Bust portrait in an oval, a distinguished-looking man in profile to the left, on a dark background, simulating a cameo or medallion. Above the design: 'Les privilèges finiront, mais le peuple est eternel'.
Description:
Title etched below image., Place and date of publication conjectured from imprint of book., Numbered '237' in lower right of plate., Motto above the image: Les privilèges finiront, mais le peuple est éternel., and Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 2.
Title from item., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 2., Place and date of imprint conjectured from that of book., Numbered '231' in lower right of plate., and Motto above image: Dulce et decorum est pro patria mori.
Title etched below image., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., and Motto above image: Dulce et decorum est pro patria mori.
Title etched below image., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 2., and Numbered '359' in lower right of plate:
Title from text below image., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Numbered in lower right corner of plate: 162., and Temporary local subject terms: Artwork -- Three Graces (Mythological characters) -- Quizzing glasses -- George Fairholme -- William Scott -- James Kerr.
Title from item., Place and date of publication conjectured from imprint of book; the 1842 edition was issued without numbers on plates and on smaller size sheets., Reprint from 1877 of no. 8151 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Numbered '20' above the plate., and Temporary local subject terms: Asses -- Meetings -- Barns -- Signs: tavern signboards -- Fences -- Scottish constitutional opposition -- Conventions: delegates from the Societies of the Friends of the People throughout Scotland, Dec. 11, 1792 -- Literature: Allusion to William Wilkie's (f. 1792) The Rights of Asses.
Title from item., Place and date of publication conjectured from imprint of book., Plate from: Series of original portraits and caricature etchings / by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. i., and Temporary local subject terms: Earl of Errol or Lord Haddo? -- Dr. James Hutton.
Publisher:
publisher not identified
Subject (Name):
Monboddo, James Burnett, Lord, 1714-1799, Davidson, John, -1797, and Paton, George, 1721-1807
Title from item., Place and date of publication conjectured from imprint of book., Plate from: A series of original portraits and caricature etchings by the late John Kay (1877 ed.), Numbered '99' in the lower right corner., and Temporary local subject terms: Earl of Errol or Lord Haddo? -- Dr. James Hutton.
Publisher:
publisher not identified
Subject (Name):
Monboddo, James Burnett, Lord, 1714-1799, Davidson, John, -1797, and Paton, George, 1721-1807
Title from text below image., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842). Plate folded to fit the text block of this edition of the book., Restrike of No. 9053 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject headings: Carron Iron Company, Falkirk, Scotland -- Fires.
