publish'd according to act of Parliamt. June 20th, 1746.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 32. Queen Charlotte's collection of Hogarth works. Leaf 32. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
David Garrick in the role of Richard III, awakening from his troubled dream in the tent before the battle of Bosworth Field
Alternative Title:
Garrick in the character of Richard III
Description:
Title etched below image., Title in Paulson: Garrick in the character of Richard III., State and publisher from Paulson., Sheet trimmed to: 41.6 x 51.6 cm., and Mounted on page 125 in volume 2.
Publisher:
Wm. Hogarth
Subject (Name):
Garrick, David, 1717-1779 and Shakespeare, William, 1564-1616.
publish'd according to act of Parliamt. June 20th, 1746.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 32. Queen Charlotte's collection of Hogarth works. Leaf 32. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
David Garrick in the role of Richard III, awakening from his troubled dream in the tent before the battle of Bosworth Field
Alternative Title:
Garrick in the character of Richard III
Description:
Title etched below image., Title in Paulson: Garrick in the character of Richard III., State and publisher from Paulson., 1 print : etching and engraving on laid paper ; plate mark 41.8 x 52.4 cm, on sheet 46 x 59 cm., and Plate 32 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Garrick, David, 1717-1779 and Shakespeare, William, 1564-1616.
Title engraved below image., Sheet trimmed to plate mark at top edge., Plate from: The town and country magazine. London : Printed for A. Hamilton, Junr., v. 1 (1769), page 473., Numbered 'No. XXVII' in upper left corner., See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 431., and Temporary local subject terms: Theatres: Stratford upon Avon -- Female dress, 1769 -- Male dress, 1769 -- William Shakespeare's statue, 1769.
Publisher:
publisher not identified
Subject (Name):
Garrick, David, 1717-1779, and Shakespeare, William, 1564-1616.
Subject (Topic):
Monuments & memorials, Music, Musical instruments, Musicians, Performances, and Theaters
One of a collection of four similar images; the others in this series are: Miss Hargraves as Amy; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. In this image, a full-length image of Edmund Kean as Othello constructed from parts of a print or prints while his costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming and small metal buttons. This image is the only one of the four mounted on a secondary sheet, this one ruled as if from a ledger
Description:
Title written at bottom of sheet., Statement of responsibility written at top of sheet; "the author" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Kean, Edmund, 1787-1833, and Shakespeare, William, 1564-1616.
The courtroom scene from Act 4, Scene 1 of Merchant of Venice when Portia reminds Shylock that the bond only allows him a pound of flesh, and makes no allowances for blood. Shylock, standing with a knife in his right hand and scales in his right, registers the disappointment and shock in his expression as he stands before Portia disguised as Balthasar, holding the bond. They are flanked by Antonio and Bassanio. In the background, the judge sits at his bench, his finger to his forehead. Below the title, Portia's lines: Have by some surgeon, Shylock, on your charge to stop his wounds lest he should bleed to death. Followed by Shylock's lines: Is it so nominated in the bond?
Alternative Title:
Mr. Macklin and Mrs. Pope in the characters of Shylock and Portia
Description:
Title from item., Sheet trimmed within plate mark., and Date based on last performance date of Macklin and Pope in the The merchant of Venice.
Publisher:
publisher not identified
Subject (Geographic):
England and London
Subject (Name):
Macklin, Charles, 1697?-1797,, Pope, Elizabeth, approximately 1740-1797,, Shakespeare, William, 1564-1616., and Shylock (Fictitious character)
Subject (Topic):
Actors, British, Courtrooms, Portia (Fictitious character), and Theatrical productions
Roberts, Henry, approximately 1710-approximately 1790, printmaker
Published / Created:
[between 1783 and 1790]
Call Number:
763.00.00.128
Image Count:
1
Resource Type:
still image
Abstract:
The full length figure of Mr. Yates in the character of Launce from Two gentlemen of Verona stands center with his right hand holding the leash of his dog Crab while he points down to the dog with his left. Launce's shoes and hat lie on the ground in front and to the left while a tall staff stands in the ground to the right. Bushes and trees form the backdrop. Engraved below the image are 11 lines from Act II, Scene III beginning: Nay 'twill be this hour ere I have done weeping ...
Alternative Title:
Mr. Yates in the character of Launce in the Two Gentlemen of Verona with his dog Crab
Description:
Title from item., Publication date inferred from William Richardson's business address. See The London book trades, 1775-1800 / Ian Maxted, p. 187, Later state of a print originally published by Roberts in 1763. See British Museum catalogue., and Watermark: Strasburg lily with initials G R below.
Publisher:
Publish'd as the act directs, by W. Richardson, Antient & Modern Print Warehouse, 174 Strand
Subject (Name):
Yates, Richard, 1706?-1796, Shakespeare, William, 1564-1616., and Shakespeare, William, 1564-1616
Subject (Topic):
Performances, Characters, Launce, Actors, British, and Dogs
