 490., Two headpieces in black ink (ff. 1r, 9r); heading and two initials on f. 1r in red., and Binding: 18th-19th centuries. Paper case, "alla rustica". The name of Tzetzes is still legible on front cover. Both the style of binding and the hand on the front cover are the same as those for Beinecke MS 290.
Manuscript on paper of Scholia in Oppiani Librum Primum here attributed to Theodore Magister, preceded by the life of Oppian and perioche of his work; portions of the text of Oppian are quoted as lemmata
Description:
In Greek., Watermarks: similar to Briquet Ancre 558 and to Harlfinger Ancre 78., Script: Written by 3 scribes. Scribe 1 (ff. 1r-35v) writes in an elaborate minuscule with heavy vertical strokes and uses a pen which gives considerable shading. Scribe 2 (ff. 36r-65v) writes a minuscule which slants to the right, and has shading similar to that of Scribe 1. Scribe 3 (ff. 66r-84v) writes in an upright minuscule with little shading., Headpiece, 2-line initial and heading on f. 3r in dark red., and Binding: Nineteenth century. Brown calf, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Oppian, active 2nd century.
Subject (Topic):
Didactic literature, Greek, Manuscripts, Medieval, and Scholia
Peter Lombard, Bishop of Paris, approximately 1100-1160
Published / Created:
[between 1250 and 1275]
Call Number:
Marston MS 222
Image Count:
2
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Peter Lombard, Sententiarum libri IV. With a Commentary on Eccles. 38.
Description:
In Latin., Script: Written in gothic bookhand, below top line; annotations added in less formal, later hands., Red and blue divided initials, 4- to 3-line, for prologue and beginning of books, with penwork designs in the same colors. For other text divisions, 3- to 2-line initials in red or blue with flourishes in opposite color. Distinctio numbers and running headlines in red and blue; rubrics in red. Initial letters of each entry in chapter lists alternate red and blue., and Binding: 1837, England. Bound by Gough in London. Dark brown goatskin, blind-tooled with a light brown gold-tooled label with title "Liber Sententiarum".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Peter Lombard, Bishop of Paris, approximately 1100-1160.
Manuscript on parchment of Guillaume Perault, Sermones de Epistolis. With Glosses that note teaching distinctions; and short extracts from Clement, Fulgentius, Seneca, Job
Description:
In Latin., Script: Written in small gothic bookhand with many abbreviations. Marginal notations, some lost due to trimming, by several hands., Plain initials, headings, paragraph marks, in red, but not throughout., and Binding: Twentieth century. Rigid vellum case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Perault, Guillaume.
Subject (Topic):
Manuscripts, Medieval, Scholasticism, Scholia, Sermons, and Sermons, Latin
Manuscript on parchment of 1) Boniface VIII, Sextus liber decretalium. 2) Commentary of Joannes Andreae on art. 1. 3) Clemens V, Constitutiones, with preface of John XXII. 4) John XXII, "Quia nonnunquam".
Description:
In Latin., Script: Folios 1-96 written in littera bononiensis; ff. 1-22 written in a less formal Gothic bookhand. Numerous annotations in the margins by contemporary and later hands., Two miniatures, f. 1r, an enthroned pope holding an open book and symmetrically flanked by ecclesiastical and secular parties, and f. 96r, a Franciscan monk presenting a book to an enthroned pope with clerical and lay attendants. Full border for text on f. 1r, constructed of solid panels, gold and red with white filigree, filled with two karyatid figures, a cleric, and a man in a blue robe. Partial border in lower margin, 3 medallions in blue, pink and red, with a papal portrait in half length, an angel, and a third subject now effaced. The medallions are connected by lozenges, green, blue and red with scrolling vines in blue, red, and green with white filigree and gold dots. 32 marginal figures in various costumes, among them several clerics, knights and an angel, often in animated poses. Numerous illuminated initials, 6- to 3-line in pink, blue or grey on blue, red, pink and gold grounds with white filigree. Foliage serifs in pink, red, grey and blue with white highlights. 39 initials with bust-length figures. Remaining initials in pink and red with white filigree. Calligraphic initials, alternating in red and blue with blue and red penwork scrolls. Plain initials and paragraph marks alternate in red and blue., and Binding: Fifteenth century (?), Italy. Limp vellum case, restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boniface VIII, Pope, -1303.
Subject (Topic):
Canon law, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Papal documents, and Scholia
