Title etched below image., Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Illness anxiety disorder, Debt, Servants, Tea, and Paying bills
In an inn, a parson snores while his table companion, an old soldier with a wooden leg, recounts animatedly the battle of Dettingen, the map of which hangs on the wall behind them. Next to him, a dog sleeps by the roaring fireplace above which hangs a portrait, a carbine and a sword. The inn maid approaches the table with a roast on a platter
Description:
Title etched below image., Attributed to Rowlandson by Grego., The digit "4" in "1784" in imprint statement is etched backwards., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Leaf 60. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
In an inn, a parson snores while his table companion, an old soldier with a wooden leg, recounts animatedly the battle of Dettingen, the map of which hangs on the wall behind them. Next to him, a dog sleeps by the roaring fireplace above which hangs a portrait, a carbine and a sword. The inn maid approaches the table with a roast on a platter
Description:
Title etched below image., Attributed to Rowlandson by Grego., Restrike. For original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 389., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], The digit "4" in "1784" in imprint statement is etched backwards., and On leaf 60 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub. Feby. 11, 1784, by W. Humphey [sic], Strand and Field & Tuer
"The Duchess of Devonshire (right), in morning cap and gown, makes tea for Fox and Sam House who sit side by side on a sofa (left). The duchess leans back in her chair, one hand on the tap of the urn, while she hands a cup to a footman who stands with a tray. Sam (left) has been served first; he sits stirring his tea and gazing adoringly at Fox (right), who playfully pats his bald head. A spaniel stands in front of them, begging. On the wall behind are two freely sketched whole length portraits: behind the duchess is Reynolds's portrait of her husband standing by his horse (as in British Museum Satires No. 6546), the other is over the heads of House and Fox."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue and Grego., Another impression of a print owned by Horace Walpole which is now at NYPL 71., and Mounted to 30 x 42 cm.
Publisher:
Pubd. April 14th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England, London., and Westminster
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Devonshire, William Cavendish, Duke of, 1748-1811, Fox, Charles James, 1749-1806, House, Samuel, -1785, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Dogs, Pleading (Begging), Political elections, and Servants
Leaf 18. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The Duchess of Devonshire (right), in morning cap and gown, makes tea for Fox and Sam House who sit side by side on a sofa (left). The duchess leans back in her chair, one hand on the tap of the urn, while she hands a cup to a footman who stands with a tray. Sam (left) has been served first; he sits stirring his tea and gazing adoringly at Fox (right), who playfully pats his bald head. A spaniel stands in front of them, begging. On the wall behind are two freely sketched whole length portraits: behind the duchess is Reynolds's portrait of her husband standing by his horse (as in British Museum Satires No. 6546), the other is over the heads of House and Fox."--British Museum online catalogue
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6529 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 128-9., and On leaf 18 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 14th, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England, London., and Westminster
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Devonshire, William Cavendish, Duke of, 1748-1811, Fox, Charles James, 1749-1806, House, Samuel, -1785, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Dogs, Pleading (Begging), Political elections, and Servants
Two ladies, a serving maid with a tea tray, and a gentleman kneeling on a chair watch a ragged youth who is kneeling down and displays a richly and fashionably dressed doll who appears to be walking on her own towards the group of observers. Behind the young man are two others, one playing hurdy-gurdy, the other carrying a large box strapped to his back. The scene takes place on a terrace of a large house
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., and One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743.
Publisher:
Robert Sayer
Subject (Topic):
Dolls, Musical instruments, Organ grinders, Servants, and Toys
Title from item., Date derived from French publication of: Egan, Pierce. Diorama anglais ou promenade pittoresque à Londre, Paris: Jules Didot, 1823., Print depicts a scene from Tom and Jerry, or Life in London., Sheet trimmed., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Physician and patient, Pulse, Medicines, Servants, Physicians, Guests, Medical equipment & supplies, Chamber pots, Sick persons, Bedrooms, and Fireplaces
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
