"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., and Mounted on page 106.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., and Mounted to 43 x 31 cm.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., 1 print : soft-ground etching and stipple engraving on wove paper ; plate mark 26.2 x 17.7 cm, on sheet 28.2 x 19.7 cm., and Mounted on leaf 88 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
Van der Gucht, Gerard, 1696-1776, printmaker, artist
Published / Created:
[1740]
Call Number:
724 791K
Collection Title:
Volume 3, opposite page 466. Epistles, elegant, familiar, & instructive, selected from the best
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the sale of Charles Jervas' studio (1739/40); an allegorical female figure holding a palette and brushes standing on the right, who lays an oval bas-relief portrait of Jervas on a plinth attached to a pyramid, while a cherub cuts the inscription on the plinth below: 'The Collection of Charles Jarvis Esq Consisiting of Paintings, Prints, Drawings, Basso Relievo, &c &c'; with classical artistic fragments to left and classical buildings in the background, including Trajan's column, and a fragment on the right inscribed 'Heath Auctioneer'."--British Museum online catalogue
Description:
Title, artist, and printmaker from the Catalogue of engraved British portraits., Frontispiece to: A catalogue of the most valuable collection of pictures, prints, and drawings late of Charles Jarvis Esq; deceased. [London] : [publisher not identified], [1740]., Sheet trimmed within plate mark., Folded to 20.3 x 12.2 cm; mounted on leaf 24 x 14 cm., and Bound in opposite page 466 in volume 3 of an extra-illustrated copy of: Knox, V. Epistles, elegant, familiar, & instructive, selected from the best writers ... London : Rivington [etc.], 1791.
Publisher:
publisher not identified
Subject (Name):
Jervas, Charles, approximately 1675-1739,
Subject (Topic):
Artists' materials, Columns, Pyramids, Sculpture, and Portraits
A group of drawings by George Vertue of items in the Earl of Oxford's collection, many presumably sold in the sale of 1741-2. Among the items depicted are urns, busts and statues, various fragments with Greek inscriptions, a medal, an ossuary, and a sarcophagus. The group of drawings ends with a copy the portrait by Van Dyck of Sir Kenelm Digby and his family, and it begins with Vertue's original drawing for the engraved frontispiece to: A catalogue of Greek, Roman and English coins, medallions and medals, of the Right Honourable Edward Earl of Oxford, deceased
Description:
Title devised by cataloger., Bound by George Vertue in a volume with Harleian catalogues and plates., and Original mottled calf, rebacked. Wilmarth Sheldon Lewis's notes on back endpaper.
Subject (Geographic):
England, London., and England.
Subject (Name):
Oxford, Edward Harley, Earl of, 1689-1741, Digby, Kenelm, 1603-1665,, and Digby, Venetia Stanley, Lady, 1600-1633,
Subject (Topic):
Art collections, Art, Private collections, Sculpture, Portraits, Urns, Medals, and Sarcophagi
Drawings showing the floor plan and views of the walls on which were hung paintings and against which statues and other artwork were placed. The second drawing is titled "Plan of rooms that contains [sic] the statues & the pictures" in ink above, and the fourth drawing is titled "View of one end of the great room design'd by Inigo Jones" in ink below. The first drawing depicts a large painting by Van Dyck on the wall at a different end the great room, described in the printed text as "a landskip [sic] with dogs, and in the clouds are three angels ...".
Description:
Title devised by cataloger., One of the four drawings with horizontal orientation., Bound by Horace Walpole in his copy of: Gambarini, C. Description of the Earl of Pembroke's pictures. Westminster : A. Campbell, 1731., and Bound in old mottled calf. With slipcase.
Subject (Geographic):
England, Wiltshire., and England.
Subject (Name):
Pembroke, Thomas Herbert, Earl of, 1656-1733 and Wilton House (England)
Subject (Topic):
Art collections, Art, Private collections, Sculpture, and Interiors
Pair of wash drawings, one above the other, showing overall and detail views of the bronze hand kept by Horace Walpole in the Tribune at Strawberry Hill. Described by Walpole as "an Egyptian hieroglyphic hand," this sculpture is shown in the top drawing to stand upright with the wrist as its base. The thumb, index finger, and middle finger point upwards with items balancing upon their tips; the last two fingers are curled inward towards the palm. The bottom drawing shows in detail the pictures and symbols that decorate the palm and back side of the hand; these include a snake that wraps around the entirety of the hand
Alternative Title:
In the Tribune (size of the original) ; All the work round the hand
Description:
Title devised by cataloger., Inscription in pencil below top image: In the tribune (size of the original)., Inscription in pencil below bottom image: All the work round the hand., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 163 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Wash drawing of the terra-cotta head of Isis by Mrs. Damer that in the Armoury at Strawberry Hill. The design of this model was executed in stone for the bridge at Henley
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 217 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
